Author: Amanda Carlson
Publisher:
ISBN: 9780813049663
Category : ART
Languages : en
Pages : 0
Book Description
This collection of essays encourages a critical evaluation of the concept of "Florida" as a cultural and geographical entity and the influences and effects of the numerous African and Africa American-influenced cultures.
Africa in Florida
Author: Amanda Carlson
Publisher:
ISBN: 9780813049663
Category : ART
Languages : en
Pages : 0
Book Description
This collection of essays encourages a critical evaluation of the concept of "Florida" as a cultural and geographical entity and the influences and effects of the numerous African and Africa American-influenced cultures.
Publisher:
ISBN: 9780813049663
Category : ART
Languages : en
Pages : 0
Book Description
This collection of essays encourages a critical evaluation of the concept of "Florida" as a cultural and geographical entity and the influences and effects of the numerous African and Africa American-influenced cultures.
Native Americans in Florida
Author: Kevin M. McCarthy
Publisher: Pineapple PressInc
ISBN: 9781561641819
Category : History
Languages : en
Pages : 194
Book Description
Traces the history and culture of various Native American tribes in Florida, addressing such topics as mounds and other archeological remains, languages, reservations, wars, and European encroachment.
Publisher: Pineapple PressInc
ISBN: 9781561641819
Category : History
Languages : en
Pages : 194
Book Description
Traces the history and culture of various Native American tribes in Florida, addressing such topics as mounds and other archeological remains, languages, reservations, wars, and European encroachment.
Anna Madgigine Jai Kingsley
Author: Daniel L. Schafer
Publisher: University Press of Florida
ISBN: 0813063531
Category : History
Languages : en
Pages : 224
Book Description
Florida Historical Society Charlton Tebeau Award In this revised and expanded edition of Anna Kingsley’s remarkable life story, Daniel Schafer draws on new discoveries to prove true the longstanding rumors that Anna Madgigine Jai was originally a princess from the royal family of Jolof in Senegal. Captured from her homeland in 1806, she became first an American slave, later a slaveowner, and eventually a central figure in a free black community. Anna Kingsley’s story adds a dramatic chapter to the history of the South, the state of Florida, and the African diaspora.
Publisher: University Press of Florida
ISBN: 0813063531
Category : History
Languages : en
Pages : 224
Book Description
Florida Historical Society Charlton Tebeau Award In this revised and expanded edition of Anna Kingsley’s remarkable life story, Daniel Schafer draws on new discoveries to prove true the longstanding rumors that Anna Madgigine Jai was originally a princess from the royal family of Jolof in Senegal. Captured from her homeland in 1806, she became first an American slave, later a slaveowner, and eventually a central figure in a free black community. Anna Kingsley’s story adds a dramatic chapter to the history of the South, the state of Florida, and the African diaspora.
Africa in Florida
Author: Amanda Carlson
Publisher:
ISBN: 9780813044576
Category : ART
Languages : en
Pages : 0
Book Description
This collection of essays encourages a critical evaluation of the concept of "Florida" as a cultural and geographical entity and the influences and effects of the numerous African and Africa American-influenced cultures.
Publisher:
ISBN: 9780813044576
Category : ART
Languages : en
Pages : 0
Book Description
This collection of essays encourages a critical evaluation of the concept of "Florida" as a cultural and geographical entity and the influences and effects of the numerous African and Africa American-influenced cultures.
Situated Narratives and Sacred Dance
Author: Jill Flanders Crosby
Publisher: University Press of Florida
ISBN: 1683403797
Category : Social Science
Languages : en
Pages : 274
Book Description
Using storytelling and performance to explore shared religious expression across continents Through a revolutionary ethnographic approach that foregrounds storytelling and performance as alternative means of knowledge, Situated Narratives and Sacred Dance explores shared ritual traditions between the Anlo-Ewe people of West Africa and their descendants, the Arará of Cuba, who were brought to the island in the transatlantic slave trade. The volume draws on two decades of research in four communities: Dzodze, Ghana; Adjodogou, Togo; and Perico and Agramonte, Cuba. In the ceremonies, oral narratives, and daily lives of individuals at each fieldsite, the authors not only identify shared attributes in religious expression across continents, but also reveal lasting emotional, spiritual, and personal impacts in the communities whose ancestors were ripped from their homeland and enslaved. The authors layer historiographic data, interviews, and fieldnotes with artistic modes such as true fiction, memoir, and choreographed narrative, challenging the conventional nature of scholarship with insights gained from sensorial experience. Including reflections on the making of an art installation based on this research project, the volume challenges readers to imagine the potential of approaching fieldwork as artists. The authors argue that creative methods can convey truths deeper than facts, pointing to new possibilities for collaboration between scientists and artists with relevance to any discipline. Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Publisher: University Press of Florida
ISBN: 1683403797
Category : Social Science
Languages : en
Pages : 274
Book Description
Using storytelling and performance to explore shared religious expression across continents Through a revolutionary ethnographic approach that foregrounds storytelling and performance as alternative means of knowledge, Situated Narratives and Sacred Dance explores shared ritual traditions between the Anlo-Ewe people of West Africa and their descendants, the Arará of Cuba, who were brought to the island in the transatlantic slave trade. The volume draws on two decades of research in four communities: Dzodze, Ghana; Adjodogou, Togo; and Perico and Agramonte, Cuba. In the ceremonies, oral narratives, and daily lives of individuals at each fieldsite, the authors not only identify shared attributes in religious expression across continents, but also reveal lasting emotional, spiritual, and personal impacts in the communities whose ancestors were ripped from their homeland and enslaved. The authors layer historiographic data, interviews, and fieldnotes with artistic modes such as true fiction, memoir, and choreographed narrative, challenging the conventional nature of scholarship with insights gained from sensorial experience. Including reflections on the making of an art installation based on this research project, the volume challenges readers to imagine the potential of approaching fieldwork as artists. The authors argue that creative methods can convey truths deeper than facts, pointing to new possibilities for collaboration between scientists and artists with relevance to any discipline. Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
From Africa to Jamaica
Author: Audra A. Diptee
Publisher: University Press of Florida
ISBN: 0813042992
Category : History
Languages : en
Pages : 207
Book Description
Rich with historical sketches of the life and experiences of slaves in Africa, on slave ships, and in Jamaica, this volume illustrates the way enslaved Africans lived and helped to shape Jamaican society in the three decades before British abolition of the slave trade. Audra Diptee's in-depth investigations reveal unexpected insights into the demographics of those captured in Africa and legally transported on British slave ships. For example, there is a commonly held belief that slave traders had a preference for adult males. In fact, the practicalities of slave raiding meant that women, children, and large groups of the elderly were particularly vulnerable during raids and were more often captured and made available for sale in the Caribbean. From Africa to Jamaica offers a new look at the Atlantic slave trade in its final years, fleshing out the historical portrait of the African men, women, and children who were sold in Jamaica and were thus among the last of the enslaved to put their stamp on Jamaican society. There is no comparable study that takes such a comprehensive approach, looking at both the African and Jamaican sides of the trade system.
Publisher: University Press of Florida
ISBN: 0813042992
Category : History
Languages : en
Pages : 207
Book Description
Rich with historical sketches of the life and experiences of slaves in Africa, on slave ships, and in Jamaica, this volume illustrates the way enslaved Africans lived and helped to shape Jamaican society in the three decades before British abolition of the slave trade. Audra Diptee's in-depth investigations reveal unexpected insights into the demographics of those captured in Africa and legally transported on British slave ships. For example, there is a commonly held belief that slave traders had a preference for adult males. In fact, the practicalities of slave raiding meant that women, children, and large groups of the elderly were particularly vulnerable during raids and were more often captured and made available for sale in the Caribbean. From Africa to Jamaica offers a new look at the Atlantic slave trade in its final years, fleshing out the historical portrait of the African men, women, and children who were sold in Jamaica and were thus among the last of the enslaved to put their stamp on Jamaican society. There is no comparable study that takes such a comprehensive approach, looking at both the African and Jamaican sides of the trade system.
Africa Interweave
Author: Susan Cooksey
Publisher: University Press of Florida
ISBN:
Category : Art
Languages : en
Pages : 162
Book Description
Catalog of an exhibition held at the Samuel P. Harn Museum of Art, University of Florida, Gainesville, Feb. 8-May 8, 2011.
Publisher: University Press of Florida
ISBN:
Category : Art
Languages : en
Pages : 162
Book Description
Catalog of an exhibition held at the Samuel P. Harn Museum of Art, University of Florida, Gainesville, Feb. 8-May 8, 2011.
Black Society in Spanish Florida
Author: Jane Landers
Publisher:
ISBN: 9780252024467
Category : History
Languages : en
Pages : 8
Book Description
The first extensive study of the African American community under colonial Spanish rule, Black Society in Spanish Florida provides a vital counterweight to the better-known dynamics of the Anglo slave South. Jane Landers draws on a wealth of untapped primary sources, opening a new vista on the black experience in America and enriching our understanding of the powerful links between race relations and cultural custom. Blacks under Spanish rule in Florida lived not in cotton rows or tobacco patches but in a more complex and international world that linked the Caribbean, Africa, Europe, and a powerful and diverse Indian hinterland. Here the Spanish Crown afforded sanctuary to runaway slaves, making the territory a prime destination for blacks fleeing Anglo plantations, while Castilian law (grounded in Roman law) provided many avenues out of slavery, which it deemed an unnatural condition. European-African unions were common and accepted in Florida, with families of African descent developing important community connections through marriage, concubinage, and godparent choices. Assisted by the corporate nature of Spanish society, Spain's medieval tradition of integration and assimilat
Publisher:
ISBN: 9780252024467
Category : History
Languages : en
Pages : 8
Book Description
The first extensive study of the African American community under colonial Spanish rule, Black Society in Spanish Florida provides a vital counterweight to the better-known dynamics of the Anglo slave South. Jane Landers draws on a wealth of untapped primary sources, opening a new vista on the black experience in America and enriching our understanding of the powerful links between race relations and cultural custom. Blacks under Spanish rule in Florida lived not in cotton rows or tobacco patches but in a more complex and international world that linked the Caribbean, Africa, Europe, and a powerful and diverse Indian hinterland. Here the Spanish Crown afforded sanctuary to runaway slaves, making the territory a prime destination for blacks fleeing Anglo plantations, while Castilian law (grounded in Roman law) provided many avenues out of slavery, which it deemed an unnatural condition. European-African unions were common and accepted in Florida, with families of African descent developing important community connections through marriage, concubinage, and godparent choices. Assisted by the corporate nature of Spanish society, Spain's medieval tradition of integration and assimilat
Report on the Natives of South-west Africa and Their Treatment by Germany
Author: South-West Africa. Administrator's Office
Publisher:
ISBN:
Category : Criminal precedure
Languages : en
Pages : 234
Book Description
Publisher:
ISBN:
Category : Criminal precedure
Languages : en
Pages : 234
Book Description
African Art at the Harn Museum
Author: Robin Poynor
Publisher: University Press of Florida
ISBN: 9780813013251
Category : Art
Languages : en
Pages : 221
Book Description
"Insightful and profound."--Arthur P. Bourgeois, Governors State University, University Park, Illinois "More than just another exhibition catalogue. . . . The conceptual framework and orientation of the essay are original. [Poynor suggests] the complexity of African religious beliefs and the diversity of roles art plays in their manifestation."--Barbara Frank, SUNY-Stony Brook With dramatic color and black-and-white photographs of ninety-three pieces of art, African Art at the Harn Museum introduces the notable collection of West African art from the Samuel P. Harn Museum of Art. In the traditional view of many Africans, the spiritual and temporal worlds depend upon each other for companionship and material well-being. As the inhabitants of either realm cross and recross their world boundaries, art objects function as intimate links between the two domains, allowing both spirit and human to see and to manipulate each other. This work specifically addresses the role of the art object--a bowl from Cameroon, a mask from Burkina Faso or Sierra Leone, an ancestral altar from Nigeria, a fertility figure from Ghana--as a medium through which each world gains entrance into the other. Poynor's essay presents each work in its geographic and cultural context. Line drawings and abundant field photographs enhance the text and support the idea that the objects assist communication between two worlds. Robin Poynor, associate professor of art at the University of Florida, is guest curator of the "Spirit Eyes, Human Hands" exhibition of the university's Samuel P. Harn Museum of Art. He is the former curator of the Tweed Museum at the University of Minnesota, Duluth. He has written principally on the art of the Yoruba Kingdom of Owo, Nigeria, where he did field research, and he has curated a number of exhibitions of African art, writing essays, catalogues, and display texts for the Metropolitan Museum of Art, Birmingham Museum of Art, and Indiana University Art Museum. He has published extensively in African Arts.
Publisher: University Press of Florida
ISBN: 9780813013251
Category : Art
Languages : en
Pages : 221
Book Description
"Insightful and profound."--Arthur P. Bourgeois, Governors State University, University Park, Illinois "More than just another exhibition catalogue. . . . The conceptual framework and orientation of the essay are original. [Poynor suggests] the complexity of African religious beliefs and the diversity of roles art plays in their manifestation."--Barbara Frank, SUNY-Stony Brook With dramatic color and black-and-white photographs of ninety-three pieces of art, African Art at the Harn Museum introduces the notable collection of West African art from the Samuel P. Harn Museum of Art. In the traditional view of many Africans, the spiritual and temporal worlds depend upon each other for companionship and material well-being. As the inhabitants of either realm cross and recross their world boundaries, art objects function as intimate links between the two domains, allowing both spirit and human to see and to manipulate each other. This work specifically addresses the role of the art object--a bowl from Cameroon, a mask from Burkina Faso or Sierra Leone, an ancestral altar from Nigeria, a fertility figure from Ghana--as a medium through which each world gains entrance into the other. Poynor's essay presents each work in its geographic and cultural context. Line drawings and abundant field photographs enhance the text and support the idea that the objects assist communication between two worlds. Robin Poynor, associate professor of art at the University of Florida, is guest curator of the "Spirit Eyes, Human Hands" exhibition of the university's Samuel P. Harn Museum of Art. He is the former curator of the Tweed Museum at the University of Minnesota, Duluth. He has written principally on the art of the Yoruba Kingdom of Owo, Nigeria, where he did field research, and he has curated a number of exhibitions of African art, writing essays, catalogues, and display texts for the Metropolitan Museum of Art, Birmingham Museum of Art, and Indiana University Art Museum. He has published extensively in African Arts.