Aedes Walpolianae, Or, A Description of the Collection of Pictures at Houghton-Hall in Norfolk PDF Download
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Author: Horace Walpole
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 166
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Book Description
Author: Horace Walpole
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 166
Get Book Here
Book Description
Author: Horace Walpole
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 168
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Book Description
Author: Christina Smylitopoulos
Publisher: Cambridge Scholars Publishing
ISBN: 1443892092
Category : Social Science
Languages : en
Pages : 238
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Book Description
In the last twenty-five years, the concept of space has emerged as a productive lens through which historians of the long eighteenth century can examine the varied and mutable issues at play in the creation and reception of objects, images, spectacles, and the built environment. This collection of essays investigates the potentialities afforded by space in eighteenth-century art and visual culture. Rather than being defined by a particular school of art or the type of space invoked, it invites global difference and reflects scholarly engagement in the eighteenth-century artistic phenomena of Italy, Mexico, and India, as well as Britain and France in immediate, imperial, and transnational contexts. The contributions here share an emphasis on agency, which in this context means the way in which objects, artists, architects, and patrons (in their many guises) have attempted to negotiate various artistic, political, philosophical, and socio-economic values through creating, reflecting, appropriating, denying, or reimagining space. Divided into two sections, the chapters in the first part, “Memory,” examine specific episodes of eighteenth-century art and visual culture that are acts of remembering, or a result of such action, or objects used to persuade through reminding. In these essays, space’s agency – whether understood as real, theoretical, or imagined – is harnessed by recalling past cultures so as to assert and reassert identities that are also bound by limiting factors, including class, religion, artistic methodology, and materiality. The chapters in the second section, “Reform,” demonstrate memory’s perseverance in eighteenth-century attempts to strike off in new directions, and consider more concrete and purposeful cases of reaching toward the future. In this section, the capacity of space to inform the development, growth, and even transformation of this period is emphasized, revealing an interest in the incremental or radical reform of politics, psychological states, artistic eminence, and colonial/imperial identities. This book invites a broader geographical scope to studies of space and underscores the ways in which agency can be productive to multifarious lines of artistic, cultural, and historical inquiry.
Author: Andrew Moore
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300097580
Category : Art
Languages : en
Pages : 500
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Book Description
After the fall of Sir Robert Walpole, Britain's first 'prime' minister, from political power in 1742, most of his celebrated collection of Old Master paintings was removed to his newly-built Palladian house in Norfold, Houghton Hall. In 1779 this collection was sold by Sir Robert's grandson to the Empress Catherine II of Russia, which was seen as a scandalous loss to Britain. This book catalogues for the first time the entire collection in Russia as well as those works of art that remained at Houghton Hall. Accompanying the catalogue are essays on various aspects of the formation and sale of the collection.
Author: Barrett Kalter
Publisher: Bucknell University Press
ISBN: 1611483794
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
The recovery and reinvention of the past were fundamental to the conception of the modern in England during the long eighteenth century. Scholars then forged connections between linear time and empirical evidence that transformed historical consciousness. Chronologers, textual critics, and antiquaries constructed the notion of a material past, which spread through the cultures of print and consumption to a broader public, offering powerful—and for that reason, contested—ways of perceiving temporality and change, the historicity of objects, and the relation between fact and imagination. But even as these innovative ideas won acceptance, they also generated rival forms of historical meaning. The regular progression of chronological time accentuated the deviance of anachronism and ephemerality, while the opposition of unique artifacts to ubiquitous commodities exoticized things that straddled this divide. Inspired by the authentic products as well as the anomalous by-products of contemporary scholarship, writers, craftsmen, and shoppers appropriated the past to create nostalgic and ironic alternatives to their own moment. Barrett Kalter explores the history of these “modern antiques,” including Dryden’s translation of Virgil, modernizations of The Canterbury Tales, Gray’s Gothic wallpaper, and Walpole’s Strawberry Hill. Though grounded in the ancient and medieval eras, these works uncannily addressed the controversies about monarchy, nationhood, commerce, and specialized knowledge that defined the present for the English eighteenth century. Bringing together literary criticism, historiography, material culture studies, and book history, Kalter argues that the proliferation of modern antiques in the period reveals modernity’s paradoxical emergence out of encounters with the past.
Author: Gosudarstvennyĭ Ėrmitazh (Russia)
Publisher: Metropolitan Museum of Art
ISBN: 087099509X
Category : Painting
Languages : en
Pages : 158
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Book Description
Catalog of an exhibition held at the Metropolitan Museum of Art from March 26, 1988 to June 5, 1988, and at the Art Institute of Chicago, from Jul. 9, 1988, to Sept. 18, 1988./ Includes bibliographical references (p. 125-134).
Author: Peter Sabor
Publisher: Taylor & Francis
ISBN: 1040293360
Category : Literary Criticism
Languages : en
Pages : 651
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Book Description
Published to coincide with the bi-centenary of the original publication of "The Works of Horatio Walpole", this five-volume edition reproduces the 1798 posthumous facsimile held by the Lewis Walpole Library.
Author: Thomas McGeary
Publisher: Boydell & Brewer
ISBN: 1837651698
Category : History
Languages : en
Pages : 375
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Book Description
Explores the intersection of the world of opera, literature and partisan politics to show how Italian opera was put to use in the 'culture wars' of the day. This last of a trilogy of books on opera and politics in Britain examines the cultural politics of opera during the ministerial reign of Sir Robert Walpole from 1720 to 1742. The book explores the intersection of the world of opera, literature, and partisan politics to show how Italian opera - with its associations with the court, ministry and Britain's social-political elite - was put to use in the 'culture wars' of the day: how Italian opera was used for partisan political advantage; how political work could be accomplished by means of opera. It shows that attacks on opera had ulterior targets. The book surveys a range of often overlooked verse and prints to show how critique or satire of opera were a means for oppositional writers to delegitimize the Walpole ministry. Polemicists framed opera as a consequence of the corruption, luxury and False Taste generated by Walpole's ministry. It closes in the watershed year 1742: Handel had produced the last of his Italian operas the previous year, Walpole fell from power, and Alexander Pope published the last book of his Dunciad project.
Author: Marion Harney
Publisher: Routledge
ISBN: 1317080505
Category : Architecture
Languages : en
Pages : 327
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Book Description
Drawing together landscape, architecture and literature, Strawberry Hill, the celebrated eighteenth-century ’Gothic’ villa and garden beside the River Thames, is an autobiographical site, where we can read the story of its creator, Horace Walpole. This 'man of taste' created private resonances, pleasure and entertainment - a collusion of the historic, the visual and the sensory. Above all, it expresses the inseparable integration of house and setting, and of the architecture with the collection, all specific to one individual, a unity that is relevant today to all architects, landscape designers and garden and country house enthusiasts. Avoiding the straightforward architectural description of previous texts, this beautifully illustrated book reveals the Gothic villa and associated landscape to be inspired by theories that stimulate 'The Pleasures of the Imagination' articulated in the series of essays by Joseph Addison (1672-1719) published in the Spectator (1712). Linked to this argument, it proposes that the concepts behind the designs for Strawberry Hill are not based around architectural precedent but around eighteenth-century aesthetics theories, antiquarianism and matters of 'Taste'. Using architectural quotations from Gothic tombs, Walpole expresses the mythical idea that it was based on monastic foundations with visual links to significant historical figures and events in English history. The book explains for the first time the reasons for its creation, which have never been adequately explored or fully understood in previous publications. The book develops an argument that Walpole was the first to define theories on Gothic architecture in his Anecdotes of Painting (1762-71). Similarly innovative, The History of the Modern Taste in Gardening (1780) is one of the first to attempt a history and theory of gardening. The research uniquely evaluates how these theories found expression at Strawberry Hill. This reassessment of the villa and its associated l
Author: Robert Dodsley
Publisher: Cambridge University Press
ISBN: 9780521522083
Category : Biography & Autobiography
Languages : en
Pages : 644
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Book Description
This fully annotated edition sheds much light on eighteenth-century British literary and publishing history.
