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Author: Theodor W. Adorno
Publisher: Harvard University Press
ISBN: 9780674006898
Category : Biography & Autobiography
Languages : en
Pages : 408
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Book Description
The correspondence between Adorno and Walter Benjamin, which appears here for the first time in its entirety in English translation, must rank among the most significant to have come down to us from that notable age of barbarism, the 20th century. Each writer had met his match--happily--in the other. This book is the story of an elective affinity.
Author: Theodor W. Adorno
Publisher: Harvard University Press
ISBN: 9780674006898
Category : Biography & Autobiography
Languages : en
Pages : 408
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Book Description
The correspondence between Adorno and Walter Benjamin, which appears here for the first time in its entirety in English translation, must rank among the most significant to have come down to us from that notable age of barbarism, the 20th century. Each writer had met his match--happily--in the other. This book is the story of an elective affinity.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 508
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Book Description
Author: John H Baron
Publisher: Routledge
ISBN: 1135848289
Category : Art
Languages : en
Pages : 797
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Book Description
Chamber Music: A Research and Information Guide is a reference tool for anyone interested in chamber music. It is not a history or an encyclopedia but a guide to where to find answers to questions about chamber music. The third edition adds nearly 600 new entries to cover new research since publication of the previous edition in 2002. Most of the literature is books, articles in journals and magazines, dissertations and theses, and essays or chapters in Festschriften, treatises, and biographies. In addition to the core literature obscure citations are also included when they are the only studies in a particular field. In addition to being printed, this volume is also for the first time available online. The online environment allows for information to be updated as new research is introduced. This database of information is a "live" resource, fully searchable, and with active links. Users will have unlimited access, annual revisions will be made and a limited number of pages can be downloaded for printing.
Author: Jeanne Shapiro
Publisher:
ISBN:
Category :
Languages : en
Pages : 324
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Book Description
Author: Xerox University Microfilms
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 1000
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Book Description
Author: Maurice Hinson
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 200
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Book Description
Author: Ludmila Ulehla
Publisher: New York : Free Press
ISBN:
Category : Counterpoint
Languages : en
Pages : 552
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Book Description
Author: David Epstein
Publisher: Oxford University Press, USA
ISBN:
Category : History
Languages : en
Pages : 268
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Book Description
Examining the elements of musical structure and the ways they provide unity, coherence and uniqueness in classic-romantic music, the author defines the concept of Grundgestalt, or "basic shape" and follows its development from the music of the classic-romantic Viennese school to the twelve-tone compositions of Schoenberg.
Author: Theodore Baker
Publisher: Macmillan Reference USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1330
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Book Description
"Nicolas Slonimsky's venerable single-volume reference is now a six-volume set, with better page layout and typeface, and a subject range outside its traditional concentration on classical music. Under new editorship since Slonimsky's death in 1995, coverage has expanded to over 1,000 new entries on classical music and over 2,000 new entries on jazz and popular music. Nice features include reprints of Slonimsky's witty introductions to earlier editions and indexes for genre, nationality, and women composers and musicians."--"Outstanding Reference Sources," American Libraries, May 2002.
Author: Michael Haas
Publisher: Yale University Press
ISBN: 0300154313
Category : Music
Languages : en
Pages : 505
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Book Description
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
