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Author: Sampada Aranke
Publisher: Princeton University Press
ISBN: 0691209278
Category : Art
Languages : en
Pages : 137
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Book Description
Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events.
Author: Sampada Aranke
Publisher: Princeton University Press
ISBN: 0691209278
Category : Art
Languages : en
Pages : 137
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Book Description
Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events.
Author: Amy Helene Kirschke
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
The Crisis was an integral element of the struggle to combat racism in America. As editor of the magazine (1910–1934), W. E. B. Du Bois addressed the important issues facing African Americans. He used the journal as a means of racial uplift, celebrating the joys and hopes of African American culture and life, and as a tool to address the injustices black Americans experienced—the sorrows of persistent discrimination and racial terror, and especially the crime of lynching. The written word was not sufficient. Visual imagery was central to bringing his message to the homes of readers and emphasizing the importance of the cause. Art was integral to his political program. Art in Crisis: W. E. B. Du Bois and the Struggle for African American Identity and Memory reveals how W. E. B. Du Bois created a "visual vocabulary" to define a new collective memory and historical identity for African Americans.
Author: Daniel Widener
Publisher: Duke University Press
ISBN: 0822392623
Category : Social Science
Languages : en
Pages : 385
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Book Description
From postwar efforts to end discrimination in the motion-picture industry, recording studios, and musicians’ unions, through the development of community-based arts organizations, to the creation of searing films critiquing conditions in the black working class neighborhoods of a city touting its multiculturalism—Black Arts West documents the social and political significance of African American arts activity in Los Angeles between the Second World War and the riots of 1992. Focusing on the lives and work of black writers, visual artists, musicians, and filmmakers, Daniel Widener tells how black cultural politics changed over time, and how altered political realities generated new forms of artistic and cultural expression. His narrative is filled with figures invested in the politics of black art and culture in postwar Los Angeles, including not only African American artists but also black nationalists, affluent liberal whites, elected officials, and federal bureaucrats. Along with the politicization of black culture, Widener explores the rise of a distinctive regional Black Arts Movement. Originating in the efforts of wartime cultural activists, the movement was rooted in the black working class and characterized by struggles for artistic autonomy and improved living and working conditions for local black artists. As new ideas concerning art, racial identity, and the institutional position of African American artists emerged, dozens of new collectives appeared, from the Watts Writers Workshop, to the Inner City Cultural Center, to the New Art Jazz Ensemble. Spread across generations of artists, the Black Arts Movement in Southern California was more than the artistic affiliate of the local civil-rights or black-power efforts: it was a social movement itself. Illuminating the fundamental connections between expressive culture and political struggle, Black Arts West is a major contribution to the histories of Los Angeles, black radicalism, and avant-garde art.
Author: Essi Rönkkö
Publisher: Block Museum
ISBN: 9781732568426
Category :
Languages : en
Pages : 144
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Book Description
Who Says, Who Shows, What Counts invites readers to think critically about how artists, artworks, and museums engage with narratives of the past. Richly illustrated and written for a general audience, this book showcases the depth and breadth of more than fifty recent acquisitions to the Block Museum of Art's contemporary collection, including a wide-ranging selection of works by Dawoud Bey, Shan Goshorn, the Guerrilla Girls, Marisol, Kerry James Marshall, Catherine Opie, Man Ray, Cindy Sherman, Thomas Struth, Tseng Kwong Chi, and Kara Walker, among other artists. The book is a companion publication to the 2021 exhibition of the same name, presented to celebrate the museum's fortieth anniversary, and both draw inspiration from a work by conceptual artist Louise Lawler, Who Says, Who Shows, Who Counts (1990), and are organized around challenging questions of historical representation within artworks and institutions: How can art help us reflect upon, question, rewrite, or reimagine the past? Who has been represented in visual art, how, and by whom? How is history etched onto a landscape or erased from it? How do museums and dominant canons of art history shape our view of history and of the past? Who Says, Who Shows, What Counts demonstrates how an academic art museum's collection can facilitate multidisciplinary connections and tell stories about issues relevant to our lives.
Author: Tram Nguyen
Publisher: Beacon Press
ISBN: 9780807048009
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
"Language Is a Place of Struggle" is the first truly multiracial and polycultural quote book, collecting quotations from both historical and contemporary novelists and poets, activists and political leaders, and artists and musicians. Within these pages, readers will find wisdom, wit, and inspiration from Asian Americans, African Americans, Latinos, Arab Americans, American Indians, recent immigrants to the United States, and many others. With nearly fifteen hundred quotations, this exceptional book covers a broad spectrum: from insights on spirituality to words inciting social change and justice; from the impact of colonization, slavery, and racism to observations on gender, sexuality, and identity. The quotes show how people of color in the United States have been shaped by various community histories, ongoing political and cultural struggles, and personal evolutions. Each quote reflects three core themes from the histories of people of color in America: the significance of mass movements and the role of individuals within them; the vision that binds one society to another; and the foundational relationship between an evolving society and a changing self. Each chapter—Roots, Selves, Relationship, Work and Play, Making Change, and Inner Visions—adds to the larger story about people of color in the context of history, culture, and community. An invaluable tool for speechwriters, educators, ministers, and librarians that is accessibly organized for all readers, this entertaining and thought-provoking book is a much-needed resource for anyone interested in multicultural issues. Here you will find: Gloria Anzaldúa on borders and margins; Margaret Cho on failure and success; Edwidge Danticat on women who write; Junot Díaz on masculinity; Vine Deloria, Jr., on activism; Suheir Hammad on miscegenation and identity; bell hooks on identity and oppression; Edward P. Jones on the system of racism; Philip Vera Cruz on leadership; Chögyam Trungpa on spiritual materialism; and much more.
Author: Michel Houellebecq
Publisher: Alma Books
ISBN:
Category : Literary Collections
Languages : en
Pages : 228
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Book Description
No Marketing Blurb
Author: La Donna Forsgren
Publisher: Northwestern University Press
ISBN: 0810142589
Category : Performing Arts
Languages : en
Pages : 393
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Book Description
Outstanding Academic Title, CHOICE The first oral history to fully explore the contributions of black women intellectuals to the Black Arts Movement, Sistuhs in the Struggle reclaims a vital yet under-researched chapter in African American, women’s, and theater history. This groundbreaking study documents how black women theater artists and activists—many of whom worked behind the scenes as directors, designers, producers, stage managers, and artistic directors—disseminated the black aesthetic and emboldened their communities. Drawing on nearly thirty original interviews with well-known artists such as Ntozake Shange and Sonia Sanchez as well as less-studied figures including distinguished lighting designer Shirley Prendergast, dancer and choreographer Halifu Osumare, and three-time Tony-nominated writer and composer Micki Grant, La Donna L. Forsgren centers black women’s cultural work as a crucial component of civil rights and black power activism. Sistuhs in the Struggle is an essential collection for theater scholars, historians, and students interested in learning how black women’s art and activism both advanced and critiqued the ethos of the Black Arts and Black Power movements.
Author: T. V. Reed
Publisher: U of Minnesota Press
ISBN: 1452958653
Category : Art
Languages : en
Pages : 549
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Book Description
A second edition of the classic introduction to arts in social movements, fully updated and now including Black Lives Matter, Occupy Wall Street, and new digital and social media forms of cultural resistance The Art of Protest, first published in 2006, was hailed as an “essential” introduction to progressive social movements in the United States and praised for its “fluid writing style” and “well-informed and insightful” contribution (Choice Magazine). Now thoroughly revised and updated, this new edition of T. V. Reed’s acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women’s movements, the American Indian Movement’s use of film and video, anti-apartheid rock music, ACT UP’s visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms. For students and scholars of social change and those seeking to counter reactionary efforts to turn back the clock on social equality and justice, the new edition of The Art of Protest will be both informative and inspiring.
Author: Lawrence Goldstone
Publisher: Scholastic Inc.
ISBN: 1338323504
Category : Young Adult Nonfiction
Languages : en
Pages : 264
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Book Description
A thrilling and incisive examination of the post-Reconstruction era struggle for and suppression of African American voting rights in the United States. Following the Civil War, the Reconstruction era raised a new question to those in power in the US: Should African Americans, so many of them former slaves, be granted the right to vote?In a bitter partisan fight over the legislature and Constitution, the answer eventually became yes, though only after two constitutional amendments, two Reconstruction Acts, two Civil Rights Acts, three Enforcement Acts, the impeachment of a president, and an army of occupation. Yet, even that was not enough to ensure that African American voices would be heard, or their lives protected. White supremacists loudly and intentionally prevented black Americans from voting -- and they were willing to kill to do so.In this vivid portrait of the systematic suppression of the African American vote for young adults, critically acclaimed author Lawrence Goldstone traces the injustices of the post-Reconstruction era through the eyes of incredible individuals, both heroic and barbaric, and examines the legal cases that made the Supreme Court a partner of white supremacists in the rise of Jim Crow. Though this is a story of America's past, Goldstone brilliantly draws direct links to today's creeping threats to suffrage in this important and, alas, timely book.
Author: E. James West
Publisher: University of Illinois Press
ISBN: 0252053311
Category : History
Languages : en
Pages : 225
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Book Description
Multiple Award-Winner! Winner of the 2023 Michael Nelson Prize of International Association for Media and History (IAMHIST) Recipient of the 2022 Jane Jacobs Urban Communication Book Award Winner of the 2023 American Journalism Historians Association Book of the Year Winner of the 2023 ULCC’s (Union League Club of Chicago) Outstanding Book on the History of Chicago Award Recipient of a 2023 Best of Illinois History Superior Achievement award from the Illinois State Historical Society Winner of the 2023 BAAS Book Prize (British Association for American Studies) Honorable Mention for the 2021-22 RSAP Book Prize (Research Society for American Periodicals) Buildings once symbolized Chicago's place as the business capital of Black America and a thriving hub for Black media. In this groundbreaking work, E. James West examines the city's Black press through its relationship with the built environment. As a house for the struggle, the buildings of publications like Ebony and the Chicago Defender embodied narratives of racial uplift and community resistance. As political hubs, gallery spaces, and public squares, they served as key sites in the ongoing Black quest for self-respect, independence, and civic identity. At the same time, factors ranging from discriminatory business practices to editorial and corporate ideology prescribed their location, use, and appearance, positioning Black press buildings as sites of both Black possibility and racial constraint. Engaging and innovative, A House for the Struggle reconsiders the Black press's place at the crossroads where aspiration collided with life in one of America's most segregated cities.
