A Short View of the Immorality, and Profaneness of the English Stage PDF Download
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Author: Jeremy Collier
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 235
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Book Description
A Short View of the Immorality, and Profaneness of the English Stage is a book by Jeremy Collier. It provides several lengthy and meticulously sharp analyzations of Ancient well known theatrical plays.
Author: Jeremy Collier
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 235
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Book Description
A Short View of the Immorality, and Profaneness of the English Stage is a book by Jeremy Collier. It provides several lengthy and meticulously sharp analyzations of Ancient well known theatrical plays.
Author: Lisa A. Freeman
Publisher: University of Pennsylvania Press
ISBN: 0812248732
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
In an exploration of antitheatrical incidents from the seventeenth to the twentieth century, Lisa A. Freeman demonstrates that at the heart of antitheatrical disputes lies a struggle over the character of the body politic that governs a nation and the bodies public that could be said to represent that nation.
Author: John Vanbrugh
Publisher:
ISBN:
Category :
Languages : en
Pages : 560
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Book Description
Author:
Publisher:
ISBN:
Category : College student newspapers and periodicals
Languages : en
Pages : 580
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Book Description
Vols. 1-26 include a supplement: The University pulpit, vols. [1]-26, no. 1-661, which has separate pagination but is indexed in the main vol.
Author: Sir Adolphus William Ward
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 602
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Book Description
Author: Cumberland
Publisher:
ISBN:
Category :
Languages : en
Pages : 400
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Book Description
Author: Sir Adolphus William Ward
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 546
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Book Description
Author: Anne Greenfield
Publisher: Taylor & Francis
ISBN: 1040102549
Category : Performing Arts
Languages : en
Pages : 106
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Book Description
This book examines one of the most pervasive and successful dramatic tropes of the Restoration and early eighteenth century: sexual violence. During this sixty-year span, there were over fifty tragic and tragi-comedic productions that showcased rape and/or attempted rape—a remarkable number that was unprecedented in English dramatic history. Rape was not merely depicted more frequently during the Restoration, but it was also placed at the center of more plots, given more pathetic emphasis, and even staged more centrally. Restoration dramatists were the first to revolve routinely entire plots around the rapes of their innocent heroines, to give powerful voices to these heroines post-rape, and to imbue their sexually violent scenes with new and attention-getting staging techniques, such as discovery scenes. As this book argues, sexual violence emerged at this time as a highly flexible dramatic trope that could be used to illustrate terrifying political scenarios, elicit extreme pathos in audiences, and demonstrate the bearing that lost chastity had on social stability. It is precisely the rich, multi-faceted appeal of these productions—politically, sexually, visually, and culturally—that explains the popularity and significance of this dramatic trope on the English stage. This book will be of interest to students and scholars in Restoration, eighteenth-century studies, and theatre and performance studies.
Author: Paul Trolander
Publisher: University of Delaware Press
ISBN: 9780874139693
Category : History
Languages : en
Pages : 242
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Book Description
Sociable Criticism in England explores how from 1625 to 1725 cultural practices and discourses of sociability (rules for small-group discussion, friendship discourse, and patron-client relationships) determined the venues within which critical judgments were rendered, disseminated, and received. It establishes how individuals operating in small groups were authorized to circulate critical judgments and commentary, why certain modes of critical exchange were treated as beyond the ken of good social manners, and how such expectations were subverted or manipulated to avoid the imputation that individuals had violated the standards for offering public criticism. Philips, George Villiers, John Dryden, Lady Margaret Cavendish, John Dennis, and Joseph Addison, this study argues that seventeenth- and early eighteenth-century criticism could circulate either orally, in manuscript, or in print so long as it appeared to originate in interpersonal encounters considered appropriate to critical discussion.
Author: William Wycherley
Publisher: A&C Black
ISBN: 1408179911
Category : Performing Arts
Languages : en
Pages : 187
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Book Description
'He's a fool that marries, but he's a greater fool that does not marry a fool.' This bawdy, hilarious, subversive and wickedly satirical drama pokes fun at the humourless, the jealous, and the adulterous alike. It features a country wife, Margery, whose husband believes she is too naïve to cuckold him; and an anti-hero, Horner, who pretends to be impotent in order to have unrestrained access to the women keen on 'the sport'. A number of licentious and hypocritical women request Horner's services – the country wife among them. The Country Wife has provoked powerfully mixed reactions over the years. The seventeenth century libertine king Charles II saw it twice, and is said to have joined the 'dance of the cuckolds' at the end of one performance; the eighteenth century actor-playwright David Garrick declared it 'the most licentious play in the English language'; the Victorian Macaulay compared it to a skunk, because it was 'too filthy to handle and too noisome even to approach'. Twentieth century productions heralded it a Restoration masterpiece. Sexually frank, and as ready to criticise marriage as infidelity, the virtuosity, linguistic energy, brilliant wit, naughtiness and complexity of this ribald play have made it a staple of the modern stage. This student edition contains a lengthy, entirely new introduction, by leading scholar, Tiffany Stern, with a background on the author, structure, characters, genre, themes, original staging and performance history, as well as an updated bibliography and a fully annotated version of the playtext.
