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![A Short History of the Renaissance [Didactic Press Paperbacks] PDF](https://books.google.com/books/content/images/frontcover/OdDAtAEACAAJ?fife=w150-h200)
Author: Edith Sichel
Publisher:
ISBN: 9781546519379
Category :
Languages : en
Pages : 154
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Book Description
MICHAEL ANGELO'S great painting of the newly created Adam on the ceiling of the Sistine Chapel might be taken as a symbol of the Renaissance, of the time when man was, as it were, re-created more glorious than before, with a body naked and unashamed, and a strong arm, unimpaired by fasting, outstretched towards life and light. Definitions are generally misleading, and it is easier to represent the Renaissance by a symbol than to define it. It was a movement, a revival of man's powers, a reawakening of the consciousness of himself and of the universe - a movement which spread over Western Europe, and may be said to have lasted over two centuries. It was between 1400 and 1600 that it held full sway. Like other movements it had forerunners, but, unlike other movements, it was circumscribed by no particular aim, and the fertilizing wave which passed over Italy, Germany, France, England and, in a much fainter degree, over Spain, to leave a fresh world behind it, seems more like a phenomenon of nature than a current of history - rather an atmosphere surrounding men than a distinct course before them. The new birth was the result of a universal impulse, and that impulse was preceded by something like a revelation, a revelation of intellect and of the possibilities in man. And like the Christian revelation in the spiritual world, so the Renaissance in the natural, meant a temper of mind, a fresh vision, a source of thoughts and works, rather than shaped results. When it crystallized into an �sthetic ritual, it fell into decadence and corruption...
![A Short History of the Renaissance [Didactic Press Paperbacks] PDF](https://books.google.com/books/content/images/frontcover/OdDAtAEACAAJ?fife=w80-h100)
Author: Edith Sichel
Publisher:
ISBN: 9781546519379
Category :
Languages : en
Pages : 154
Get Book Here
Book Description
MICHAEL ANGELO'S great painting of the newly created Adam on the ceiling of the Sistine Chapel might be taken as a symbol of the Renaissance, of the time when man was, as it were, re-created more glorious than before, with a body naked and unashamed, and a strong arm, unimpaired by fasting, outstretched towards life and light. Definitions are generally misleading, and it is easier to represent the Renaissance by a symbol than to define it. It was a movement, a revival of man's powers, a reawakening of the consciousness of himself and of the universe - a movement which spread over Western Europe, and may be said to have lasted over two centuries. It was between 1400 and 1600 that it held full sway. Like other movements it had forerunners, but, unlike other movements, it was circumscribed by no particular aim, and the fertilizing wave which passed over Italy, Germany, France, England and, in a much fainter degree, over Spain, to leave a fresh world behind it, seems more like a phenomenon of nature than a current of history - rather an atmosphere surrounding men than a distinct course before them. The new birth was the result of a universal impulse, and that impulse was preceded by something like a revelation, a revelation of intellect and of the possibilities in man. And like the Christian revelation in the spiritual world, so the Renaissance in the natural, meant a temper of mind, a fresh vision, a source of thoughts and works, rather than shaped results. When it crystallized into an �sthetic ritual, it fell into decadence and corruption...
Author: Simon Somerville Laurie
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 261
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Book Description
Author: Virginia Cox
Publisher: Bloomsbury Publishing
ISBN: 0857727753
Category : Art
Languages : en
Pages : 274
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Book Description
The extraordinary creative energy of Renaissance Italy lies at the root of modern Western culture. In her elegant new introduction, Virginia Cox offers a fresh vision of this iconic moment in European cultural history, when - between the fourteenth and sixteenth centuries - Italy led the world in painting, building, science and literature. Her book explores key artistic, literary and intellectual developments, but also histories of food and fashion, map-making, exploration and anatomy. Alongside towering figures such as Leonardo da Vinci, Michelangelo, Raphael, Petrarch, Machiavelli and Isabella d'Este, Cox reveals a cast of lesser-known protagonists including printers, travel writers, actresses, courtesans, explorers, inventors and even celebrity chefs. At the same time, Italy's rich regional diversity is emphasised; in addition to the great artistic capitals of Florence, Rome and Venice, smaller but cutting-edge centres such as Ferrara, Mantua, Bologna, Urbino and Siena are given their due. As the author demonstrates, women played a far more prominent role in this exhilarating resurgence than was recognized until very recently - both as patrons of art and literature and as creative artists themselves. 'Renaissance woman', she boldly argues, is as important a legacy as 'Renaissance man'.
Author: Cecilia Ady
Publisher: Createspace Independent Publishing Platform
ISBN: 9781545484791
Category : Art
Languages : en
Pages : 216
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Book Description
A HISTORY of Milan, under the House of Sforza, can hardly incur the charge of being superfluous. While Rome, Florence and Venice have each found English historians, and while fresh books on Renaissance Italy appear every day, no English writer has told the story of the Sforza as a whole. The scant attention which has been given to the history of Milan may be compared with the brief visit which the traveller pays to the capital of Lombardy before he presses on to other Italian cities. Yet those who pause to look will find, hidden under the bustle of a modern commercial town, numerous relics of an age when the Duchy of Milan was deemed the first State in Italy. To the student of history the rule of the Sforza presents one of the most characteristic examples of an Italian tyranny at the time of the Renaissance...
Author: Ada Palmer
Publisher: Harvard University Press
ISBN: 0674967089
Category : History
Languages : en
Pages : 415
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Book Description
After its rediscovery in 1417, Lucretius’s Epicurean didactic poem De Rerum Natura threatened to supply radicals and atheists with the one weapon unbelief had lacked in the Middle Ages: good answers. Scholars could now challenge Christian patterns of thought by employing the theory of atomistic physics, a sophisticated system that explained natural phenomena without appeal to divine participation, and argued powerfully against the immortality of the soul, the afterlife, and a creator God. Ada Palmer explores how Renaissance readers, such as Machiavelli, Pomponio Leto, and Montaigne, actually ingested and disseminated Lucretius, and the ways in which this process of reading transformed modern thought. She uncovers humanist methods for reconciling Christian and pagan philosophy, and shows how ideas of emergent order and natural selection, so critical to our current thinking, became embedded in Europe’s intellectual landscape before the seventeenth century. This heterodoxy circulated in the premodern world, not on the conspicuous stage of heresy trials and public debates, but in the classrooms, libraries, studies, and bookshops where quiet scholars met the ideas that would soon transform the world. Renaissance readers—poets and philologists rather than scientists—were moved by their love of classical literature to rescue Lucretius and his atomism, thereby injecting his theories back into scientific discourse. Palmer employs a new quantitative method for analyzing marginalia in manuscripts and printed books, exposing how changes in scholarly reading practices over the course of the sixteenth century gradually expanded Europe’s receptivity to radical science, setting the stage for the scientific revolution.
Author: Charles S. Singleton
Publisher:
ISBN:
Category :
Languages : en
Pages : 446
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Book Description
Author: S. S. Laurie
Publisher:
ISBN: 9780649222872
Category :
Languages : en
Pages : 282
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Book Description
Author: Margaret L. King
Publisher: University of Toronto Press
ISBN: 1487593104
Category : History
Languages : en
Pages : 480
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Book Description
Writing about the Renaissance can be a daunting task. Not only do scholars disagree on what the Renaissance is, but they also disagree on whether or not it even took place. Margaret L. King's richly illustrated social history of the Renaissance succeeds as a trusted resource, introducing readers to Europe between 1300–1700, as well as to the problems of cultural renewal. A Short History of the Renaissance in Europe includes a detailed discussion of Burckhardt as well as new content on European contact with the Islamic world. This new edition also provides improved coverage of the Protestant and Catholic Reformations. "Focus" features provide fascinating insights into the Renaissance era, and "Voices" sections introduce a wealth of primary sources. King's engaging narrative is enhanced by over 100 images, statistical tables, timelines, a glossary, and suggested readings.
Author: Kenneth R. Bartlett
Publisher: University of Toronto Press
ISBN: 1442600144
Category : Art
Languages : en
Pages : 402
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Book Description
Award-winning lecturer Kenneth R. Bartlett applies his decades of experience teaching the Italian Renaissance to this beautifully illustrated overview. In his introductory Note to the Reader, Bartlett first explains why he chose Jacob Burckhardt's classic narrative to guide students through the complex history of the Renaissance and then provides his own contemporary interpretation of that narrative. Over seventy color illustrations, genealogies of important Renaissance families, eight maps, a list of popes, a timeline of events, a bibliography, and an index are included.
Author: Simon Somerville Laurie
Publisher:
ISBN: 9781104691547
Category : Literary Collections
Languages : en
Pages : 274
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Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
