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Author: Heidi A. Strobel
Publisher: Bloomsbury Publishing
ISBN: 1350428108
Category : Art
Languages : en
Pages : 400
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Book Description
The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of £5,199,822 in today's currency. As someone who made, but did not sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 that featured copies of well-known paintings by these popular artists. Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery's focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion. This book brings to the fore Linwood's gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. It also includes the first and only catalogue of Linwood's extant and destroyed works. By examining Linwood's replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century.
Author: Heidi A. Strobel
Publisher: Bloomsbury Publishing
ISBN: 1350428108
Category : Art
Languages : en
Pages : 400
Get Book Here
Book Description
The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of £5,199,822 in today's currency. As someone who made, but did not sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 that featured copies of well-known paintings by these popular artists. Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery's focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion. This book brings to the fore Linwood's gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. It also includes the first and only catalogue of Linwood's extant and destroyed works. By examining Linwood's replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century.
Author: Victoria Carroll
Publisher: University of Pittsburgh Press
ISBN: 0822981815
Category : Science
Languages : en
Pages : 395
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Book Description
The concept of eccentricity was central to how people in the nineteenth century understood their world. This monograph is the first scholarly history of eccentricity. Carroll explores how discourses of eccentricity were established to make sense of individuals who did not seem to fit within an increasingly organized social and economic order. She focuses on the self-taught natural philosopher William Martin, the fossilist Thomas Hawkins and the taxidermist Charles Waterton.
Author: Aileen Fyfe
Publisher: University of Chicago Press
ISBN: 022615002X
Category : Science
Languages : en
Pages : 421
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Book Description
The nineteenth century was an age of transformation in science, when scientists were rewarded for their startling new discoveries with increased social status and authority. But it was also a time when ordinary people from across the social spectrum were given the opportunity to participate in science, for education, entertainment, or both. In Victorian Britain science could be encountered in myriad forms and in countless locations: in panoramic shows, exhibitions, and galleries; in city museums and country houses; in popular lectures; and even in domestic conversations that revolved around the latest books and periodicals. Science in the Marketplace reveals this other side of Victorian scientific life by placing the sciences in the wider cultural marketplace, ultimately showing that the creation of new sites and audiences was just as crucial to the growing public interest in science as were the scientists themselves. By focusing attention on the scientific audience, as opposed to the scientific community or self-styled popularizers, Science in the Marketplace ably links larger societal changes—in literacy, in industrial technologies, and in leisure—to the evolution of “popular science.”
Author: Anderson Galleries, Inc
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1092
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Book Description
Author: Wi Wallace
Publisher:
ISBN:
Category :
Languages : en
Pages : 418
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Book Description
Author: William Wallace
Publisher:
ISBN:
Category :
Languages : en
Pages : 418
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Book Description
Author: George Harris
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 590
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Book Description
Author: Eleanor Rosamund Barraclough
Publisher: University of Alberta
ISBN: 1772122955
Category : Social Science
Languages : en
Pages : 353
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Book Description
“Turning to face north, face the north, we enter our own unconscious. Always, in retrospect, the journey north has the quality of dream.” Margaret Atwood, “True North” In this interdisciplinary collection, sixteen scholars from twelve countries explore the notion of the North as a realm of the supernatural. This region has long been associated with sorcerous inhabitants, mythical tribes, metaphysical forces of good and evil, and a range of supernatural qualities. It was both the sacred abode of the gods and a feared source of menacing invaders and otherworldly beings. Whether from the perspective of traditional Jewish lore or of contemporary black metal music, few motifs in European cultural history show such longevity and broad appeal. Contributors: Eleanor Rosamund Barraclough, Angela Byrne, Danielle Marie Cudmore, Stefan Donecker, Brenda S. Gardenour Walter, Silvije Habulinec, Erica Hill, Jay Johnston, Maria Kasyanova, Jan Leichsenring, Shane McCorristine, Jennifer E. Michaels, Ya’acov Sarig, Rudolf Simek, Athanasios Votsis, Brian Walter
Author: Jeremy Black
Publisher: Indiana University Press
ISBN: 0253051967
Category : History
Languages : en
Pages : 259
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Book Description
“This brisk, decorous, and incisive history . . . would have delighted its namesake as much as it will delight and instruct contemporary readers.” —Roger Kimball, Editor and publisher, The New Criterion Dedicated fans of Jane Austen’s novels will delight in accompanying historian Jeremy Black through the drawing rooms, chapels, and battlefields of the time in which Austen lived and wrote. In this exceedingly readable and sweeping scan of late eighteenth- and early nineteenth-century Britain, Black provides a historical context for a deeper appreciation of classic novels such as Pride and Prejudice, Emma, and Sense and Sensibility. While Austen’s novels bring to life complex characters living in intimate surroundings, England in the Age of Austen provides a fuller account of what the village, the church, and the family home would really have been like. In addition to seeing how Austen’s own reading helped her craft complex characters like Emma, Black also explores how recurring figures in the novels, such as George III or Fanny Burney, provide a focus for a historical discussion of the fiction in which they appear. Jane Austen’s world was the source of her works and the basis of her readership, and understanding that world gives fans new insights into her enduring literature. “Superb. . . . Essential reading for the Austen enthusiast.” —William Gibson, Oxford Brookes University “England in the Age of Austen recovers a world before the Victorians that brings one of our greatest authors into clearer focus.” —William Anthony Hay, Mississippi State University “An absolute ‘must’ for the legions of Jan Austen fans . . . an extraordinarily well written history, impressively detailed, and a seminal work of original scholarship.” —Midwest Book Review
Author: New York State Library (Albany).
Publisher:
ISBN:
Category :
Languages : en
Pages : 1112
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Book Description
