A Preliminary Bibliography of German-language Theatre Almanacs, Yearbooks, Calendars and Journals of the 18th and 19th Centuries PDF Download
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Author: Paul S. Ulrich
Publisher:
ISBN:
Category : Almanacs, German
Languages : en
Pages : 142
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Book Description
Author: Paul S. Ulrich
Publisher:
ISBN:
Category : Almanacs, German
Languages : en
Pages : 142
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Book Description
Author: Paul S. Ulrich
Publisher:
ISBN:
Category :
Languages : en
Pages : 142
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Book Description
Author: William Grange
Publisher: Rowman & Littlefield
ISBN: 1442250208
Category : Performing Arts
Languages : en
Pages : 486
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Book Description
The German-language theater is one of the most vibrant and generously endowed of any in the world. It boasts long and honored traditions that include world-renowned plays, playwrights, actors, directors, and designers, and several German theater artists have had an enormous impact on theater practice around the globe. Students continue to study German plays in dozens of languages, and every year scores of German plays are produced in a wide variety of non-German venues. This second edition of Historical Dictionary of German Theater covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on directors, designers, producers, and movements such as Regietheater, “post-dramatic” approaches to theater production, the freie Szene of independent, non-subsidized groups, the role of increasingly massive government subsidies, and cities whose reputations as centers of innovation and excellence that have made the German-language theater one of the most vibrant anywhere on earth. This book is an excellent access point for students, researchers, and anyone wanting to know more about German Theater.
Author: Petra Hauke
Publisher: Walter de Gruyter
ISBN: 3110929228
Category : Language Arts & Disciplines
Languages : en
Pages : 481
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Book Description
Changes in information structures and requirements demand that libraries and library science redefine their positions. They must face new challenges and present definite perspectives in the form of research goals and pilot schemes. 31 original contributions by distinguished German, American, Scandinavian, Dutch and Swiss authors shed light on the following subjects: · Library science between tradition, self-conception and public perception · Library science in the age of digital media · Library science in the service of society · Library science in the service of scientific information and communication · Library science in the service of practical librarianship · Library science in teaching, studying and profession Among the issues dealt with, are the following: electronic publishing, eLearning and information ethics, the 'Open Access' debate, conveying information competence to (not only) universities, reciprocation between the economy, politics and libraries, and finally, library science training in view of librarianship in practice. The contributions are written in either German or English, depending on the author's origins. The appendix contains abstracts in English as well as an extensive bilingual index of authors. Bibliothekswissenschaft - quo vadis? Addresses librarians, information scientists, information documentalists, academics and students of all disciplines - all who create, collect, bundle, process, mediate, or prepare for use professional information.
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 126
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Book Description
Author: Michael Patterson
Publisher:
ISBN:
Category : German drama
Languages : de
Pages : 904
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Book Description
Author: Horst Fassel
Publisher:
ISBN:
Category : Ethnic theater
Languages : de
Pages : 356
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Book Description
Author: Georg Geldner
Publisher:
ISBN:
Category : Arts
Languages : de
Pages : 346
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Book Description
Author: Jacques Arends
Publisher: John Benjamins Publishing Company
ISBN: 9027265801
Category : Language Arts & Disciplines
Languages : en
Pages : 495
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Book Description
This posthumous work by Jacques Arends offers new insights into the emergence of the creole languages of Suriname including Sranantongo or Suriname Plantation Creole, Ndyuka, and Saramaccan, and the sociohistorical context in which they developed. Drawing on a wealth of sources including little known historical texts, the author points out the relevance of European settlements prior to colonization by the English in 1651 and concludes that the formation of the Surinamese creoles goes back further than generally assumed. He provides an all-encompassing sociolinguistic overview of the colony up to the mid-19th century and shows how ethnicity, language attitude, religion and location had an effect on which languages were spoken by whom. The author discusses creole data gleaned from the earliest sources and interprets the attested variation. The book is completed by annotated textual data, both oral and written and representing different genres and stages of the Surinamese creoles. It will be of interest to linguists, historians, anthropologists, literary scholars and anyone interested in Suriname.
Author: Jane O. Newman
Publisher: Cornell University Press
ISBN: 0801461367
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
In Benjamin’s Library, Jane O. Newman offers, for the first time in any language, a reading of Walter Benjamin’s notoriously opaque work, Origin of the German Tragic Drama that systematically attends to its place in discussions of the Baroque in Benjamin’s day. Taking into account the literary and cultural contexts of Benjamin’s work, Newman recovers Benjamin’s relationship to the ideologically loaded readings of the literature and political theory of the seventeenth-century Baroque that abounded in Germany during the political and economic crises of the Weimar years. To date, the significance of the Baroque for Origin of the German Tragic Drama has been glossed over by students of Benjamin, most of whom have neither read it in this context nor engaged with the often incongruous debates about the period that filled both academic and popular texts in the years leading up to and following World War I. Armed with extraordinary historical, bibliographical, philological, and orthographic research, Newman shows the extent to which Benjamin participated in these debates by reconstructing the literal and figurative history of sixteenth- and seventeenth-century books that Benjamin analyzes and the literary, art historical and art theoretical, and political theological discussions of the Baroque with which he was familiar. In so doing, she challenges the exceptionalist, even hagiographic, approaches that have become common in Benjamin studies. The result is a deeply learned book that will infuse much-needed life into the study of one of the most influential thinkers of the twentieth century.
