A Practical Guide to Costume Mounting PDF Download
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Author: Lara Flecker
Publisher: Routledge
ISBN: 075066830X
Category : Antiques & Collectibles
Languages : en
Pages : 269
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Book Description
The author offers excellent guidance on preparing mannequins, modifying them to accommodate different shapes and sizes of garment, and on making a range of supports for sleeves, trousers and a variety of skirt dimensions.
Author: Lara Flecker
Publisher: Routledge
ISBN: 075066830X
Category : Antiques & Collectibles
Languages : en
Pages : 269
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Book Description
The author offers excellent guidance on preparing mannequins, modifying them to accommodate different shapes and sizes of garment, and on making a range of supports for sleeves, trousers and a variety of skirt dimensions.
Author: Lara Flecker
Publisher: Routledge
ISBN: 1136431969
Category : Antiques & Collectibles
Languages : en
Pages : 268
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Book Description
The effective preparation of garments for display is essential for exhibitions of contemporary and historical dress. Costumes not only need to be visually appealing but also fully supported and historically accurate. This book provides a comprehensive guide to mounting costumes from the eighteenth century to the present day. It includes methods for adapting and shaping figures to create historical silhouettes, constructing underpinnings and making replicas and toiles using inexpensive and simple techniques. A Practical Guide to Costume Mounting is an invaluable resource for conservators, historians and all those working with clothing in museums, private collections and throughout the fashion and theatre industries. Trained as a historical costume maker, author Lara Flecker is the textile display specialist at London’s Victoria and Albert Museum. She has worked extensively with the museum’s world-class costume collection, preparing garments for display. Her simple mounting methods are clearly explained and can be used by people with a wide range of experience, including those with few sewing skills.
Author: Frances Lennard
Publisher: Taylor & Francis
ISBN: 1003825273
Category : Art
Languages : en
Pages : 894
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Book Description
This second edition of Textile Conservation offers an up-to-date perspective on the role and practice of textile conservators, capturing the diversity of textile conservation work across the globe. The volume considers key factors that are integral to effective conservation decision-making. It achieves this by focusing on four major factors that have influenced development in textile conservation practice over the past decades: the changing context, an evolution in the way conservators think about objects, the greater involvement of stakeholders, and technical development. Features of the new edition include: Updated chapters that explain new techniques and recent developments in the field; New and updated international case studies that demonstrate conservation decision-making in practice, including assessments of the conservation of objects in some of the world’s major cultural institutions; Full-colour illustrations that demonstrate conservation in practice. Textile Conservation will be essential reading for conservators around the world. It will also be of great interest to academics and students engaged in the study of the conservation of textiles, as well as museum and heritage professionals.
Author: Mary M. Brooks
Publisher: Getty Publications
ISBN: 1606065114
Category : Art
Languages : en
Pages : 274
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Book Description
This volume explores the conservation and presentation of dress in museums and beyond as a complex, collaborative process. Recognizing this process as a dynamic interaction of investigation, interpretation, intervention, re-creation, and display, Refashioning and Redress: Conserving and Displaying Dress examines the ways in which these seemingly static exhibitions of “costume” or “fashion” are actively engaged in cultural production. The seventeen case studies included here reflect a broad range of practice and are presented by conservators, curators, makers, and researchers from around the world, exposing changing approaches and actions at different times and in different places. Ranging from the practical to the conceptual, these contributions demonstrate the material, social, and philosophical interactions inherent in the conservation and display of dress and draw upon diverse disciplines ranging from dress history to social history, material cultural studies to fashion studies, and conservation to museology. Case studies include fashion as spectacle in the museum, dress as political and personal memorialization, and theatrical dress, as well as dress from living indigenous cultures, dress in fragments, and dress online.
Author: Janet Wood
Publisher: Bloomsbury Publishing
ISBN: 1350328626
Category : Design
Languages : en
Pages : 193
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Book Description
How can the cut of a 19th century gown control its shape? Can you re-create a historic profile from a contemporary mannequin? How can paintings help you analyse historic silhouettes and the corsets and petticoats worn underneath? Conservation and historic dress display specialist Janet Wood will help you answer all these questions. You'll learn how historic garments can be safely handled and shown to best effect, with insight into the characteristic features of each piece and how to translate them from the garment to a display support. Concentrating on Western women's wear from 17501950, and with over 250 colour images, plus drawings and charts, you'll learn how to interpret an individual garment's display needs and create safe, appropriate display forms.
Author: Julia Petrov
Publisher: Bloomsbury Publishing
ISBN: 1350049018
Category : Design
Languages : en
Pages : 338
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Book Description
This book is available as open access through the Knowledge Unlatched programme and is available on www.bloomsburycollections.com. "A remarkable resource for the field of fashion studies suitable for both newcomers ... {and] seasoned practitioners." - Fashion Historia "A precious source in the study of the subject ... inspiring." - The Journal of Dress History The last decade has seen the growing popularity and visibility of fashion as a cultural product, including its growing presence in museum exhibitions. This book explores the history of fashion displays, highlighting the continuity of past and present curatorial practices. Comparing and contrasting exhibitions from different museums and decades-from the Paris Exposition Universelle of 1900 to the Alexander McQueen Savage Beauty show at the Metropolitan Museum of Art in 2011, and beyond-it makes connections between museum fashion and the wider fashion industry. By critically analyzing trends in fashion exhibition practice over the 20th and early 21st centuries, Julia Petrov defines and describes the varied representations of historical fashion within British and North American museum exhibitions. Rooted in extensive archival research on exhibitions by global leaders in the field-from the Victoria and Albert and the Bath Fashion Museum to the Brooklyn and the Royal Ontario Museums-the work reveals how fashion exhibitions have been shaped by the values and anxieties associated with fashion more generally. Supplemented by parallel critical approaches, including museological theory, historiography, body theory, material culture, and visual studies, Fashion, History, Museums demonstrates that in an increasingly corporate and mass-mediated world, fashion exhibitions must be analysed in a comparative and global context. Richly illustrated with 70 images, this book is essential reading for students and scholars of fashion history and museology, as well as curators, conservators, and exhibition designers.
Author: Anne Gerritsen
Publisher: Bloomsbury Publishing
ISBN: 1350105236
Category : History
Languages : en
Pages : 368
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Book Description
Writing Material Culture History examines the methodologies currently used in the historical study of material culture. Touching on archaeology, anthropology, art history and literary studies, the book provides history students with a fundamental understanding of the relationship between artefacts and historical narratives. The role of museums, the impact of the digital age and the representations of objects in public history are just some of the issues addressed in a book that brings together distinguished scholars from around the world. This new edition includes: * A new wide-ranging introduction highlighting the role of material culture in the modern period and presenting recent contributions to the field. * A more balanced and easy-to-use structure, including 9 methodological chapters and 20 'object in focus' chapters consisting of case studies for classroom discussion. * 5 fresh 'object in focus' chapters showing greater engagement with 20th-century material culture, non-European artefacts (particularly in relation to issues of power, indigenity and repatriation of objects), architecture (with pieces on industrial heritage in Europe and on heritage destruction in China) and the definitions and limits of material culture as a discipline. * Expanded online resources to help students navigate the museums/institutions holding key artefacts. * Historiographical updates and revisions throughout the text. Focusing on the global dimension of material culture and bridging the gap between the early modern and modern periods, Writing Material Culture History is an essential tool for helping students understand the potential of objects to re-cast established historical narratives in new and exciting ways.
Author: Karen M. DePauw
Publisher: Rowman & Littlefield
ISBN: 1538105934
Category : Business & Economics
Languages : en
Pages : 335
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Book Description
Wearable textiles hold their own stories of trade, manufacture and regionalism, just to name a few; they also tell a personal tale of the individuals who created our history. When we look at a piece of clothing, a coat, a dress, an undergarment, we see an item that is more personal, more closely related to the human body than nearly anything else it comes in contact with throughout the day. Garments can do far more for exhibitions and interpretation than merely providing a bit of color and beauty. Clothing is both artistic and utilitarian and is capable of adding so much to the story of who we are and where we came from. The Care and Display of Historic Clothing aims to assist with the full integration of costume collections into the interpretation of the past. Often relied on for their ability to add beauty and color to exhibitions, these collection items provide a very personal side to any story at a given moment in history. The topics explored in this publication range from the care and identification of items in a costume collection to discussions about both physical display and how they can be used to engage audiences. The book's focus is on costume collections and discussion topics will include information in regards to costume collection storage, display techniques, basic identification, and ideas on how to incorporate costumes into exhibitions and programming. A list of further resources at the back of the book helps provide supplemental, in-depth information on individual areas. The layout of this work will aim to provide information that slowly leads from understanding your costume collection and obtaining physical control to incorporating it in a significant and informative way into the work of the organization. Providing all of these resources in one place will make the incorporation of costumes a more obtainable goal for small to mid-sized museums and historical societies.
Author: Southeastern Registrars Association
Publisher: Rowman & Littlefield
ISBN: 144224772X
Category : Business & Economics
Languages : en
Pages : 149
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Book Description
A good condition report is an accurate and informative account of an object’s state of preservation at a particular moment in time. Condition reports can have multiple functions such as recording the state of an object prior to an exhibition or loan, after exhibition or loan, to assist in collections planning, or as a tool for the treatment of an object. Most of these functions can be conducted by a registrar, curator, collections manager, or volunteer. A good condition report fills many critical needs including: Knowing the exact condition of an object before or after a loan Helping staff determine the stability of an object for exhibit or loan Limiting how often an object is handled Informing object handlers of unseen problems Showing the condition of an object over time to determine the rate of deterioration Setting priorities for conservation Assisting the staff in identifying similar objects Aiding in the valuation of an object for insurance purposes The fourth edition of Basic Condition Reporting: A Handbook proffers a standard vocabulary for all of the individuals in a museum that may be conducting condition reports. In an ideal world, everyone who does a condition report for an item would be trained in the exact same standards, use the same terminology, and use the exact same form, etc. However, the reality is that even if every registrar, collections manager, and curator in your institution does condition reports, each report will be slightly different. Then you throw in every intern, volunteer, or student that may assist and you will find a variety of methods and terminologies that appear. This volume provide a baseline that all of these people can work from so that any person who opens the condition report can understand what the problems on a particular piece include.
Author: Sandy Black
Publisher: A&C Black
ISBN: 1472577442
Category : Social Science
Languages : en
Pages : 654
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Book Description
The Handbook of Fashion Studies identifies an innovative spectrum of thematic approaches, key strands and interdisciplinary concepts that continue to push forward the boundaries of fashion studies. The book is divided into seven sections: Fashion, Identity and Difference; Spaces of Fashion; Fashion and Materiality; Fashion, Agency and Policy; Science, Technology and New fashion; Fashion and Time and, Sustainable Fashion in a Globalised world. Each section consists of approximately four essays authored by established researchers in the field from the UK, USA, Netherlands, Sweden, Canada and Australia. The essays are written by international subject specialists who each engage with their section's theme in the light of their own discipline and provide clear case-studies to further knowledge on fashion. This consistency provides clarity and permits comparative analysis. The handbook will be essential reading for students of fashion as well as professionals in the industry.
