Author: H.H. Arnason
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Book Description

Author: H. H. Arnason
Publisher: Pearson College Division
ISBN: 9780205259472
Category : Art
Languages : en
Pages : 816

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Book Description
Since it first appeared in 1968, History of Modern Art has emphasized the unique formal properties of artworks, and the book has long been recognized for the acuity of its visual analysis.

Author: Herschel Browning Chipp
Publisher: Univ of California Press
ISBN: 9780520014503
Category : Art
Languages : en
Pages : 692

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Book Description

Author: Hans Werner Holzwarth
Publisher: Taschen
ISBN: 9783836555395
Category : Art
Languages : en
Pages : 0

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Book Description
Over 200 paintings, sculptures, photographs, and conceptual pieces trace the story of modern art's innovation and adventure. With explanatory texts for each work, and essays introducing each of the major modern movements, this is an authoritative overview of the ideas and the artworks that shook up standards, assaulted the establishment, and...

Author: David Hopkins
Publisher: Oxford University Press
ISBN: 019284234X
Category : Art
Languages : en
Pages : 289

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Book Description
Following a clear timeline, the author highlights key movements of modern art, giving careful attention to the artists' political and cultural worlds. Styles include Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and performance art. 65 color illustrations. 65 halftones.

Author: Noam M. Elcott
Publisher: University of Chicago Press
ISBN: 022632897X
Category : Art
Languages : en
Pages : 319

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Book Description
This ambitious study explores how important darkness--artificial darkness--was, as an actual technology, in producing not just photographs but visual novelties and experiments in cinema in the nineteenth century. The study plays out against a backdrop of urban history, where most scholars have focused on the growth of artificial light and the electrification of cities. Elcott’s study challenges that approach. In considering zones of darkness, it ranges from the sites of production (darkrooms, studios) to those of reception (theaters/cinemas/arcades) that shaped modern media and perceptions. He argues that, in the nineteenth century, the avant-garde was often less interested in the filmed image than in everything surrounding it: the screen, the projected light, the darkness, the experience of disembodiment. He argues that darkness has a history separate from night, evil, or the color black, and has a specifically modern manifestation as a media technology. We are all aware of the "velvet light trap” in photography, but at the heart of this book are technologies of darkness crucial to cinema that were commonly known as "the black screen,” but have, over time, faded from the storied discourse.

Author: David Cottington
Publisher: OUP Oxford
ISBN: 0191577820
Category : Art
Languages : en
Pages : 191

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Book Description
As public interest in modern art continues to grow, as witnessed by the spectacular success of Tate Modern and the Bilbao Guggenheim, there is a real need for a book that will engage general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. This book achieves all this and focuses on interrogating the idea of 'modern' art by asking such questions as: What has made a work of art qualify as modern (or fail to)? How has this selection been made? What is the relationship between modern and contemporary art? Is 'postmodernist' art no longer modern, or just no longer modernist - in either case, why, and what does this claim mean, both for art and the idea of 'the modern'? Cottington examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed, (1999); and the role of the dealer from the main Cubist art dealer Kahnweiler to Charles Saatchi. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Author: Piotr Barsony
Publisher: Skyhorse Publishing Inc.
ISBN: 1620872285
Category : Juvenile Nonfiction
Languages : en
Pages : 57

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Book Description
A history of modern painting, presented through the story of the Mona Lisa, features an artist who serves as a museum tour guide introducing famous movements while sharing creative images of how the Mona Lisa may have appeared if painted by other master artists.

Author: H. Harvard Arnason
Publisher: Prentice Hall
ISBN: 9780131830561
Category : Art
Languages : en
Pages : 856

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Book Description

Author: Patricia Hills
Publisher: Pearson
ISBN: 9780130361387
Category : Art, American
Languages : en
Pages : 0

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Book Description
This chronologically organized and comprehensive anthology of readings tells the whole story of art in America from 1900 to the present. It focuses on the themes, issues, and controversies that occurred throughout the century--using selections that are contemporary with the art--by artists, critics, exhibition organizers, poets, politicians, and other writers on culture. Some recurring themes and issues include issues of identity; the changing nature of modernism and modernity; nationalism; art as individual or community expression; the nature of public art; and the role of criticism, censorship, and government intervention. Texts by well-known writers include Meyer Schapiro, Clement Greenberg, Michael Fried, Donald Kuspit, and Kate Linker. A guide for those interested in both the standard interpretations of American art and in alternative readings.