Author: George Saintsbury
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 690
Book Description
A History of Criticism and Literary Taste in Europe from the Earliest Texts to the Present Day
Author: George Saintsbury
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 690
Book Description
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 690
Book Description
A History of Criticism and Literary Taste in Europe from the Earliest Texts to the Present Day: Modern criticism. Appendix I. The Oxford chair of poetry. Appendix II. American criticism
Author: George Saintsbury
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 684
Book Description
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 684
Book Description
A History of Criticism and Literary Taste in Europe from the Earliest Texts to the Present Day: Modern criticism. Appendix I. The Oxford chair of poetry. Appendix II. American criticism
Author: George Saintsbury
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 686
Book Description
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 686
Book Description
A History of Criticism and Literary Taste in Europe from the Earliest Texts to the Present Day: From the renaissance to the decline of eighteenth century orthodoxy
Author: George Saintsbury
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 642
Book Description
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 642
Book Description
A History of Criticism and Literary Taste in Europe from the Earliest Texts to the Present Day
Author: George Saintsbury
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 622
Book Description
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 622
Book Description
The Cambridge History of Literary Criticism: Volume 6, The Nineteenth Century, c.1830–1914
Author: M. A. R. Habib
Publisher: Cambridge University Press
ISBN: 1316175170
Category : Literary Criticism
Languages : en
Pages : 796
Book Description
In the nineteenth century, literary criticism first developed into an autonomous, professional discipline in the universities. This volume provides a comprehensive and authoritative study of the vast field of literary criticism between 1830 and 1914. In over thirty essays written from a broad range of perspectives, international scholars examine the growth of literary criticism as an institution, and the major critical developments in diverse national traditions and in different genres, as well as the major movements of Realism, Naturalism, Symbolism and Decadence. The History offers a detailed focus on some of the era's great critical figures, such as Sainte-Beuve, Hippolyte Taine and Matthew Arnold, and includes essays devoted to the connections of literary criticism with other disciplines in science, the arts and Biblical studies. The publication of this volume marks the completion of the monumental Cambridge History of Literary Criticism from antiquity to the present day.
Publisher: Cambridge University Press
ISBN: 1316175170
Category : Literary Criticism
Languages : en
Pages : 796
Book Description
In the nineteenth century, literary criticism first developed into an autonomous, professional discipline in the universities. This volume provides a comprehensive and authoritative study of the vast field of literary criticism between 1830 and 1914. In over thirty essays written from a broad range of perspectives, international scholars examine the growth of literary criticism as an institution, and the major critical developments in diverse national traditions and in different genres, as well as the major movements of Realism, Naturalism, Symbolism and Decadence. The History offers a detailed focus on some of the era's great critical figures, such as Sainte-Beuve, Hippolyte Taine and Matthew Arnold, and includes essays devoted to the connections of literary criticism with other disciplines in science, the arts and Biblical studies. The publication of this volume marks the completion of the monumental Cambridge History of Literary Criticism from antiquity to the present day.
The Reception of Aristotle’s Poetics in the Italian Renaissance and Beyond
Author: Bryan Brazeau
Publisher: Bloomsbury Publishing
ISBN: 1350078948
Category : Philosophy
Languages : en
Pages : 313
Book Description
Using new and cutting-edge perspectives, this book explores literary criticism and the reception of Aristotle's Poetics in early modern Italy. Written by leading international scholars, the chapters examine the current state of the field and set out new directions for future study. The reception of classical texts of literary criticism, such as Horace's Ars Poetica, Longinus's On the Sublime, and most importantly, Aristotle's Poetics was a crucial part of the intellectual culture of Renaissance Italy. Revisiting the translations, commentaries, lectures, and polemic treatises produced, the contributors apply new interdisciplinary methods from book history, translation studies, history of the emotions and classical reception to them. Placing several early modern Italian poetic texts in dialogue with twentieth-century literary theory for the first time, The Reception of Aristotle's Poetics in the Italian Renaissance and Beyond models contemporary practice and maps out avenues for future study.
Publisher: Bloomsbury Publishing
ISBN: 1350078948
Category : Philosophy
Languages : en
Pages : 313
Book Description
Using new and cutting-edge perspectives, this book explores literary criticism and the reception of Aristotle's Poetics in early modern Italy. Written by leading international scholars, the chapters examine the current state of the field and set out new directions for future study. The reception of classical texts of literary criticism, such as Horace's Ars Poetica, Longinus's On the Sublime, and most importantly, Aristotle's Poetics was a crucial part of the intellectual culture of Renaissance Italy. Revisiting the translations, commentaries, lectures, and polemic treatises produced, the contributors apply new interdisciplinary methods from book history, translation studies, history of the emotions and classical reception to them. Placing several early modern Italian poetic texts in dialogue with twentieth-century literary theory for the first time, The Reception of Aristotle's Poetics in the Italian Renaissance and Beyond models contemporary practice and maps out avenues for future study.
Dramatic Bibliography
Author:
Publisher: 清华大学出版社有限公司
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 344
Book Description
Publisher: 清华大学出版社有限公司
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 344
Book Description
Victorian Literary Critics
Author: Harold Orel
Publisher: Springer
ISBN: 1349174580
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
Publisher: Springer
ISBN: 1349174580
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
Literature and the Cult of Personality
Author: Gregory Maertz
Publisher: Columbia University Press
ISBN: 3838269810
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
The construction of Johann Wolfgang von Goethe as an Anglo-American sage and literary icon was the product of a cult of personality that lay at the center of nineteenth-century cultural politics. A reconstruction of the culture wars fought over Goethe’s authority, a previously hidden chapter in the intellectual history of the period ranging from the late eighteenth century to the threshold of Modernism, is the focus of Literature and the Cult of Personality. Marginal as well as canonical writers and critics figured prominently in this process, and Literature and the Cult of Personality offers insight into the mediation activities of Mary Wollstonecraft, Henry Crabb Robinson, the canonical Romantic poets, Thomas Carlyle, Margaret Fuller, George Eliot, Matthew Arnold, and others. For women writers and Jacobins, Scots, and Americans, translating Goethe served as an empowering cultural platform that challenges the myth of the self-sufficiency of British literature. Reviewing and translating German authors provided a means of gaining literary enfranchisement and offered a paradigm of literary development according to which 're-writers' become original writers through an apprenticeship of translation and reviewing. In the diverse and fascinating body of critical writing examined in this book, textual exegesis plays an unexpectedly minor role; in its place, a full-blown cult of personality emerges along with a blueprint for the ideology of hero-worship that is more fully mapped out in the cultural and political life of twentieth-century Europe.
Publisher: Columbia University Press
ISBN: 3838269810
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
The construction of Johann Wolfgang von Goethe as an Anglo-American sage and literary icon was the product of a cult of personality that lay at the center of nineteenth-century cultural politics. A reconstruction of the culture wars fought over Goethe’s authority, a previously hidden chapter in the intellectual history of the period ranging from the late eighteenth century to the threshold of Modernism, is the focus of Literature and the Cult of Personality. Marginal as well as canonical writers and critics figured prominently in this process, and Literature and the Cult of Personality offers insight into the mediation activities of Mary Wollstonecraft, Henry Crabb Robinson, the canonical Romantic poets, Thomas Carlyle, Margaret Fuller, George Eliot, Matthew Arnold, and others. For women writers and Jacobins, Scots, and Americans, translating Goethe served as an empowering cultural platform that challenges the myth of the self-sufficiency of British literature. Reviewing and translating German authors provided a means of gaining literary enfranchisement and offered a paradigm of literary development according to which 're-writers' become original writers through an apprenticeship of translation and reviewing. In the diverse and fascinating body of critical writing examined in this book, textual exegesis plays an unexpectedly minor role; in its place, a full-blown cult of personality emerges along with a blueprint for the ideology of hero-worship that is more fully mapped out in the cultural and political life of twentieth-century Europe.