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Author: Charles P. Mitchell
Publisher: Bloomsbury Publishing USA
ISBN: 031301678X
Category : Performing Arts
Languages : en
Pages : 342
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Book Description
This examination and comprehensive assessment of apocalyptic film studies fifty films that illustrate the variety, range and different categories of the genre. Apocalyptic films are those that depict, on screen as part of the story, an event threatening the extinction of mankind. A brief overview identifies seven major categories of apocalyptic films: the religious or supernatural, celestial collision, solar or orbital disruption, nuclear war and radioactive fallout, germ warfare or pestilence, alien device or invasion, and scientific miscalculation. Alphabetically arranged entries rate the films and provide production information, an annotated cast listing, a synopsis of the film, a critique, and representative quotes. Film scholars and those with a special interest in apocalyptic cinema will appreciate the overview and detailed analysis of the films. Appendices provide additional examples of apocalyptic movies excluded from the main text, a sampling of post-apocalyptic cinema which is distinct from the apocalyptic genre and examples of apocalyptic television. Illustrations are included.
Author: Charles P. Mitchell
Publisher: Bloomsbury Publishing USA
ISBN: 031301678X
Category : Performing Arts
Languages : en
Pages : 342
Get Book
Book Description
This examination and comprehensive assessment of apocalyptic film studies fifty films that illustrate the variety, range and different categories of the genre. Apocalyptic films are those that depict, on screen as part of the story, an event threatening the extinction of mankind. A brief overview identifies seven major categories of apocalyptic films: the religious or supernatural, celestial collision, solar or orbital disruption, nuclear war and radioactive fallout, germ warfare or pestilence, alien device or invasion, and scientific miscalculation. Alphabetically arranged entries rate the films and provide production information, an annotated cast listing, a synopsis of the film, a critique, and representative quotes. Film scholars and those with a special interest in apocalyptic cinema will appreciate the overview and detailed analysis of the films. Appendices provide additional examples of apocalyptic movies excluded from the main text, a sampling of post-apocalyptic cinema which is distinct from the apocalyptic genre and examples of apocalyptic television. Illustrations are included.
Author: Wheeler W. Dixon
Publisher: Rutgers University Press
ISBN: 0813537983
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
Illustrated throughout with rare stills, and organized so as to provide historical context, this book surveys an array of films that have offered us glimpses of a life that is meaningful, free from strife, devoid of pain and privation, and full of harmony in every sense.
Author:
Publisher:
ISBN: 9781978819849
Category :
Languages : en
Pages :
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Book Description
Author: David J Moore
Publisher:
ISBN: 9780764367328
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
A loving ode to films with post-apocalyptic themes, this updated edition now features more than 1,200 movie reviews, plus more than 600 images and dozens of interviews with filmmakers and actors. From asteroids to zombies, the film and television industry has dreamed up seemingly infinite ways to end the world. Fortunately, in this definitive guide to all things apocalypse (on film), entertainment journalist david j. moore helps you navigate the abundance of post-apocalyptic films to separate the brilliant from the toxic. Special features include - coverage of the iconic films that launched the genre (the likes of The Road Warrior, Escape from New York, and The Terminator) as well as newer smash hits (including The Hunger Games, Mad Max: Fury Road, and The Walking Dead), while devoting equal time and attention to the genre's smallest, most-obscure films; - exclusive interviews with filmmakers and actors; - a five-level rating system and a vast subgenre index to guide your post-apocalyptic binge watching; and - loads of additional content for the Restocked and Reloaded 2nd Edition, including more than 500 new reviews, more than 200 additional images, and two dozen additional interviews. Whether you're new to the genre or a battle-hardened wasteland warrior, this gargantuan compendium will ensure that you're ready to survive the apocalypse--or at least your next movie night.
Author: Kirsten Moana Thompson
Publisher: State University of New York Press
ISBN: 079148033X
Category : Social Science
Languages : en
Pages : 210
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Book Description
In Apocalyptic Dread, Kirsten Moana Thompson examines how fears and anxieties about the future are reflected in recent American cinema. Through close readings of such films as Cape Fear, Candyman, Dolores Claiborne, Se7en, Signs, and War of the Worlds, Thompson argues that a longstanding American apocalyptic tradition permeates our popular culture, spreading from science-fiction and disaster films into horror, crime, and melodrama. Drawing upon Kierkegaard's notion of dread—that is, a fundamental anxiety and ambivalence about existential choice and the future—Thompson suggests that the apocalyptic dread revealed in these films, and its guiding tropes of violence, retribution, and renewal, also reveal deep-seated anxieties about historical fragmentation and change, anxieties that are in turn displaced onto each film's particular "monster," whether human, demonic, or eschatological.
Author: Meg Marco
Publisher: Simon and Schuster
ISBN: 1439188076
Category : Social Science
Languages : en
Pages : 228
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Book Description
the end is near Surviving the apocalypse is one thing. Enjoying life after most of civilization is wiped out -- that's entirely different. Maybe you can outrun an avalanche, or escape a burning building, but can you really cut it after the unthinkable happens? Can you, for example, deal with damn dirty apes, convert your car to run on bathtub gin, or synthesize a species-saving vaccine from your own mucus? No? Obviously, it's not going to be as easy as you thought to come out of Armageddon as the new ruling king of the world. Any chump off the street could be lucky enough to have the immunity to survive the all-of-humanity-killing disease, or be the one dude who happens to make it through a meteor strike. But not everyone will know what clothes to wear to intimidate, or what kind of vehicle you want to be driving in the postapocalyptic wasteland. Not everyone will have the sense to discern whether their food is, in fact, people. You can survive the apocalypse without this book. But the apocalypse isn't the problem: It's what happens afterward. You against the other people left in the world. You'd better be prepared.
Author: Dale Sherman
Publisher: Rowman & Littlefield
ISBN: 1480366889
Category : Performing Arts
Languages : en
Pages : 474
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Book Description
Mankind has been predicting its own demise through various methods from fables and religious scriptures to hard-core scientific studies since the dawn of time. And if there is one thing Hollywood knows how to exploit it is the fears of Things to Come. Movies about the end of the world have been around since the early days of cinema and ÊArmageddon Film FAQÊ is a look into the various methods we have destroyed ourselves over the years: zombies mad computers uptight aliens plunging objects from space crazed animals Satan God Contagions the ever-popular atomic bomb sometimes even a combination of these in the same movie! ÊArmageddon Films FAQÊ goes from the silent days of filmmaking to the most recent (literally) earth-shattering epics from cinema to television and even the novels from comedies to dramas from supernatural to scientific. It also explores other aspects of the genre such as iconic but unfilmable apocalyptic novels postnuclear car-racing flicks domestic dramas disguised as end-of-the-world actioners and more ä from the most depressing to the happiest Armageddons ever!
Author: Peter Szendy
Publisher: Fordham Univ Press
ISBN: 0823264823
Category : Art
Languages : en
Pages : 182
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Book Description
Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and The Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit. Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self-)consumption of cinema, in the form of an acinema that Lyotard evoked as the nihilistic horizon of filmic economy. The innumerable countdowns, dazzling radiations, freeze-overs, and seismic cracks and crevices are but other names and pretexts for staging film itself, with its economy of time and its rewinds, its overexposed images and fades to white, its freeze-frames and digital touch-ups. The apocalyptic genre is not just one genre among others: It plays with the very conditions of possibility of cinema. And it bears witness to the fact that, every time, in each and every film, what Jean-Luc Nancy called the cine-world is exposed on the verge of disappearing. In a Postface specially written for the English edition, Szendy extends his argument into a debate with speculative materialism. Apocalypse-cinema, he argues, announces itself as cinders that question the “ultratestimonial” structure of the filmic gaze. The cine-eye, he argues, eludes the correlationism and anthropomorphic structure that speculative materialists have placed under critique, allowing only the ashes it bears to be heard.
Author: Karen A. Ritzenhoff
Publisher: Rowman & Littlefield
ISBN: 1442260297
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future. The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays. As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science.
Author: John Joseph Collins
Publisher: Oxford Handbooks
ISBN: 0199856494
Category : Religion
Languages : en
Pages : 565
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Book Description
Apocalypticism arose in ancient Judaism in the last centuries BCE and played a crucial role in the rise of Christianity. It is not only of historical interest: there has been a growing awareness, especially since the 2001 terrorist attacks on the United States, of the prevalence of apocalyptic beliefs in the contemporary world. To understand these beliefs, it is necessary to appreciate their complex roots in the ancient world, and the multi-faceted character of the phenomenon of apocalypticism. The Oxford Handbook of Apocalyptic Literature is a thematic and phenomenological exploration of apocalypticism in the Judaic and Christian traditions. Most of the volume is devoted to the apocalyptic literature of antiquity. Essays explore the relationship between apocalypticism and prophecy, wisdom and mysticism; the social function of apocalypticism and its role as resistance literature; apocalyptic rhetoric from both historical and postmodern perspectives; and apocalyptic theology, focusing on phenomena of determinism and dualism and exploring apocalyptic theology's role in ancient Judaism, early Christianity, and Gnosticism. The final chapters of the volume are devoted to the appropriation of apocalypticism in the modern world, reviewing the role of apocalypticism in contemporary Judaism and Christianity, and more broadly in popular culture, addressing the increasingly studied relation between apocalypticism and violence, and discussing the relationship between apocalypticism and trauma, which speaks to the underlying causes of the popularity of apocalyptic beliefs. This volume will further the understanding of a vital religious phenomenon too often dismissed as alien and irrational by secular western society.
