A General History of the Science and Practice of Music, by Sir John Hawkins. Volume the First [- Fifth]. PDF Download
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![A General History of the Science and Practice of Music, by Sir John Hawkins. Volume the First [- Fifth]. PDF](https://books.google.com/books/content/images/frontcover/oqOHWof_0nkC?fife=w150-h200)
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Languages : en
Pages : 556
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![A General History of the Science and Practice of Music, by Sir John Hawkins. Volume the First [- Fifth]. PDF](https://books.google.com/books/content/images/frontcover/oqOHWof_0nkC?fife=w80-h100)
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Languages : en
Pages : 556
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Author: John Hawkins
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Category : Music
Languages : en
Pages : 532
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![General history of the science and practice of music. [With] vol. of portraits PDF](https://books.google.com/books/content/images/frontcover/-wYVAAAAQAAJ?fife=w80-h100)
Author: sir John Hawkins
Publisher:
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Category :
Languages : en
Pages : 532
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Author: Richard Taruskin
Publisher: Oxford University Press
ISBN: 0199796041
Category : Music
Languages : en
Pages : 930
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The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks- the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. This first volume in Richard Taruskin's majestic history, Music from the Earliest Notations to the Sixteenth Century , sweeps across centuries of musical innovation to shed light on the early forces that shaped the development of the Western classical tradition. Beginning with the invention of musical notation more than a thousand years ago, Taruskin addresses topics such as the legend of Saint Gregory and Gregorian chant, Augustine's and Boethius's thoughts on music, the liturgical dramas of Hildegard of Bingen, the growth of the music printing business, the literary revolution and the English madrigal, the influence of the Reformation and the Counter-Reformation, and the operas of Monteverdi. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
Author: Frank N. Magill
Publisher: Routledge
ISBN: 113592421X
Category : Reference
Languages : en
Pages : 3274
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Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography.
Author: Matthew Gelbart
Publisher: Cambridge University Press
ISBN: 1139466089
Category : Music
Languages : en
Pages : 265
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We tend to take for granted the labels we put to different forms of music. This study considers the origins and implications of the way in which we categorize music. Whereas earlier ways of classifying music were based on its different functions, for the past two hundred years we have been obsessed with creativity and musical origins, and classify music along these lines. Matthew Gelbart argues that folk music and art music became meaningful concepts only in the late eighteenth and early nineteenth centuries, and only in relation to each other. He examines how cultural nationalism served as the earliest impetus in classifying music by origins, and how the notions of folk music and art music followed - in conjunction with changing conceptions of nature, and changing ideas about human creativity. Through tracing the history of these musical categories, the book confronts our assumptions about different kinds of music.
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Category : Music
Languages : en
Pages : 846
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ISBN:
Category :
Languages : en
Pages : 1006
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Author:
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ISBN:
Category : Bibliography, National
Languages : en
Pages : 510
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Author: Hugh Chisholm
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1006
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