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Author: Bruce Pollock
Publisher: Hal Leonard
ISBN: 148038609X
Category : Music
Languages : en
Pages : 336
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Book Description
(Book). On February 13, 1914, a group of the nation's most distinguished and popular songwriters gathered together in New York City to support the mission of ASCAP, a new organization for publishers and songwriters. A few years later, ASCAP received its mandate from the Supreme Court to collect royalties for the public performance of copyrighted material. Over the course the next century, ASCAP has been as prominent a force for the advancement and nurture and financial well-being of songwriters as any record label or publishing outfit one would care to name. With a responsive board of directors made up entirely of songwriter/composer and publisher members, ASCAP has defended creators' rights at every turn against those who would seek to devalue music. Today, with copyright under renewed assault, its mission is as resonant and vital as ever, along with its relatively new role as a nurturer of the young artists who represent the future of music. Award-winning music writer Bruce Pollock explores the growth and changes within this complex society and its relationship to emerging technologies, in the context of 100 years of an ever-evolving music business, to see how ASCAP has become, for those who hope to make a living making music, now more than ever, "a friend in the music business."
Author: Donald S. Passman
Publisher: Simon and Schuster
ISBN: 0743293185
Category : Copyright
Languages : en
Pages : 465
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Book Description
A guide to the music business and its legal issues provides real-world coverage of a wide range of topics, including teams of advisors, record deals, songwriting and music publishing, touring, and merchandising.
Author: Bruce Pollock
Publisher: Hal Leonard
ISBN: 148038609X
Category : Music
Languages : en
Pages : 336
Get Book
Book Description
(Book). On February 13, 1914, a group of the nation's most distinguished and popular songwriters gathered together in New York City to support the mission of ASCAP, a new organization for publishers and songwriters. A few years later, ASCAP received its mandate from the Supreme Court to collect royalties for the public performance of copyrighted material. Over the course the next century, ASCAP has been as prominent a force for the advancement and nurture and financial well-being of songwriters as any record label or publishing outfit one would care to name. With a responsive board of directors made up entirely of songwriter/composer and publisher members, ASCAP has defended creators' rights at every turn against those who would seek to devalue music. Today, with copyright under renewed assault, its mission is as resonant and vital as ever, along with its relatively new role as a nurturer of the young artists who represent the future of music. Award-winning music writer Bruce Pollock explores the growth and changes within this complex society and its relationship to emerging technologies, in the context of 100 years of an ever-evolving music business, to see how ASCAP has become, for those who hope to make a living making music, now more than ever, "a friend in the music business."
Author: Donald S. Passman
Publisher: Simon and Schuster
ISBN: 150110490X
Category : Music
Languages : en
Pages : 528
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Book Description
All You Need to Know About the Music Business by veteran music lawyer Don Passman—dubbed “the industry bible” by the Los Angeles Times—is now updated to address the biggest transformation of the music industry yet: streaming. For more than twenty-five years, All You Need to Know About the Music Business has been universally regarded as the definitive guide to the music industry. Now in its tenth edition, Donald Passman leads novices and experts alike through what has been the most profound change in the music business since the days of wax cylinders and piano rolls. For the first time in history, music is no longer monetized by selling something—it’s monetized by how many times listeners stream a song. And that completely changes the ecosystem of the business, as Passman explains in detail. Since the advent of file-sharing technology in the late 1990s to the creation of the iPod, the music industry has been teetering on the brink of a major transformation—and with the newest switch to streaming music, this change has finally come to pass. Passman’s comprehensive guide offers timely, authoritative information from how to select and hire a winning team of advisors and structure their commissions and fees; navigate the ins and outs of record deals, songwriting, publishing, and copyrights; maximize concert, touring, and merchandising deals; and how the game is played in a streaming world. “If you want to be in music, you have to read this book,” says Adam Levine, lead singer and guitarist of Maroon 5. With its proven track record, this updated edition of All You Need to Know About the Music Business is more essential than ever for musicians, songwriters, lawyers, agents, promoters, publishers, executives, and managers—anyone trying to navigate the rapid transformation of the industry.
Author: Donald S. Passman
Publisher: Viking
ISBN: 9780670918867
Category : Copyright
Languages : en
Pages : 0
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Book Description
'The industry bible' Los Angeles Times In recent years the music industry has changed profoundly. Everyone in the business has had to adapt to the new filesharing technology, whether they're a record-company executive or a creative artist. No one understands the industry and the changes it's undergone better than lawyer Donald Passman. For twenty years All You Need to Know about the Music Business has offered detailed advice to artists and executives, novices and experts alike on how to thrive in these volatile times. This completely revised seventh edition sets out recent developments in record deals, copyright, new technologies and film music. It also offers unique advice on how to navigate your way through the ins and outs of songwriting, music publishing, merchandizing and performing. So whether you're a newcomer or an established professional musician, All You Need to Know about the Music Business is an essential companion. 'Required reading for anyone planning or enduring a career in the biz' Rolling Stone 'An easy-to-understand overview of the complicated music business' Randy Newman 'I highly recommend Don's book ... an indispensable work' Quincy Jones SEVENTH EDITION
Author: Frank Jermance
Publisher: Hal Leonard Corporation
ISBN: 9780634026522
Category : Music
Languages : en
Pages : 362
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Book Description
For anyone planning a career in the music business, Navigating the Music Industry is an excellent introduction to all the issues facing artists today. It combines the myriad talents of teachers, lawyers and musicians to provide a comprehensive overview of the industry. The first half of the book, "Controversial Issues," concentrates on the "music" side of this world - everything from censorship to regional music scenes to the future of country music to the debate between indie and major labels. The second half, "Business Models," looks at the "business" side, and contains many tips about the practical side of the music industry - using internet content, budgets and breakevens, tax issues, when to incorporate and why, and much more. Simply put, Navigating the Music Industry is the most complete book on the subject to date. Previously announced as What's Going On?: Current Issues in the Music Business.
Author: Bruce Pollock
Publisher: Hal Leonard Publishing Corporation
ISBN: 9781423492214
Category : Music
Languages : en
Pages : 0
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Book Description
A FRIEND IN THE MUSIC BUSINESS: THE ASCAP STORY
Author: Tom Hutchison
Publisher: Taylor & Francis
ISBN: 1136122214
Category : Technology & Engineering
Languages : en
Pages : 306
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Book Description
Interested in promoting, selling, and distributing music online? Have the website but not sure what to do next? Web Marketing for the Music Business is designed to help develop the essential Internet presence needed for effective promotion, sales, and distribution. Author Tom Hutchison provides instructions on how to set up a website, as well as how to use the Internet to promote you or your client, and the website. Includes information on maximizing your site to increase traffic, online grassroots marketing tactics that will advance your career and how to best utilize social networking sites such as Facebook and Twitter. The accompanying website will keep you up-to-date, with online resources for web support. The author's blog is continuously updated to include the latest breaking techniques for promotion.
Author: Steve Grossman
Publisher:
ISBN: 9780615490823
Category : Business & Economics
Languages : en
Pages : 156
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Book Description
Overview A frank and honest discussion of the 8 reasons most musicians fail to build a long-term, music career and the proven "real world" skills and principles of business that are rarely taught to people in "the arts." It is full of usable tips and tools about finance, marketing, sales, communication, strategy, goals and people that can be applied directly to their music career. When they finish the book, readers will have a written plan based on who they are, the things they want to do, and the life they want to live. The Book Introduction - why musicians must look to the "real world" of business for how to succeed in "the arts." 1. I Thought Talent Was Enough (The many things needed for success) - talent is a given, it's everything else that makes the difference in building a successful career. 2. I Thought I Had Enough Talent (Self-development - you can learn it all) - everything outside of talent and musical skill can be learned. Successful people do it everyday. 3. The Company I Kept (You can't do it alone - Networking and crabs in a bucket) - success is a team sport. Association with the right people is the foundation to a successful career - and life. 4. How I Kept My Company (You own a business and it's YOU!) - musicians are much too close to their art to make the right career decisions. That's why they have to act like CEOs. 5. My Attitude (The power of belief) - whether a person believes they'll fail or succeed, they're right. 6. I Was Dreaming (Is what you want real? Make sure.) - the only thing worse than failing is to succeed in the wrong thing. 7. I Was Hoping (The power of a right goal.) - most people spend far more time planning vacations than they do planning their lives. 8. I Wanted to be a STAR (What you want is a LIFE!) - why the "why" is the most important element in success. The reason to succeed has to be bigger than the pain of overcoming failure. 9.You, Inc. - how to put everything in the book into a usable plan that is actually used. Resources - where and how to learn more Bio Steve Grossman is a husband/father, a businessman and an encourager who is passionate about living fully alive and helping others do the same. Following a 20 year career as a Grammy award winning drummer, he joined and climbed the corporate ladder of a privately held firm in the Automotive Industry. Now well into his third career as an author, speaker and consultant, Steve encourages individuals and businesses to uncover what it is they're meant to do and how to do that well. He currently lives in Smyrna, TN with his bride of 25 years and their two children.
Author: Donald S. Passman
Publisher: Simon and Schuster
ISBN: 1668011077
Category : Music
Languages : en
Pages : 560
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Book Description
Dubbed “the industry bible” by the Los Angeles Times, All You Need to Know About the Music Business by veteran music lawyer Donald Passman is the go-to guide for everyone in the music business through ten editions, over thirty years, and over a half a million copies sold. Now with updates explaining why musicians have more power today than ever in history; discussion of the mega-million-dollar sales of artists’ songs and record catalogs; how artist access to streaming media, and particularly TikTok, has completely reshaped the music business; the latest on music created by AI; and a full update of the latest numbers and trends. For more than thirty years, All You Need to Know About the Music Business has been universally regarded as the definitive guide to the music industry. Now in its eleventh edition, Passman leads novices and experts alike through what has been the most profound change in the music business since the days of wax cylinders and piano rolls: streaming. For the first time in history, music is no longer monetized by selling something—it’s monetized by how many times a listener streams a song. And also, for the first time, artists can get their music to listeners without a record company gatekeeper, creating a new democracy for music. The “industry bible” (Los Angeles Times), now updated, is essential for anyone in the music business—musicians, songwriters, lawyers, agents, promoters, publishers, executives, and managers—and the definitive guide for anyone who wants to be in the business. So, whether you are—or aspire to be—in the music industry, veteran music lawyer Passman’s comprehensive guide is an indispensable tool. He offers timely information about the latest trends, including the reasons why artists have more clout than ever in history, the massive influence of TikTok, the mega million dollar sales of artists’ songs and record catalogs, music in Web3 and the Metaverse, music created by AI, and a full update of the latest numbers and practices.
Author: Michael Miller
Publisher: Penguin
ISBN: 1101197951
Category : Music
Languages : en
Pages : 425
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Book Description
Instrumental in turning musicians into moneymakers The Complete Idiot's Guide® to the Music Business is written for every musician who needs to learn the business of music, as well as for all businesspeople entering the music industry. Author Michael Miller covers all the key business topics and reveals the wealth of job opportunities in the music industry from a business perspective. • Covers finding an agent, negotiating contracts, publishing songs, collecting royalties, and promotion strategies • Also covers such nonmusician industry careers as artist management, concert promotion, music production, and radio • Features essential information on the new frontiers of electronic and online music
