Author: Stephen Storace
Publisher:
ISBN:
Category :
Languages : en
Pages : 56

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Author: Herbert George Wells
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 332

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Author: Alfred Edward Woodley Mason
Publisher:
ISBN:
Category :
Languages : en
Pages : 332

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Author: Carrie Noland
Publisher: University of Chicago Press
ISBN: 022654124X
Category : Art
Languages : en
Pages : 283

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Book Description
One of the most influential choreographers of the twentieth century, Merce Cunningham is known for introducing chance to dance. Far too often, however, accounts of Cunningham’s work have neglected its full scope, focusing on his collaborations with the visionary composer John Cage or insisting that randomness was the singular goal of his choreography. In this book, the first dedicated to the complete arc of Cunningham’s career, Carrie Noland brings new insight to this transformative artist’s philosophy and work, providing a fresh perspective on his artistic process while exploring aspects of his choreographic practice never studied before. Examining a rich and previously unseen archive that includes photographs, film footage, and unpublished writing by Cunningham, Noland counters prior understandings of Cunningham’s influential embrace of the unintended, demonstrating that Cunningham in fact set limits on the role chance played in his dances. Drawing on Cunningham’s written and performed work, Noland reveals that Cunningham introduced variables before the chance procedure was applied and later shaped and modified the chance results. Chapters explore his relation not only to Cage, but also Marcel Duchamp, Robert Rauschenberg, James Joyce, and Bill T. Jones. Ultimately, Noland shows that Cunningham approached movement as more than “movement in itself,” and that his work enacted archetypal human dramas. This remarkable book will forever change our appreciation of the choreographer’s work and legacy.

Author: John Corbett
Publisher: University of Chicago Press
ISBN: 022635380X
Category : Music
Languages : en
Pages : 191

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Book Description
In the first book of its kind, John Corbett's A Listener's Guide to Free Improvisation provides a how-to manual for the most extreme example of spontaneous improvising: music with no pre-planned material at all. Drawing on over three decades of writing about, presenting, playing, teaching, and studying freely improvised music, Corbett offers an enriching set of tools that show any curious listener how to really listen, and he encourages them to enjoy the human impulse-- found all around the world-- to make up music on the spot.

Author: Pier Francesco Tosi
Publisher: Cambridge University Press
ISBN: 052145428X
Category : Music
Languages : en
Pages : 312

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Book Description
An English translation with commentary of an important first treatise on singing by Agricola.

Author: Anthony Trollope
Publisher: IndyPublish.com
ISBN:
Category : Fiction
Languages : en
Pages : 318

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1879. Prolific English writer of novels dealing with Victorian life. An Eye for an Eye is a tragic, gothic romance about the struggle of the upper class Protestant Englishman, Fred Neville, who inherits a high position unexpectedly. He meets and falls in love with Kate O'Hara. They have a love affair, she becomes pregnant and he promises her and her mother that he will marry her. But, he is conflicted by the responsibilities and pressures from his family to marry someone presentable and promises them he will not marry Kate. He decides that he cannot make Kate Countess of Scroope and after telling Kate's mother this, she loses control after years of misery and frustration, and in a sudden fury pushes him over a cliff to his death. See other titles by this author available from Kessinger Publishing.

Author: Edward F. Benson
Publisher:
ISBN:
Category :
Languages : en
Pages : 606

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Author: Poe
Publisher:
ISBN:
Category :
Languages : en
Pages : 376

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Author: Keith Hatschek
Publisher: Univ. Press of Mississippi
ISBN: 1496837789
Category : Music
Languages : en
Pages : 221

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Book Description
Recipient of a 2023 Certificate of Merit for Best Historical Research in Recorded Jazz from the Association for Recorded Sound Collections Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors. First conceived by the Brubecks in 1956, the musical’s journey to the stage for its 1962 premiere tracks extraordinary twists and turns across the backdrop of the civil rights movement. A variety of colorful characters, from Broadway impresarios to gang-connected managers, surface in the compelling storyline. During the Cold War, the US State Department enlisted some of America’s greatest musicians to serve as jazz ambassadors, touring the world to trumpet a so-called “free society.” Honored as celebrities abroad, the jazz ambassadors, who were overwhelmingly African Americans, returned home to racial discrimination and deferred dreams. The Brubecks used this double standard as the central message for the musical, deploying humor and pathos to share perspectives on American values. On September 23, 1962, The Real Ambassadors’s stunning debut moved a packed arena at the Monterey Jazz Festival to laughter, joy, and tears. Although critics unanimously hailed the performance, it sadly became a footnote in cast members’ bios. The enormous cost of reassembling the star-studded cast made the creation impossible to stage and tour. However, The Real Ambassadors: Dave and Iola Brubeck and Louis Armstrong Challenge Segregation caps this jazz story by detailing how the show was triumphantly revived in 2013 by the Detroit Jazz Festival and in 2014 by Jazz at Lincoln Center. This reaffirmed the musical’s place as an integral part of America’s jazz history and served as an important reminder of how artists’ voices are a powerful force for social change.