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Author: Michael J. K. Walsh
Publisher: University of Delaware Press
ISBN: 9780874139426
Category : Art
Languages : en
Pages : 222
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Book Description
Presents a "first history" of the artist and his work within the literary and sociocultural context of contemporary London, Paris, Milan, and New York. This work also emphasizes a re-evaluative positioning of Nevinson's work within a modernist framework in literature and art in the first half of the twentieth century in northwest Europe.
Author: Michael J. K. Walsh
Publisher: University of Delaware Press
ISBN: 9780874139426
Category : Art
Languages : en
Pages : 222
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Book Description
Presents a "first history" of the artist and his work within the literary and sociocultural context of contemporary London, Paris, Milan, and New York. This work also emphasizes a re-evaluative positioning of Nevinson's work within a modernist framework in literature and art in the first half of the twentieth century in northwest Europe.
Author: Martin Halliwell
Publisher:
ISBN:
Category : Ethics in literature
Languages : en
Pages : 264
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Book Description
Author: Leon Surette
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773575057
Category : Literary Collections
Languages : en
Pages : 429
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Book Description
Leon Surette's new study of T.S. Eliot and Wallace Stevens challenges the received view that Stevens' poetry expresses a Humanist world view, and - more surprisingly - documents Eliot's early Humanist phase.
Author: Michael J. K. Walsh
Publisher: Cambridge University Press
ISBN: 0521195802
Category : Art
Languages : en
Pages : 315
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Book Description
A new take on the impact of war on the London art and literary scene and the emergence of modernism, first published in 2010.
Author: Michaela Bronstein
Publisher: Oxford University Press
ISBN: 0190655399
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Introduction: Works for other times -- Rescue work: innovation and continuity in modernist fiction -- Character and identity -- What chronology demands of us -- Needing to narrate -- Modernism today, or, The author becomes a character
Author: Leonard Diepeveen
Publisher: Psychology Press
ISBN: 9780415940696
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Petra Rau
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754656722
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
This is the first systematic analysis of the relationship between representations of 'Germanness' in modernist British literature, the construction of English identity and the negotiation of modernity. Major figures such as Conrad, Woolf and Ford are examined alongside popular or less-familiar writers such as Saki and Stevie Smith. Rau's book will be invaluable to scholars and will serve undergraduates working in modernism, literary history, and European cultural relations.
Author: Alex Davis
Publisher: Cambridge University Press
ISBN: 9780521780322
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
In this 2000 collection, an international team of contributors examine relationships between modernist poetry and place.
Author: Michael Gardiner
Publisher: Routledge
ISBN: 1351757466
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
This book describes firstly a Japanese modernity which is readable not only as a modernising, but also as a Britishing, and secondly modernist attempts to overhaul this British universalism in some well-known and some less-known Japanese texts. From the mid-nineteenth century, and particularly as hastened by the spectre of China in the First Opium War, Japan’s modernity was bound up with a convergence with British Newtonian cosmology, something underscored by the British presence in Meiji Japan and the British education of key Meiji state-makers. Moreover the thinking behind Britain’s own unification in the long eighteenth century, particularly the Scottish Enlightenment, is echoed strikingly faithfully in the 1860s-70s work of Fukuzawa Yukichi, Nakamura Masanao, and other writers in the ‘Japanese Enlightenment’. However, from around the end of the Meiji era, we can see a concerted and pointed response to this British universalism, its historiography, its basis in the sovereign individual subject, and its spatial mapping of the world. Elements of this response can be read in texts including Natsume Sōseki’s Kokoro, Watsuji Tetsurō’s Fūdo (Climate and Culture), Tanizaki Jun’ichirō’s In’ei Raisan (In Praise of Shadows), Kawabata Yasunari’s Yukiguni (Snow Country), and various work of the mid-period Kyoto School. Rarely understood in terms of its British specificity, this response should have something to say to modernist studies more generally, since it aimed at a pluralism and de-universalisation that was difficult for mainstream British modernism itself. Indeed the strength of this de-universalisation may be precisely why these ‘native’ Japanese modernist tendencies have not much been accepted as modernism within the Anglophone academy, despite this field’s apparent widening of its ground in the twenty-first century.
Author: Michael J. K. Walsh
Publisher: Routledge
ISBN: 1351764489
Category : History
Languages : en
Pages : 180
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Book Description
Eric Bogle has written many iconic songs that deal with the futility and waste of war. Two of these in particular, ‘And the Band Played Waltzing Matilda’ and ‘No Man’s Land (a.k.a. The Green Fields of France)’, have been recorded numerous times in a dozen or more languages indicating the universality and power of their simple message. Bogle’s other compositions about the First World War give a voice to the voiceless, prominence to the forgotten and personality to the anonymous as they interrogate the human experience, celebrate its spirit and empathise with its suffering. This book examines Eric Bogle’s songs about the Great War within the geographies and socio-cultural contexts in which they were written and consumed. From Anzac Day in Australia and Turkey to the ‘The Troubles’ in Northern Ireland and from small Aboriginal communities in the Coorong to the influence of prime ministers and rock stars on a world stage, we are urged to contemplate the nature and importance of popular culture in shaping contemporary notions of history and national identity. It is entirely appropriate that we do so through the words of an artist who Melody Maker described as ‘the most important songwriter of our time’.
