Author: Vincenzo Manfredini
Publisher: Edwin Mellen Press
ISBN:
Category : Music
Languages : en
Pages : 220
Book Description
In Defense of Modern Music preserves, almost by accident, a private debate between Esteban de Arteaga, philosopher of the arts, and Vincenzo Manfredini, composer, singing teacher, and champion of Italian heroic opera in the 1780s. The text comprises Manfredini's unfavorable review of Arteaga's History of Italian Opera from its Origins to the Present Day, Arteaga's tetchy response, and Manfredini's scornful reply. The Defence plays a unique role in the debate on opera that raged across Europe at the time. Formidable personalities engaged in the argument, theorists and philosophers as much as practical men of the theatre. Arteaga followed in the footsteps of Algarotti, Diderot, Rousseau, and Brown in analyzing the state of opera in the Age of Enlightenment. Their theories were tested by the composers Gluck, Jommelli, and Traetta; librettists including Calzabiti and Coltellini; two leading choreographers, Angiolini and Noverre; and designers such as the Galliari Brothers. The Defence traces the noble ideas and achievements of these significant personalities in a casual, subjective, sometimes chaotic commentary, that vividly recreates the manner of 18th-century argument - sometimes fulsomely servile, elsewhere witty and ironic, descending occasionally to insults. This, the first English translation of the text, presents a unique account of an important 18th-century controversy, while shedding light on the language and manners of the period.
A Critical Translation from the Italian of Vincenzo Manfredini's Difesa Della Musica Moderna/In Defense of Modern Music (1788)
Author: Vincenzo Manfredini
Publisher: Edwin Mellen Press
ISBN:
Category : Music
Languages : en
Pages : 220
Book Description
In Defense of Modern Music preserves, almost by accident, a private debate between Esteban de Arteaga, philosopher of the arts, and Vincenzo Manfredini, composer, singing teacher, and champion of Italian heroic opera in the 1780s. The text comprises Manfredini's unfavorable review of Arteaga's History of Italian Opera from its Origins to the Present Day, Arteaga's tetchy response, and Manfredini's scornful reply. The Defence plays a unique role in the debate on opera that raged across Europe at the time. Formidable personalities engaged in the argument, theorists and philosophers as much as practical men of the theatre. Arteaga followed in the footsteps of Algarotti, Diderot, Rousseau, and Brown in analyzing the state of opera in the Age of Enlightenment. Their theories were tested by the composers Gluck, Jommelli, and Traetta; librettists including Calzabiti and Coltellini; two leading choreographers, Angiolini and Noverre; and designers such as the Galliari Brothers. The Defence traces the noble ideas and achievements of these significant personalities in a casual, subjective, sometimes chaotic commentary, that vividly recreates the manner of 18th-century argument - sometimes fulsomely servile, elsewhere witty and ironic, descending occasionally to insults. This, the first English translation of the text, presents a unique account of an important 18th-century controversy, while shedding light on the language and manners of the period.
Publisher: Edwin Mellen Press
ISBN:
Category : Music
Languages : en
Pages : 220
Book Description
In Defense of Modern Music preserves, almost by accident, a private debate between Esteban de Arteaga, philosopher of the arts, and Vincenzo Manfredini, composer, singing teacher, and champion of Italian heroic opera in the 1780s. The text comprises Manfredini's unfavorable review of Arteaga's History of Italian Opera from its Origins to the Present Day, Arteaga's tetchy response, and Manfredini's scornful reply. The Defence plays a unique role in the debate on opera that raged across Europe at the time. Formidable personalities engaged in the argument, theorists and philosophers as much as practical men of the theatre. Arteaga followed in the footsteps of Algarotti, Diderot, Rousseau, and Brown in analyzing the state of opera in the Age of Enlightenment. Their theories were tested by the composers Gluck, Jommelli, and Traetta; librettists including Calzabiti and Coltellini; two leading choreographers, Angiolini and Noverre; and designers such as the Galliari Brothers. The Defence traces the noble ideas and achievements of these significant personalities in a casual, subjective, sometimes chaotic commentary, that vividly recreates the manner of 18th-century argument - sometimes fulsomely servile, elsewhere witty and ironic, descending occasionally to insults. This, the first English translation of the text, presents a unique account of an important 18th-century controversy, while shedding light on the language and manners of the period.
The Cambridge History of Musical Performance
Author: Colin Lawson
Publisher: Cambridge University Press
ISBN: 1316184420
Category : Music
Languages : en
Pages : 1066
Book Description
The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.
Publisher: Cambridge University Press
ISBN: 1316184420
Category : Music
Languages : en
Pages : 1066
Book Description
The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.
A Translation of Dante's Il Fiore ("The Flower")
Author: Dante Alighieri
Publisher: Edwin Mellen Press
ISBN:
Category : Poetry
Languages : en
Pages : 624
Book Description
The detailed introduction provides an account of the historical and linguistic aspects of the text as well as a discussion of its meaning and significance responsive to developments in the sphere of Rose criticism proper. There is a full, up-to-date bibliography, glossary, table of references from the Fiore to the canonical Dante, and specialised rhetorical and technical index."--BOOK JACKET.
Publisher: Edwin Mellen Press
ISBN:
Category : Poetry
Languages : en
Pages : 624
Book Description
The detailed introduction provides an account of the historical and linguistic aspects of the text as well as a discussion of its meaning and significance responsive to developments in the sphere of Rose criticism proper. There is a full, up-to-date bibliography, glossary, table of references from the Fiore to the canonical Dante, and specialised rhetorical and technical index."--BOOK JACKET.
Treatise on the Question Do Women Have Souls and are They Human Beings?
Author: Clive Hart
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 284
Book Description
The anonymous tract Disputatio nova contra mulieres, qua probatur eas hominess non esse (A new argument against women, in which it is demonstrated that they are not human beings), first published in 1595, rapidly grew notorious, and was reprinted many times during the 17th and 18th centuries. By selectively quoting scriptural passages, along with a few references to other works, the author attempted to prove that women have no souls, and, being little better than higher animals, will have no afterlife. Although a degree of anti-feminine spite is evident, he was less intent to denigrate women that to advance an absurd argument parallel to what he took to be the equally absurd theological propositions of the Socinian sect, that Christ was not divine. It was nevertheless inevitable that most readers would take the tract at face value. Many refutations appeared. This new edition, with complete translation, collated text, and copious quotations from many references to it, ranging from the 16th to the 20th centuries, offers the first full assessment of its impact on early modern feminist thought.
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 284
Book Description
The anonymous tract Disputatio nova contra mulieres, qua probatur eas hominess non esse (A new argument against women, in which it is demonstrated that they are not human beings), first published in 1595, rapidly grew notorious, and was reprinted many times during the 17th and 18th centuries. By selectively quoting scriptural passages, along with a few references to other works, the author attempted to prove that women have no souls, and, being little better than higher animals, will have no afterlife. Although a degree of anti-feminine spite is evident, he was less intent to denigrate women that to advance an absurd argument parallel to what he took to be the equally absurd theological propositions of the Socinian sect, that Christ was not divine. It was nevertheless inevitable that most readers would take the tract at face value. Many refutations appeared. This new edition, with complete translation, collated text, and copious quotations from many references to it, ranging from the 16th to the 20th centuries, offers the first full assessment of its impact on early modern feminist thought.
Bibliographic Guide to Music
Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 862
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 862
Book Description
American Book Publishing Record
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 964
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 964
Book Description
Books In Print 2004-2005
Author: Ed Bowker Staff
Publisher: R. R. Bowker
ISBN: 9780835246422
Category : Reference
Languages : en
Pages : 3274
Book Description
Publisher: R. R. Bowker
ISBN: 9780835246422
Category : Reference
Languages : en
Pages : 3274
Book Description
The British National Bibliography
Author: Arthur James Wells
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 1190
Book Description
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 1190
Book Description
International Who's who in Classical Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 948
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 948
Book Description
Books in Print Supplement
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2576
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2576
Book Description