A Comparison of the Clarinet Concertos of Isang Yun and John Corigliano PDF Download
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Author: Kelvin Tod Kerstetter
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: Kelvin Tod Kerstetter
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: Jo Ann Marie Polley
Publisher:
ISBN:
Category :
Languages : en
Pages : 270
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Author: Saerom Kim
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 0
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Book Description
"Along with Karlheinz Stockhausen, Pierre Boulez, Olivier Messiaen, Bruno Maderna, Luigi Nono and John Cage, a Korean-born German composer named Isang Yun was one of the leading composers in the twentieth century. During World War II, many of these contemporaries consistently sought to achieve new styles of music. Yun expressed his musical language by merging Eastern-Asian traditions with Western-European traditions. He applied the Second Viennese style of twelve-tone technique and transformed it in his way. Furthermore, he gathered his childhood musical memories, Korean traditional music, and his lifelong belief in Taoism to create his own method called Haupttontechnik, an example of fusion between Eastern-Asian and Western-European traditions. Yun applied this unique idea and developed his musical skills throughout his compositions. This research aims to illustrate the evolution of Isang Yun's compositional approach by analyzing his clarinet works, including Riul, Piri, and Clarinet Concerto. Although Piri was composed for the oboe originally, the piece contributes significant ideas to Yun's later work, Clarinet Concerto. I firmly believe that Piri links Riul and the Clarinet Concerto."-- author's abstract.
Author: David Carson Berry
Publisher: Pendragon Press
ISBN: 9781576470954
Category : Juvenile Nonfiction
Languages : en
Pages : 610
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Book Description
To the growing list of Pendragon Press publications devoted to the work of Heinrich Schenker, we wish to announce the addition of this much-needed bibliography. The author, a student of Allen Forte, has created a work useful to a wide range of researchers music theorists, musicologists, music librarians and teachers. The Guide is the largest Schenkerian reference work ever published. At nearly 600 pages, it contains 3600 entries (2200 principal, 1400 secondary) representing the work of 1475 authors. Fifteen broad groupings encompass seventy topical headings, many of which are divided and subdivided again, resulting in a total of 271 headings under which entries are collected.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 676
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Author: Tim Rutherford-Johnson
Publisher: Univ of California Press
ISBN: 0520959043
Category : Music
Languages : en
Pages : 363
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Book Description
"...the best extant map of our sonic shadowlands, and it has changed how I listen."—Alex Ross, The New Yorker "...an essential survey of contemporary music."—New York Times "…sharp, provacative and always on the money. The listening list alone promises months of fresh discovery, the main text a fresh new way of navigating the world of sound."—The Wire 2017 Music Book of the Year—Alex Ross, The New Yorker Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post–Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.
Author: Michael Beckerman
Publisher: Open Book Publishers
ISBN: 1800641168
Category : Music
Languages : en
Pages : 154
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Book Description
This kaleidoscopic collection reflects on the multifaceted world of classical music as it advances through the twenty-first century. With insights drawn from leading composers, performers, academics, journalists, and arts administrators, special focus is placed on classical music’s defining traditions, challenges and contemporary scope. Innovative in structure and approach, the volume comprises two parts. The first provides detailed analyses of issues central to classical music in the present day, including diversity, governance, the identity and perception of classical music, and the challenges facing the achievement of financial stability in non-profit arts organizations. The second part offers case studies, from Miami to Seoul, of the innovative ways in which some arts organizations have responded to the challenges analyzed in the first part. Introductory material, as well as several of the essays, provide some preliminary thoughts about the impact of the crisis year 2020 on the world of classical music. Classical Music: Contemporary Perspectives and Challenges will be a valuable and engaging resource for all readers interested in the development of the arts and classical music, especially academics, arts administrators and organizers, and classical music practitioners and audiences.
Author: Francisco F. Feliciano
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 160
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Author: Geoffrey Vernon Burgess
Publisher: Yale University Press
ISBN: 9780300093179
Category : Music
Languages : en
Pages : 444
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Book Description
The oboe, including its earlier forms the shawm and the hautboy, is an instrument with a long and rich history. In this book two distinguished oboist-musicologists trace that history from its beginnings to the present time, discussing how and why the oboe evolved, what music was written for it, and which players were prominent. Geoffrey Burgess and Bruce Haynes begin by describing the oboe’s prehistory and subsequent development out of the shawm in the mid-seventeenth century. They then examine later stages of the instrument, from the classical hautboy to the transition to a keyed oboe and eventually the Conservatoire-system oboe. The authors consider the instrument’s place in Romantic and Modernist music and analyze traditional and avant-garde developments after World War II. Noting the oboe’s appearance in paintings and other iconography, as well as in distinctive musical contexts, they examine what this reveals about the instrument’s social function in different eras. Throughout the book they discuss the great performers, from the pioneers of the seventeenth century to the traveling virtuosi of the eighteenth, the masters of the romantic period and the legends of the twentieth century such as Gillet, Goossens, Tabuteau, and Holliger. With its extensive illustrations, useful technical appendices, and discography, this is a comprehensive and authoritative volume that will be the essential companion for every woodwind student and performer.
Author: Colin James Lawson
Publisher: Cambridge University Press
ISBN: 9780521476683
Category : Music
Languages : en
Pages : 264
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Book Description
Written for students, performers, and music lovers.
