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Author: Mohit Kumar Ray
Publisher: Sarup & Sons
ISBN: 9788176258500
Category : Indic poetry
Languages : en
Pages : 228
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Book Description
Author: Mohit Kumar Ray
Publisher: Sarup & Sons
ISBN: 9788176258500
Category : Indic poetry
Languages : en
Pages : 228
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Book Description
Author: Dr. Ujjwala Kakarla
Publisher: Zorba Books
ISBN: 9386407590
Category : Education
Languages : en
Pages : 127
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Book Description
The book Indian and Western Aesthetics in Sri Aurobindo’s Criticism is a comparative study of Indian and western aesthetics. It depicts the beauty of evolution of multiplicity of theories to vastness of concepts postulated by different literary theoreticians. Moreover, it gives a keen insight into Sri Aurobindo’s aesthetics. His criticism has given the complete synthesis of Indian poetic theories which have striking parallels to modern Western literary theories. He is one of the greatest literary critics who recovered the salient principles of ancient Indian aesthetics and their potentialities. His aesthetics accommodated many modern trends on the foundation of Indian culture that is going to be the mantra of new civilization.
Author: Suresh Dhayagude
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 268
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Book Description
Author: Ashima Shrawan
Publisher: Cambridge Scholars Publishing
ISBN: 1527533565
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
There is a marked awareness about the language of literature and its meaning both in Indian and Western aesthetic thinking. The aestheticians of both schools hold that the language of literature embodies a significant aspect of human experience, and represents a creative pattern of verbal structure to impart meaning effectively. Modern Western aesthetic thinking, which includes theories like formalism, new criticism, stylistics, structuralism, post-structuralism, deconstruction, discourse analysis, semiotics and dialogic criticism, in one way or another emphasizes the study of the language of literature in order to understand its meaning. Similarly, there is a distinct focus on the language of literature and its meaning in Indian literary theories which include the theory of rasa (aesthetic experience), alaṁkāra (the poetic figure), rīti (diction), dhvani (suggestion), vakrokti (oblique expression) and aucitya (propriety). This book explores how the language of literature and its meaning have been dealt with in both Indian and Western aesthetic thinking. In doing so, the study concentrates on Kuntaka’s theory of vakrokti and Ānandavardhana’s theory of dhvani in Indian aesthetic thinking and Russian formalism and deconstruction in Western thinking. The book categorically focuses on the intersection between the theory of vakrokti and Russian formalism and the meeting-point between the theory of dhvani and deconstruction.
Author: Amar Nath Prasad
Publisher: Sarup & Sons
ISBN: 9788176258258
Category : Indic poetry (English)
Languages : en
Pages : 372
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Book Description
Author: Arindam Chakrabarti
Publisher: Bloomsbury Publishing
ISBN: 1472525973
Category : Philosophy
Languages : en
Pages : 445
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Book Description
The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art provides an extensive research resource to the burgeoning field of Asian aesthetics. Featuring leading international scholars and teachers whose work defines the field, this unique volume reflects the very best scholarship in creative, analytic, and comparative philosophy. Beginning with a philosophical reconstruction of the classical rasa aesthetics, chapters range from the nature of art-emotions, tones of thinking, and aesthetic education to issues in film-theory and problems of the past versus present. As well as discussing indigenous versus foreign in aesthetic practices, this volume covers North and South Indian performance practices and theories, alongside recent and new themes including the Gandhian aesthetics of surrender and self-control and the aesthetics of touch in the light of the politics of untouchability. With such unparalleled and authoritative coverage, The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art represents a dynamic map of comparative cross-cultural aesthetics. Bringing together original philosophical research from renowned thinkers, it makes a major contribution to both Eastern and Western contemporary aesthetics.
Author: Les B. Morgan
Publisher: Les Morgan
ISBN: 1463725620
Category : Literary Criticism
Languages : en
Pages : 441
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Book Description
Includes: "Poetic elements in Sanskrit literature " explains the extensive use of verse in Indian texts. "Introduction to Metrics " gives a clear overview of Sanskrit prosody. "A Treasury of Common Meters" includes fully-worked examples of verses drawn from many sources. "Figures of Speech" explains similies, metaphors, and other poetic uses of language. "Figures of Sound" explains techniques that affect sound, such as rhyme and alliteration. A metrical analysis of the Hathapradipika, the best-known work on Hatha Yoga, is included. An Introduction to the Hathapradipika by Anthony Biduck summarizes key spiritual and philosophical ideas of Hatha Yoga.
Author: Gupteshwar Prasad
Publisher: Sarup & Sons
ISBN: 9788185431376
Category : Aesthetics, Indic
Languages : en
Pages : 376
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Book Description
Author: Rosine-Alice Vuille
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110781514
Category : History
Languages : en
Pages : 410
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Book Description
How does a writer discuss her creative process and her views on a writer’s role in society? How do her comments on writing relate to her works? The Hindi writer Krishna Sobti (1925-2019) is known primarily as a novelist. However, she also extensively wrote about her views on the creative process, the figure of the writer, historical writing, and the position of writers within the public sphere. This study is the first to examine in detail the relationship between Sobti’s views on poetics as exposed in her non-fictional texts and her own literary practice. The writer’s self-representation is analysed through her use of metaphors to explain her creative process. Sobti’s construction of the figure of the writer is then put in parallel with her idiosyncratic use of language as a representation of the heterogeneous voices of her characters and with her conception of literature as a space where time and memory can be "held." At the same time, by delving into Sobti’s position in the debate around "women’s writing" (especially through the creation of a male double, the failed writer Hashmat), and into her views on literature and politics, this book also reflects on the literary debates of the post-Independence Hindi literary sphere.
Author: Mazhar Hussain
Publisher: Routledge
ISBN: 1351883364
Category : Philosophy
Languages : en
Pages : 429
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Book Description
Comparative aesthetics is the branch of philosophy which compares the aesthetic concepts and practices of different cultures. The way in which cultures conceive of the aesthetic dimension of life in general and art in particular is revelatory of profound attitudes and beliefs which themselves make up an important part of the culture in question. This anthology of essays by internationally recognised scholars in this field brings into one volume some of the most important research in comparative aesthetics, from classic early essays to previously unpublished contemporary pieces. Ranging across cultures and time periods as diverse as ancient Greece, India and China and the modern West and Japan, the essays reveal both similarities and deep differences between the aesthetic traditions concerned. In the course of these expositions and comparisons there emerges the general conclusion that no culture can be fully grasped if its aesthetic ideas are not understood.
