A Comment on the Divine Comedy of Dante Alighieri. By .......... [John Taaffe]. PDF Download
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![A Comment on the Divine Comedy of Dante Alighieri. By .......... [John Taaffe]. PDF](https://books.google.com/books/content/images/frontcover/1J_OJIkn1aAC?fife=w150-h200)
Author: Dante Alighieri
Publisher:
ISBN:
Category :
Languages : en
Pages : 546
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![A Comment on the Divine Comedy of Dante Alighieri. By .......... [John Taaffe]. PDF](https://books.google.com/books/content/images/frontcover/1J_OJIkn1aAC?fife=w80-h100)
Author: Dante Alighieri
Publisher:
ISBN:
Category :
Languages : en
Pages : 546
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Author: John Taaffe
Publisher:
ISBN:
Category :
Languages : en
Pages : 556
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Author: John Taaffe
Publisher:
ISBN:
Category :
Languages : en
Pages : 552
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Author: A. Braida
Publisher: Springer
ISBN: 0230508499
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
The British Romantic poets were among the first to realise the centrality of the Divine Comedy for the evolution of the European epic. This study explores the significance of Dante for Percy Bysshe Shelley, John Keats and William Blake. What was their idea of Dante? Why did they feel the need to approach his Christian epic on the afterlife? This study aims to answer these questions by focusing on the three poets' preoccupation with form and language.
Author: N. R. Havely
Publisher:
ISBN: 0199212449
Category : Literary Criticism
Languages : en
Pages : 374
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This is the first account of Dante's reception in English to address full chronological span of that process. Individual authors and periods have been studied before, but Dante's British Public takes a wider and longer view, using a selection of vivid and detailed case studies to record and place in context some of the wider conversations about and appropriations of Dante that developed in Britain across more than six centuries, as access to his work extended and diversified. Much of the evidence is based on previously unpublished material in (for example) letters, journals, annotations and inventories and is drawn from archives in the UK and across the world, from Milan to Mumbai and from Berlin to Cape Town. Throughout, the role of Anglo-Italian cultural contacts and intermediaries in shaping the public understanding of Dante in Britain is given prominence - from clerics and merchants around Chaucer's time, through itinerant scholars, collectors and tourists in the early modern period, to the exiles and expatriates of the nineteenth and twentieth centuries. The final chapter brings the story up to the present, showing how the poet's work has been seen (from the fourteenth century onwards) as accessible to 'the many', and demonstrating some of the means by which Dante has reached a yet wider British public over the past century, particularly through translation, illustration, and various forms of performance.
Author: Dante Society (U.S.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 308
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Author: Dante Society of America
Publisher:
ISBN:
Category :
Languages : en
Pages : 884
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Author: Paget Jackson Toynbee
Publisher:
ISBN:
Category : Poets, Italian
Languages : en
Pages : 378
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Author: Michael Caesar
Publisher: Routledge
ISBN: 1134552394
Category : Literary Criticism
Languages : en
Pages : 679
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First published in 1995. The Critical Heritage series collects together a large body of criticism on major figures in literature. Each volume presents the contemporary responses to a particular writer, enabling the student to follow the formation of critical attitudes to the writer's work and its place within a literary tradition. This collection of critical writings about Dante, many of them published here in English for the first time, tries to offer a balanced survey of the poet's reception in both time and space. Its scope therefore differs from that of its main predecessors in both English and Italian.
Author: Dante Society (Cambridge, Mass.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
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