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Author: Isabella Stewart Gardner
Publisher: Forgotten Books
ISBN: 9780266373810
Category : Crafts & Hobbies
Languages : en
Pages : 104
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Book Description
Excerpt from A Choice of Manuscripts and Book-Bindings: From the Library of Isabella Stewart Gardner, Fenway Court A translation of this prologue is given in the Catalogue of Boobs under the entry xylographie, where this ms. Is briefly de scribed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Isabella Stewart Gardner
Publisher: Forgotten Books
ISBN: 9780266373810
Category : Crafts & Hobbies
Languages : en
Pages : 104
Get Book Here
Book Description
Excerpt from A Choice of Manuscripts and Book-Bindings: From the Library of Isabella Stewart Gardner, Fenway Court A translation of this prologue is given in the Catalogue of Boobs under the entry xylographie, where this ms. Is briefly de scribed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Isabella Stewart Gardner
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 122
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Book Description
Author: Erik Kwakkel
Publisher: Leiden University Press
ISBN: 9789087281823
Category : Books
Languages : en
Pages : 0
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Book Description
This book unites six essays related to manuscript culture in Britain. The main emphasis is on the physical appearance of books. The essays highlight, in different ways, the tight relationship between the paleographical and codicological features of manuscripts and the culture in which the objects were produced and used. Extending their expertise to a broad audience interested in the medieval book, the contributors discuss various aspects of written culture, including the development of Insular scripts, book culture in Mercia, the layout of Anglo-Saxon charters, and the transition from Anglo-Saxon to Norman inspired script and book production.
Author:
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 103
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Book Description
Author: ISABELLA STEWART. GARDNER
Publisher:
ISBN: 9781033580950
Category :
Languages : en
Pages : 0
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Book Description
Author: Andreas Lehnardt
Publisher: BRILL
ISBN: 9004258507
Category : Religion
Languages : en
Pages : 362
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Book Description
Books within Books presents some recent findings and research projects on the fragments of medieval Hebrew manuscripts discovered in the bindings of other manuscripts and early printed books across Europe. This is the second collection of interdisciplinary articles on Hebrew binding fragments presenting current scholarship and its international scope. From the contemporary perspective, the fragments of medieval Hebrew manuscripts preserved until today, through their numbers (estimated 30,000 fragments, so more than double of the number of the known Hebrew volumes produced in medieval Europe ), the texts they carry (some of them have been previously unknown), the insights into book making techniques and finally their economic impact, are an unprecedented source for our knowledge of the Hebrew book culture and literacy as well as the economic and intellectual exchanges between the Jewish minority and their non-Jewish neighbours.
Author: National Art Library (Great Britain)
Publisher: Victoria & Albert Museum
ISBN:
Category : Architecture
Languages : en
Pages : 216
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Book Description
Celebrating the marriage of word and image on the written and printed page, The Art of the Book presents rarely examined treasures from the National Art Library at the Victoria and Albert Museum, London. Featuring a huge range of material spanning six centuries -- including illuminated manuscripts, fine bindings, the classics of children's literature, comic novels, and artists' books, it explores the ways in which books not only transmit information but become works of art in their own right. Thematic sections illustrate the key aspects of book design and production over the ages. With medieval books of hours sitting alongside contemporary paperback novels, the choice of artists, designers, subjects, and authors is wonderfully varied -- from Leonardo da Vinci to Sir Eduardo Paolozzi, Aesop to Charles Dickens, and de Brunhoff's Babar the Elephant to Art Spiegelman's Maus. Strikingly illustrated with 100 colorplates, this absorbing compendium will be of interest to collectors, graphic designers, and booklovers.
![Choice Manuscripts and Books, Bindings and Autographs ... With ... Plates [and Illustrations], Etc PDF](https://books.google.com/books/content/images/frontcover/WwTjcQAACAAJ?fife=w80-h100)
Author: Kraus, Hans P., afterwards Kraus Periodicals, Inc
Publisher:
ISBN:
Category :
Languages : en
Pages : 127
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Book Description
Author: George D. Smith, New York
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Kathryn M. Rudy
Publisher: Open Book Publishers
ISBN: 1783742364
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?
