A Bibliography of the Surrealist Revolution in France PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A Bibliography of the Surrealist Revolution in France PDF full book. Access full book title A Bibliography of the Surrealist Revolution in France by Herbert S. Gershman. Download full books in PDF and EPUB format.
Author: Herbert S. Gershman
Publisher:
ISBN:
Category : Surrealism
Languages : en
Pages : 72
Get Book Here
Book Description
Author: Herbert S. Gershman
Publisher:
ISBN:
Category : Surrealism
Languages : en
Pages : 72
Get Book Here
Book Description
Author: Herbert S. Gershman
Publisher: Ann Arbor : University of Michigan Press
ISBN:
Category : Art
Languages : en
Pages : 72
Get Book Here
Book Description
Author: William J. Thompson
Publisher: Associated University Presse
ISBN: 9781575911045
Category : Literary Criticism
Languages : en
Pages : 412
Get Book Here
Book Description
Provides a listing available of books, articles, and book reviews concerned with French literature since 1885. This work is a reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema.
Author: Gérard Durozoi
Publisher: Taylor & Francis US
ISBN: 9780226174112
Category : Art, Modern
Languages : en
Pages : 832
Get Book Here
Book Description
Tracing the movement from its origins in the 1920s to its decline in the 1950s and 1960s, Durozoi tells the history of Surrealism through its activities, publications, and reviews, demonstrating its close ties to some of the most explosive political, as well as creative, debates of the twentieth century. Unlike other histories, which focus mainly on the pre-World War II years of the movement in Paris, Durozoi covers both a wider chronological and geographic range, treating in detail the postwar years and Surrealism's colonization of Latin America, the United States, Japan, Czechoslovakia, Belgium, Italy, and North Africa. Drawing on documentary and visual evidence--including 1,000 photos, many of them in color--he illuminates all the intellectual and artistic aspects of the movement, from literature and philosophy to painting, photography, and film. All the Surrealist stars and their most important works are here--Aragon, Borges, Breton, Buñuel, Cocteau, Crevel, Dalí, Desnos, Ernst, Man Ray, Soupault, and many more--for all of whom Durozoi has provided brief biographical notes in addition to featuring them in the main text.
Author: C. W. E. Bigsby
Publisher: Routledge
ISBN: 1315279835
Category : Art
Languages : en
Pages : 104
Get Book Here
Book Description
First published in 1972, the work provides an introduction to Dada and Surrealism. It explores the two movements and their cultural significance. It also looks at those who called themselves Dadaists and Surrealists, including their aims and achievements. In doing so, the book identifies the meaning that the two terms have acquired, which is often remote from the claims advanced by the chief adherents of each movement. This book will be a valuable resource to those studying Dada and Surrealism and its relationship to modern literature.
Author: David Clark Cabeen
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 668
Get Book Here
Book Description
Author: George Heard Hamilton
Publisher: Yale University Press
ISBN: 9780300056495
Category : Art
Languages : en
Pages : 628
Get Book Here
Book Description
This new edition of 'a book that offers the best available grounding in its huge subject,' as the Sunday Times called it, includes color plates and a revised and expanded bibliography. Professor Hamilton traces the origins and growth of modern art, assessing the intrinsic qualities of individual works and describing the social forces in play. The result is an authoritative guide through the forest of artistic labels-Impressionism and Expressionism, Symbolism, Cubism, Constructivism, Surrealism, etc.-and to the achievements of Degas and Cezanne, Ensor and Munch, Matisse and Kandinsky, Picasso, Braque, and Epstein, Mondrian, Dali, Modigliani, Utrillo and Chagall, Klee, Henry Moore, and many other artists in a revolutionary age.
Author: Robert James Belton
Publisher: University of Calgary Press
ISBN: 1895176549
Category : Art, Modern
Languages : en
Pages : 353
Get Book Here
Book Description
Surrealism was ostensibly directed at the emancipation of the human spirit, but it represented only male aspirations and fantasies until a number of women artists began to redefine its agenda in the later 1930s. This book addresses the former, using a 'thick description' of the historically specific circumstances which required the male Surrealists to manufacture a sexual reputation of narcissism and misogyny. These circumstances were determined by 'hegemonic masculinity', an ideological construct which had little to do with individual masculinities. In male Surrealism, the 'beribboned bomb' signified something both attractive and volatile, a specific instance of the Surrealist principle of convulsive beauty. In hegemonic masculinity, similar devices served as metaphors of the sexuality all men were supposed to possess. The intersection of these two axes produced an imagery of unrepentant violence.
Author:
Publisher: Routledge
ISBN: 1136806199
Category : Music
Languages : en
Pages : 736
Get Book Here
Book Description
A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.
Author: Linda Steer
Publisher: Routledge
ISBN: 1351576240
Category : Photography
Languages : en
Pages : 755
Get Book Here
Book Description
The first monograph to analyze the Surrealist gesture of photographic appropriation, this study examines "found" photographs in three French Surrealist reviews published in the 1920s and 1930s: La R?lution surr?iste, edited by Andr?reton; Documents, edited by Georges Bataille; and Minotaure, edited by Breton and others. The book asks general questions about the production and deployment of meaning through photographs, but addresses more specifically the construction of a Surrealist practice of photography through the gesture of borrowing and re-contextualization and reveals something crucial both about Surrealist strategies and about the way photographs operate. The book is structured around four case studies, including scientific photographs of an hysteric in Charcot's clinic at the Salp?i? hospital, positioned as poetry rather than pathology; and one of the first crime-scene photographs, depicting Jack the Ripper's last victim, radically transformed into a work of art. Linda Steer traces the trajectory of the found photographs, from their first location to their location in a Surrealist periodical. Her study shows that the act of removal and re-framing highlights the instability and mutability of photographic meaning an instability and mutability that has consequences for our understanding both of photography and of Surrealism in the 1920s and 1930s.
