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Author: James S. Crouch
Publisher: Manohar Publishers and Distributors
ISBN:
Category : Art
Languages : en
Pages : 442
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Book Description
A Bibliography Of Ananda Kentish Coomaraswamy Documents The Remarkably Productive Career Of One Of The Great Minds Of The Twentieth Century. This Comprehensive And Accurate Bibliography Is The Result Of More Than Twenty Years Of Devoted Research And Scholarship.
Author: James S. Crouch
Publisher: Manohar Publishers and Distributors
ISBN:
Category : Art
Languages : en
Pages : 442
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Book Description
A Bibliography Of Ananda Kentish Coomaraswamy Documents The Remarkably Productive Career Of One Of The Great Minds Of The Twentieth Century. This Comprehensive And Accurate Bibliography Is The Result Of More Than Twenty Years Of Devoted Research And Scholarship.
Author: Ramya Sreenivasan
Publisher: University of Washington Press
ISBN: 0295997850
Category : Social Science
Languages : en
Pages : 287
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Book Description
Winner of the 2009 Ananda Kentish Coomaraswamy Book Prize, sponsored by the Association for Asian Studies The medieval Rajput queen Padmini - believed to have been pursued by Alauddin Khalji, the Sultan of Delhi - has been the focus of numerous South Asian narratives, ranging from a Sufi mystical romance in the sixteenth century to nationalist histories in the late nineteenth century. The Many Lives of a Rajput Queen explores how early modern regional elites, caste groups, and mystical and monastic communities shaped their distinctive versions of the past through the repeated refashioning of the legend of Padmini. Ramya Sreenivasan investigates these legends and traces their subsequent appropriation by colonial administrators and nationalist intellectuals, for varying different political ends. Using Padmini as a means of illustrating the power of gender norms in constructing heroic memory, she shows how such narratives about virtuous women changed as they circulated across particular communities in South Asia between the sixteenth and early twentieth centuries. This book will interest historians of memory, gender, community, culture, and historywriting in South Asia. Illustrating how enduring legends emerged out of particular precolonial repositories of "tradition," the book also addresses the nature of colonial transitions and precolonial historical consciousness.
Author: Ananda Kentish Coomaraswamy
Publisher:
ISBN: 9788121502306
Category : Mythology, Indic
Languages : en
Pages : 0
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Book Description
Illustrations: 73 B/w Illustrations Description: Particular significance attaches to Yaksas in Indian mythology, religion and art. Their almost universal presence in the earlier Indian religions, Hindu, Buddhist and Jaina, wherein they are invested with peculiar traits and powers, indicates their importance. Ananda Coomaraswamy's Yaksas is an attempt at bringing together the mass of information from literary and monumental sources about Yaksas and Yaksis, their origin, and development from the conceptual, mythological and iconographical points of view. Coomaraswamy has shown how this non- and pre-Aryan animistic concept originated and, in the historical times, dovetailed with the Hindu, Buddhist and Jaina religious systems to the extent that the concept of Yaksattva got closely bound up with the idea of reincarnation. In the preparation of this monograph, Coomaraswamy has extensively drawn upon the sectarian and semi-secular literature and has shown unmistakable evidences of the Yaksas' once honourable status, their benevolence toward men and the affection felt by men toward them. Coomaraswamy begins by tracing the origin of the word yaksa which is first found in Jaiminiya Brahmana, where it means nothing more than 'a wondrous thing.' In course of time Yaksas and Yaksis are often mentioned and their names are found in the Epics, Buddhist and Jaina works and even in sculpture. In Jaina books Yakkhas are often called Devas, where, as Sasana Devatas they are usually guardian angels. In Buddhist works they are sometimes represented as teachers of good morals and as guardian spirits. Of equal importance are the Yaksas and Yaksis in early Indian art and in the early examples (Bharhut, Sanci, Gandhara, etc.) they are frequently represented as Atlantes, supporters of buildings and superstructures. The early iconography of Yaksas, again, seems to have formed the foundation of later Hindu and Buddhist iconography. Coomaraswamy has traced a kind of Bhakti cult centering round the worship of Yaksas on the basis of the Yaksa caityas, the offerings to the Yaksas and has tried to show that the facts of Yaksa worship correspond almost exactly with those of the other Bhakti religions. Coming as it does from the pen of Ananda Coomaraswamy, this brilliant monograph is the acme of scholarship and brilliance and provides a mass of well-documented information. The work is divided into two parts, an Appendix giving Tale of a Yaksa found in the Divyavadana, alongwith 73 plates.
Author: Ananda K. Coomaraswamy
Publisher:
ISBN: 9781621389873
Category : Art
Languages : en
Pages : 252
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Book Description
Author: Ananda K. Coomaraswamy
Publisher:
ISBN:
Category :
Languages : en
Pages : 194
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Book Description
Author: Ananda K. Coomaraswamy
Publisher: Pickle Partners Publishing
ISBN: 1789125812
Category : Religion
Languages : en
Pages : 521
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Book Description
“THE aim of this book is to set forth as simply as possible the Gospel of Buddhism according to the Buddhist scriptures, and to consider the Buddhist systems in relation, on the one hand, to the Brahmanical systems in which they originate, and, on the other hand, to those systems of Christian mysticism which afford the nearest analogies. At the same time the endeavour has been made to illustrate the part which Buddhist thought has played in the whole development of Asiatic culture, and to suggest a part of the significance it may still possess for modern thinkers. “The way of the Buddha is not, indeed, concerned directly with the order of the world, for it calls on higher men to leave the marketplace. But the order of the world can only be established on a foundation of knowledge: every evil is ultimately traceable to ignorance. It is necessary, then, to recognize the world for what it truly is. Gautama teaches us that the marks of this life are imperfection, transcience, and the absence of any changeless individuality. He sets before us a summum bonum closely akin to the Christian mystic conception of ‘self-naughting.’ Here are definite statements which must be either true or false, and a clearly defined goal which we must either accept or refuse. If the statements be false, and if the goal be worthless, it is of the highest importance that the former should be refuted and the latter discredited. But if the diagnosis be correct and the aim worthy, it is at least of equal importance that this should be generally recognized: for we cannot wish to perpetuate as the basis of our sociology a view of life that is demonstrably false or a purpose demonstrably contrary to our conception of the good. “This book is designed, therefore, not as an addition to our already overburdened libraries of information, but as a definite contribution to the philosophy of life.”—Ananada K. Coomaraswamy
Author: Ananda Kentish Coomaraswamy
Publisher: World Wisdom, Inc
ISBN: 9780941532464
Category : Art
Languages : en
Pages : 352
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Book Description
Ananda K. Coomaraswamy was engaged in the world not only as a scholarly expositor of traditional culture and philosophy, but also as a radical critic of contemporary life.
Author: Arindam Chakrabarti
Publisher: Bloomsbury Publishing
ISBN: 1472524306
Category : Philosophy
Languages : en
Pages : 445
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Book Description
The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art provides an extensive research resource to the burgeoning field of Asian aesthetics. Featuring leading international scholars and teachers whose work defines the field, this unique volume reflects the very best scholarship in creative, analytic, and comparative philosophy. Beginning with a philosophical reconstruction of the classical rasa aesthetics, chapters range from the nature of art-emotions, tones of thinking, and aesthetic education to issues in film-theory and problems of the past versus present. As well as discussing indigenous versus foreign in aesthetic practices, this volume covers North and South Indian performance practices and theories, alongside recent and new themes including the Gandhian aesthetics of surrender and self-control and the aesthetics of touch in the light of the politics of untouchability. With such unparalleled and authoritative coverage, The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art represents a dynamic map of comparative cross-cultural aesthetics. Bringing together original philosophical research from renowned thinkers, it makes a major contribution to both Eastern and Western contemporary aesthetics.
Author: Ananda K. Coomaraswamy
Publisher: Open Road Media
ISBN: 1497675847
Category : Religion
Languages : en
Pages : 95
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Book Description
The renowned Sri Lankan metaphysician presents his enlightening insight into the essential kinship between Hinduism and Buddhism. In this probing work, Ananda K. Coomaraswamy examines the foundational myths and spiritual underpinnings of Hinduism and Buddhism. Discarding the Western narrative of philosophical divergence, Coomaraswamy instead explores the essential unity between these two major religions. In his perspective, one is merely an outgrowth of the other. Dividing the book into two parts, Coomaraswamy begins each section with an overview of each religion’s foundational myths. The section on Hinduism then covers concepts such as karma, maya, reincarnation, sacrifice, and caste. In the section on Buddhism, he demonstrates that Buddha never intended to start a new religion, but to deepen the spiritual understanding of the existing one.
Author: Richard H. Davis
Publisher: Princeton University Press
ISBN: 1400844428
Category : Religion
Languages : en
Pages : 350
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Book Description
For many centuries, Hindus have taken it for granted that the religious images they place in temples and home shrines for purposes of worship are alive. Hindu priests bring them to life through a complex ritual "establishment" that invokes the god or goddess into material support. Priests and devotees then maintain the enlivened image as a divine person through ongoing liturgical activity: they must awaken it in the morning, bathe it, dress it, feed it, entertain it, praise it, and eventually put it to bed at night. In this linked series of case studies of Hindu religious objects, Richard Davis argues that in some sense these believers are correct: through ongoing interactions with humans, religious objects are brought to life. Davis draws largely on reader-response literary theory and anthropological approaches to the study of objects in society in order to trace the biographies of Indian religious images over many centuries. He shows that Hindu priests and worshipers are not the only ones to enliven images. Bringing with them differing religious assumptions, political agendas, and economic motivations, others may animate the very same objects as icons of sovereignty, as polytheistic "idols," as "devils," as potentially lucrative commodities, as objects of sculptural art, or as symbols for a whole range of new meanings never foreseen by the images' makers or original worshipers.
