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Author: Katie Mitchell
Publisher: Aurora Metro Publications Ltd.
ISBN: 1913641066
Category : Biography & Autobiography
Languages : en
Pages : 461
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Book Description
Since 1660 when actresses first began performing on the English stage, women have forged bright careers in theatre, while men called the shots. Four hundred years of women playwrights, from Aphra Behn to Caryl Churchill, yet plays by women make up less than a quarter of staged productions in the UK, leading to a lack of central roles for women. At a time when many theatres have closed their doors and others are looking to re-open, will they choose to move with the times or fall back on the safety of a tired repertoire? With an overview of influential women in post-war theatre and 25 exclusive interviews with leading women theatre-makers, this book inspires us to create a truly equal and inclusive theatre today. Interviews with: Denise Gough; Vicky Ireland; Jude Kelly; Bryony Lavery; Katie Mitchell; Marsha Norman; Lynn Nottage; Winsome Pinnock; Emma Rice; Daryl Roth and many more.
Author: Katie Mitchell
Publisher: Aurora Metro Publications Ltd.
ISBN: 1913641066
Category : Biography & Autobiography
Languages : en
Pages : 461
Get Book Here
Book Description
Since 1660 when actresses first began performing on the English stage, women have forged bright careers in theatre, while men called the shots. Four hundred years of women playwrights, from Aphra Behn to Caryl Churchill, yet plays by women make up less than a quarter of staged productions in the UK, leading to a lack of central roles for women. At a time when many theatres have closed their doors and others are looking to re-open, will they choose to move with the times or fall back on the safety of a tired repertoire? With an overview of influential women in post-war theatre and 25 exclusive interviews with leading women theatre-makers, this book inspires us to create a truly equal and inclusive theatre today. Interviews with: Denise Gough; Vicky Ireland; Jude Kelly; Bryony Lavery; Katie Mitchell; Marsha Norman; Lynn Nottage; Winsome Pinnock; Emma Rice; Daryl Roth and many more.
Author: Maggie B. Gale
Publisher: Manchester University Press
ISBN: 1526136872
Category : History
Languages : en
Pages : 423
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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book presents a collection of cutting-edge historical and cultural essays in the field of women, theatre and performance. The chapters explore women’s networks of professional practice in the theatre and performance industries between 1900 and 1950, with a focus on women’s sense and experience of professional agency in an industry largely controlled by men. The book is divided into two sections: ‘Female theatre workers in the social and theatrical realm’ looks at the relationship between women’s work – on and off stage – and autobiography, activism, technique, touring, education and the law. ‘Women and popular performance’ focuses on the careers of individual artists, once household names, including Lily Brayton, Ellen Terry, radio star Mabel Constanduros and Oscar-winning film star Margaret Rutherford.
Author: Jane K. Curry
Publisher: Bloomsbury Publishing USA
ISBN: 0313031096
Category : Performing Arts
Languages : en
Pages : 169
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Book Description
Many women held positions of great responsibility and power in the United States during the 19th century as theatre managers: managing stock companies, owning or leasing theatres, hiring actors and other personnel, selecting plays for production, directing rehearsals, supervising all production details, and promoting their dramatic offerings. Competing in risky business ventures, these women were remarkable for defying societal norms that restricted career opportunities for women. The activities of more than 50 such women are discussed in Nineteenth-Century American Women Theatre Managers, beginning with an account of 15 pioneering women managers who were all managing theatres before 24 December 1853, when Catherine Sinclair, often incorrectly identified as the first woman theatre manager in the United States, opened her theatre in San Francisco.
Author: Kate Pankhurst
Publisher: Bloomsbury Publishing
ISBN: 1526601117
Category : Juvenile Nonfiction
Languages : en
Pages : 35
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Book Description
Nominated for the CILIP Carnegie & Kate Greenaway Children's Book Awards 'Significantly more engaging and inspiring than the rival Rebel Girls' GUARDIAN 'It's hard to imagine any group of primary-aged children who wouldn't be inspired' BOOKSELLER 'An absolute must-have for every young person's bookshelf' HUFFINGTON POST Now a stunning hit musical! Kate Pankhurst, descendent of suffragette Emmeline Pankhurst, has created a wildly wonderful and accessible book about women who really changed the world. Discover fascinating facts about some of the most amazing women who changed the world we live in! · Fly high with incredible explorer and pilot Amelia Earhart · Discover the Wonderful Adventures of medical pioneer Mary Seacole · Fight for your rights with legendary civil rights activist Rosa Parks · Change the face of books forever with superstar novelist Jane Austen Bursting full of beautiful illustrations and astounding facts, Fantastically Great Women Who Changed the World is the perfect introduction to just a few of the most incredible women who helped shaped the world we live in. A fantastic gift for girls and boys alike! List of women featured: Jane Austen, Gertrude Ederle, Coco Chanel, Frida Kahlo, Marie Curie, Mary Anning, Mary Seacole, Amelia Earhart, Agent Fifi, Sacagawea, Emmeline Pankhurst, Rosa Parks, Anne Frank
Author: Stuart Bennett
Publisher: Aurora Metro Books
ISBN:
Category : Drama
Languages : en
Pages : 252
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Book Description
Tool to record and stimulate innovation and excellence for long term stability in the arts.
Author: Maggie B B. Gale
Publisher: Manchester University Press
ISBN: 9780719063329
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
Arguing that women use autobiography and performance for expression and as a means of controlling their public and private selves, the contributors of these 11 essays examine the lives and work of a variety of artists ranging from actors as working women in the eighteenth century to monologists and performance artists today. Subjects include several performers, including Alma Ellerslie, Kitty Marion, Ina Rozant, Susan Glaspell, Adrienne Kennedy, Emma Robinson, Lena Ashwell, Tilly Wedekind, Clare Dowie, Janet Cardiff, Tracey Emin, and, in an interview, Bobby Baker, as well as essays on Latina theater and lesbians as performers constructing themselves and their community. Annotation : 2005 Book News, Inc., Portland, OR (booknews.com).
Author: Stephanie Coen
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 184
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Book Description
Audition monologues selected from plays first published in American theatre magazine since 1985.
Author: Wendy MacLeod
Publisher: Dramatists Play Service, Inc.
ISBN: 0822235439
Category : Performing Arts
Languages : en
Pages : 70
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Book Description
Thelma and Louise meets The First Wives Club in this fun and flirtatious comedy. Divorcées Mary and Jo are suspicious of their friend Liz’s new dentist boyfriend. He’s not just a weirdo; he may be a serial killer! After all, his hygienist just disappeared. Trading their wine glasses for spy glasses, imaginations run wild as the ladies try to discover the truth and save their friend in a hilarious off-road adventure.
Author: Maki Isaka
Publisher: University of Washington Press
ISBN: 0295806249
Category : History
Languages : en
Pages : 273
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Book Description
Kabuki is well known for its exaggerated acting, flamboyant costumes and makeup, and unnatural storylines. The onnagata, usually male actors who perform the roles of women, have been an important aspect of kabuki since its beginnings in the 17th century. In a “labyrinth” of gendering, the practice of men playing women’s roles has affected the manifestations of femininity in Japanese society. In this case study of how gender has been defined and redefined through the centuries, Maki Isaka examines how the onnagata’s theatrical gender “impersonation” has shaped the concept and mechanisms of femininity and gender construction in Japan. The implications of the study go well beyond disciplinary and geographic cloisters.
Author: Gabrielle Kelly
Publisher: Aurora Metro Publications Ltd.
ISBN: 0956632955
Category : Performing Arts
Languages : en
Pages : 385
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Book Description
An extensive overview of female film directors worldwide, showing how they are breaking through the 'Celluloid Ceiling', and succeeding in a still very male-dominated industry. The book contains exclusive interviews with women film directors, explores the impact of digital technology, and reaches some surprising conclusions. Now that Kathryn Bigelow has made history as the first woman to win an Oscar for directing, we ask whether this is a new era for women filmmakers. This unique international overview highlights emerging women directors and groundbreaking pioneers, and provides a one-stop guide to the leading film directors of the 21st century, and the people who inspired them. From the blockbusters of the Hollywood studios to emerging voices from Saudi Arabia, Pakistan and Laos, we learn of women making films in traditionally male-dominated areas such as action, fantasy and horror. There are contributions from countries with film industries in every state from nascent to mature, and this book demonstrates how economic and technological change is creating new opportunities for women film directors everywhere. ***** "BEST BOOK ON WOMEN DIRECTORS DUE TO ITS GLOBAL OVERVIEW" - Diane, Amazon ***** "Gabrielle Kelly and Cheryl Robson have crafted a watershed work. CELLULOID CEILING is essential reading for anyone who wants to know how women directors are helping reshape filmmaking." - D.A. Morris, Amazon ***** "This book is an essential resource for anyone tracking the inspiring work being done by women film directors from around the world." - UCF Film "The level of public consciousness about the barriers faced by female filmmakers is higher than it has ever been. Despite this, the discussion more often than not centres around North America and to a lesser extent, Europe, Australia and New Zealand (and I am guilty as charged). This is perfectly understandable, but clearly women do make films outside of these countries, and it can be illuminating to consider how their experiences reflect or differ from those with which we are more familiar. To this end, the arrival of a new book, "The Celluloid Ceiling," could not be more timely. Edited by Gabrielle Kelly and Cheryl Robson, it takes a purposefully global overview of the status quo and in doing so provides some fascinating stories and insights, reminding us of what is lost when we limit the discussion to Anglophone directors." - Matthew Hammett Knott, indiewire
