Author: John Drakakis
Publisher:
ISBN: 9781526157867
Category :
Languages : en
Pages :
Book Description
Geoffrey Bullough's The Narrative and Dramatic Sources of Shakespeare (1957-75) established a vocabulary and a method for linking Shakespeare's plays with a series of texts on which they were thought to be based. Shakespeare's Resources revisits and interrogates the methodology that has prevailed since then and proposes a number of radical departures from Bullough's model. The tacitly accepted linear model of 'source' and 'influence' that critics and scholars have wrestled with is here reconceptualised as a dynamic process in which texts interact and generate meanings that domesticated versions of intertextuality do not adequately account for. The investigation uncovers questions of exactly how Shakespeare 'read', what he read, the practical conditions in which narratives were encountered, and how he re-deployed earlier versions that he had used in his later work.
Shakespeare's Resources
Author: John Drakakis
Publisher:
ISBN: 9781526157867
Category :
Languages : en
Pages :
Book Description
Geoffrey Bullough's The Narrative and Dramatic Sources of Shakespeare (1957-75) established a vocabulary and a method for linking Shakespeare's plays with a series of texts on which they were thought to be based. Shakespeare's Resources revisits and interrogates the methodology that has prevailed since then and proposes a number of radical departures from Bullough's model. The tacitly accepted linear model of 'source' and 'influence' that critics and scholars have wrestled with is here reconceptualised as a dynamic process in which texts interact and generate meanings that domesticated versions of intertextuality do not adequately account for. The investigation uncovers questions of exactly how Shakespeare 'read', what he read, the practical conditions in which narratives were encountered, and how he re-deployed earlier versions that he had used in his later work.
Publisher:
ISBN: 9781526157867
Category :
Languages : en
Pages :
Book Description
Geoffrey Bullough's The Narrative and Dramatic Sources of Shakespeare (1957-75) established a vocabulary and a method for linking Shakespeare's plays with a series of texts on which they were thought to be based. Shakespeare's Resources revisits and interrogates the methodology that has prevailed since then and proposes a number of radical departures from Bullough's model. The tacitly accepted linear model of 'source' and 'influence' that critics and scholars have wrestled with is here reconceptualised as a dynamic process in which texts interact and generate meanings that domesticated versions of intertextuality do not adequately account for. The investigation uncovers questions of exactly how Shakespeare 'read', what he read, the practical conditions in which narratives were encountered, and how he re-deployed earlier versions that he had used in his later work.
The Modern Satiric Grotesque and Its Traditions
Author: John R. Clark
Publisher: University Press of Kentucky
ISBN: 0813183316
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Thomas Mann predicted that no manner or mode in literature would be so typical or so pervasive in the twentieth century as the grotesque. Assuredly he was correct. The subjects and methods of our comic literature (and much of our other literature) are regularly disturbing and often repulsive—no laughing matter. In this ambitious study, John R. Clark seeks to elucidate the major tactics and topics deployed in modern literary dark humor. In Part I he explores the satiric strategies of authors of the grotesque, strategies that undercut conventional usage and form: the de-basement of heroes, the denigration of language and style, the disruption of normative narrative technique, and even the debunking of authors themselves. Part II surveys major recurrent themes of grotesquerie: tedium, scatology, cannibalism, dystopia, and Armageddon or the end of the world. Clearly the literature of the grotesque is obtrusive and ugly, its effect morbid and disquieting—and deliberately meant to be so. Grotesque literature may be unpleasant, but it is patently insightful. Indeed, as Clark shows, all of the strategies and topics employed by this literature stem from age-old and spirited traditions. Critics have complained about this grim satiric literature, asserting that it is dank, cheerless, unsavory, and negative. But such an interpretation is far too simplistic. On the contrary, as Clark demonstrates, such grotesque writing, in its power and its prevalence in the past and present, is in fact conventional, controlled, imaginative, and vigorous—no mean achievements for any body of art.
Publisher: University Press of Kentucky
ISBN: 0813183316
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Thomas Mann predicted that no manner or mode in literature would be so typical or so pervasive in the twentieth century as the grotesque. Assuredly he was correct. The subjects and methods of our comic literature (and much of our other literature) are regularly disturbing and often repulsive—no laughing matter. In this ambitious study, John R. Clark seeks to elucidate the major tactics and topics deployed in modern literary dark humor. In Part I he explores the satiric strategies of authors of the grotesque, strategies that undercut conventional usage and form: the de-basement of heroes, the denigration of language and style, the disruption of normative narrative technique, and even the debunking of authors themselves. Part II surveys major recurrent themes of grotesquerie: tedium, scatology, cannibalism, dystopia, and Armageddon or the end of the world. Clearly the literature of the grotesque is obtrusive and ugly, its effect morbid and disquieting—and deliberately meant to be so. Grotesque literature may be unpleasant, but it is patently insightful. Indeed, as Clark shows, all of the strategies and topics employed by this literature stem from age-old and spirited traditions. Critics have complained about this grim satiric literature, asserting that it is dank, cheerless, unsavory, and negative. But such an interpretation is far too simplistic. On the contrary, as Clark demonstrates, such grotesque writing, in its power and its prevalence in the past and present, is in fact conventional, controlled, imaginative, and vigorous—no mean achievements for any body of art.
Twelfth Night
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 148
Book Description
Twelfth Night, Or What You Will is a comedy by William Shakespeare, based on the short story "Of Apolonius and Silla" by Barnabe Rich. It is named after the Twelfth Night holiday of the Christmas season. It was written around 1601 and first published in the First Folio in 1623. The main title is believed to be an afterthought, created after John Marston premiered a play titled What You Will during the course of the writing.
Publisher:
ISBN:
Category :
Languages : en
Pages : 148
Book Description
Twelfth Night, Or What You Will is a comedy by William Shakespeare, based on the short story "Of Apolonius and Silla" by Barnabe Rich. It is named after the Twelfth Night holiday of the Christmas season. It was written around 1601 and first published in the First Folio in 1623. The main title is believed to be an afterthought, created after John Marston premiered a play titled What You Will during the course of the writing.
A History of English Literature
Author: John Buchan
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 712
Book Description
Sonnets
Author: William Shakespeare
Publisher: HarperCollins
ISBN: 1443441554
Category : Drama
Languages : en
Pages : 104
Book Description
Among the most enduring poetry of all time, William Shakespeare’s 154 sonnets address such eternal themes as love, beauty, honesty, and the passage of time. Written primarily in four-line stanzas and iambic pentameter, Shakespeare’s sonnets are now recognized as marking the beginning of modern love poetry. The sonnets have been translated into all major written languages and are frequently used at romantic celebrations. Known as “The Bard of Avon,” William Shakespeare is arguably the greatest English-language writer known. Enormously popular during his life, Shakespeare’s works continue to resonate more than three centuries after his death, as has his influence on theatre and literature. Shakespeare’s innovative use of character, language, and experimentation with romance as tragedy served as a foundation for later playwrights and dramatists, and some of his most famous lines of dialogue have become part of everyday speech. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Publisher: HarperCollins
ISBN: 1443441554
Category : Drama
Languages : en
Pages : 104
Book Description
Among the most enduring poetry of all time, William Shakespeare’s 154 sonnets address such eternal themes as love, beauty, honesty, and the passage of time. Written primarily in four-line stanzas and iambic pentameter, Shakespeare’s sonnets are now recognized as marking the beginning of modern love poetry. The sonnets have been translated into all major written languages and are frequently used at romantic celebrations. Known as “The Bard of Avon,” William Shakespeare is arguably the greatest English-language writer known. Enormously popular during his life, Shakespeare’s works continue to resonate more than three centuries after his death, as has his influence on theatre and literature. Shakespeare’s innovative use of character, language, and experimentation with romance as tragedy served as a foundation for later playwrights and dramatists, and some of his most famous lines of dialogue have become part of everyday speech. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
H. D. and Bryher
Author: Susan McCabe
Publisher: Oxford University Press
ISBN: 0190621222
Category : Literary Criticism
Languages : en
Pages : 425
Book Description
"This dual biography takes on the daring task of examining how two women, who didn't feel like women, survived as a couple, raising an illegitimate child during a period when such arrangements were frowned upon, if even recognized. When they met in 1918, H.D. (born Hilda Doolittle in 1886), had already achieved recognition as an Imagist poet, engaged in a lesbian affair, was married to a shell-shocked adulterous poet, and was pregnant by another. She fell in love with Bryher (born Annie Winifred Ellerman in 1894), trapped both in a female body and in the shadow of her father, Sir John Ellerman, a wealthy shipping magnate. They felt a telepathic and electric connection, bonding over Greek poetry, geography, ancient history, and a shared bodily dysphoria. Bryher introduced H.D. to cinema, psychoanalysis, and politics, herself rescuing refugees from Nazis throughout the 1930s. Bryher engaged in legal strategies to protect H.D., marrying Kenneth Macpherson, who adopted H.D.'s child and collaborated with the couple in filmmaking, discovering his queerness. Both H.D. and Bryher were on vision quests, and their cerebral eroticism led them to otherworldly experiences. During World War II, they held séances in London. After "V-J Day" was announced, H.D. had a severe nervous breakdown, which Bryher, taking great pains, ensured she survived. As a love story born out of war and modernism, the book speaks to their struggles to escape binary gender, homophobic and white supremacist agendas, while celebrating their creative triumphs and courageous aspirations"--
Publisher: Oxford University Press
ISBN: 0190621222
Category : Literary Criticism
Languages : en
Pages : 425
Book Description
"This dual biography takes on the daring task of examining how two women, who didn't feel like women, survived as a couple, raising an illegitimate child during a period when such arrangements were frowned upon, if even recognized. When they met in 1918, H.D. (born Hilda Doolittle in 1886), had already achieved recognition as an Imagist poet, engaged in a lesbian affair, was married to a shell-shocked adulterous poet, and was pregnant by another. She fell in love with Bryher (born Annie Winifred Ellerman in 1894), trapped both in a female body and in the shadow of her father, Sir John Ellerman, a wealthy shipping magnate. They felt a telepathic and electric connection, bonding over Greek poetry, geography, ancient history, and a shared bodily dysphoria. Bryher introduced H.D. to cinema, psychoanalysis, and politics, herself rescuing refugees from Nazis throughout the 1930s. Bryher engaged in legal strategies to protect H.D., marrying Kenneth Macpherson, who adopted H.D.'s child and collaborated with the couple in filmmaking, discovering his queerness. Both H.D. and Bryher were on vision quests, and their cerebral eroticism led them to otherworldly experiences. During World War II, they held séances in London. After "V-J Day" was announced, H.D. had a severe nervous breakdown, which Bryher, taking great pains, ensured she survived. As a love story born out of war and modernism, the book speaks to their struggles to escape binary gender, homophobic and white supremacist agendas, while celebrating their creative triumphs and courageous aspirations"--
Stupid Humanism
Author: Christine Hoffmann
Publisher: Springer
ISBN: 3319637517
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
This book frames the undeniably copious 21st-century performances of stupidity that occur within social media as echoes of rhetorical experiments conducted by humanist writers of the Renaissance. Any historical overview of humanism will associate it with copia—abundance of expression—and the rhetorical practices essential to managing it. This book argues that stupidity was and is a synonym for copia, making the humanism of which copia is a central element an inherently stupid philosophy. A transhistorical exploration of stupidity demonstrates that not only is excess still the surest way to eloquence, but it is also just the kind of spammy, speculative undertaking to generate a more generous and inventive comprehension of human and nonhuman relationships. In chapters exploring the rhetorics of memes, attack ads, public shaming blogs, clickbait and gifs, Stupid Humanism outlines the possibilities for a humanism less invested in the normative logics that enshrine knowledge, eloquence and linear development as the chief indicators of an active, articulated selfhood and more supportive of a program for queer knowledge, trivial pursuits, anti-social ethics and the curious relationships that form around and in response to abundance of expression.
Publisher: Springer
ISBN: 3319637517
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
This book frames the undeniably copious 21st-century performances of stupidity that occur within social media as echoes of rhetorical experiments conducted by humanist writers of the Renaissance. Any historical overview of humanism will associate it with copia—abundance of expression—and the rhetorical practices essential to managing it. This book argues that stupidity was and is a synonym for copia, making the humanism of which copia is a central element an inherently stupid philosophy. A transhistorical exploration of stupidity demonstrates that not only is excess still the surest way to eloquence, but it is also just the kind of spammy, speculative undertaking to generate a more generous and inventive comprehension of human and nonhuman relationships. In chapters exploring the rhetorics of memes, attack ads, public shaming blogs, clickbait and gifs, Stupid Humanism outlines the possibilities for a humanism less invested in the normative logics that enshrine knowledge, eloquence and linear development as the chief indicators of an active, articulated selfhood and more supportive of a program for queer knowledge, trivial pursuits, anti-social ethics and the curious relationships that form around and in response to abundance of expression.
The Governance of ROME
Author: K. Loewenstein
Publisher: Springer Science & Business Media
ISBN: 9401024006
Category : History
Languages : en
Pages : 511
Book Description
Next to the Bible, Shakespeare, the French revolution and Napoleon, ancient Rome is one of the most plowed-through fields of historical experience. One of the truly great periods of history, Rome, over the centuries, deservedly has attracted the passionate attention of historians, philologists and, more recently, archeologists. Since Roman law constituted the source of the legal life of most of Western Europe, the legal profession had a legitimate interest. Veritable libraries have been built around the history of Rome. In the past confmed mostly to Italian, German, and French scholars the fascination with things Roman by now has spread to other civilized nations in cluding the Anglo-Saxon. Among the contributors to our knowledge of ancient Rome are some of the great minds in history and law. Our bibliography - selective, as neces sarily it has to be - records outstanding generalists as well as some of the numerous specialists that were helpful for our undertaking. Why, then, another study of the Roman political civilization and one that, at least measured by volume and effort, is not altogether insubstantial? And why, has to be added, one presented by an author who, whatever his reputation in other fields, ostensibly is an outsider of the classical discipline? These are legitimate questions that should be honestly answered. By training and avocation the author is a constitutional lawyer or, rather, a political scientist primarily interested in the operation of governmental institutions.
Publisher: Springer Science & Business Media
ISBN: 9401024006
Category : History
Languages : en
Pages : 511
Book Description
Next to the Bible, Shakespeare, the French revolution and Napoleon, ancient Rome is one of the most plowed-through fields of historical experience. One of the truly great periods of history, Rome, over the centuries, deservedly has attracted the passionate attention of historians, philologists and, more recently, archeologists. Since Roman law constituted the source of the legal life of most of Western Europe, the legal profession had a legitimate interest. Veritable libraries have been built around the history of Rome. In the past confmed mostly to Italian, German, and French scholars the fascination with things Roman by now has spread to other civilized nations in cluding the Anglo-Saxon. Among the contributors to our knowledge of ancient Rome are some of the great minds in history and law. Our bibliography - selective, as neces sarily it has to be - records outstanding generalists as well as some of the numerous specialists that were helpful for our undertaking. Why, then, another study of the Roman political civilization and one that, at least measured by volume and effort, is not altogether insubstantial? And why, has to be added, one presented by an author who, whatever his reputation in other fields, ostensibly is an outsider of the classical discipline? These are legitimate questions that should be honestly answered. By training and avocation the author is a constitutional lawyer or, rather, a political scientist primarily interested in the operation of governmental institutions.
Four Quartets
Author: T. S. Eliot
Publisher: HarperCollins
ISBN: 0547539703
Category : Poetry
Languages : en
Pages : 65
Book Description
The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.
Publisher: HarperCollins
ISBN: 0547539703
Category : Poetry
Languages : en
Pages : 65
Book Description
The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.
European Studies in Asia
Author: Georg Wiessala
Publisher: Routledge
ISBN: 1136171606
Category : Education
Languages : en
Pages : 262
Book Description
As countries across Asia continue to rise and become more assertive global powers, the role that Higher Education has played, and continues to play, in this process is an issue of growing pertinence. Furthermore, understanding the relationship between Europe and Asia fostered by historical and contemporary knowledge transfer, including Higher Education, is crucial to analysing and encouraging the progress of both regional integration and inter-regional cooperation. With a specific focus on international Higher Education, European Studies in Asia investigates knowledge transfer and channels of learning between Europe and Asia from historical, contemporary and teaching perspectives. The book examines a selection of significant historical precedents of intellectual dialogue between the two regions and, in turn, explores contemporary cross-regional discourses both inside and outside of the official frameworks of the European Union (EU) and the Asia--Europe Meetings (ASEM). Drawing on extensive case studies based on many of his own teaching experiences, Georg Wiessala addresses key questions, such as the nature and construction of the European Studies in Asia curriculum; aspects of ‘values’, co-constructed learning and adult pedagogy in the discipline of European Studies in Asia; the politics of Asian host cultures, the ‘internationalization’ of Asian Higher Education and the experiences and expectations of tertiary sector students of this subject in Asia, Australia and New Zealand. In doing so, the author articulates a range of outcomes for the further development of Higher Education cooperation agendas between Asia and Europe, in the discipline of European Studies, and in related fields such as International Relations. This case study-led book makes an original and novel contribution to our understanding of European Studies in Asia. As such, it will be of great interest to students and scholars of Asian Education, Comparative Education, European Studies and International Relations.
Publisher: Routledge
ISBN: 1136171606
Category : Education
Languages : en
Pages : 262
Book Description
As countries across Asia continue to rise and become more assertive global powers, the role that Higher Education has played, and continues to play, in this process is an issue of growing pertinence. Furthermore, understanding the relationship between Europe and Asia fostered by historical and contemporary knowledge transfer, including Higher Education, is crucial to analysing and encouraging the progress of both regional integration and inter-regional cooperation. With a specific focus on international Higher Education, European Studies in Asia investigates knowledge transfer and channels of learning between Europe and Asia from historical, contemporary and teaching perspectives. The book examines a selection of significant historical precedents of intellectual dialogue between the two regions and, in turn, explores contemporary cross-regional discourses both inside and outside of the official frameworks of the European Union (EU) and the Asia--Europe Meetings (ASEM). Drawing on extensive case studies based on many of his own teaching experiences, Georg Wiessala addresses key questions, such as the nature and construction of the European Studies in Asia curriculum; aspects of ‘values’, co-constructed learning and adult pedagogy in the discipline of European Studies in Asia; the politics of Asian host cultures, the ‘internationalization’ of Asian Higher Education and the experiences and expectations of tertiary sector students of this subject in Asia, Australia and New Zealand. In doing so, the author articulates a range of outcomes for the further development of Higher Education cooperation agendas between Asia and Europe, in the discipline of European Studies, and in related fields such as International Relations. This case study-led book makes an original and novel contribution to our understanding of European Studies in Asia. As such, it will be of great interest to students and scholars of Asian Education, Comparative Education, European Studies and International Relations.