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Author: Carnegie Institute Museum of Art
Publisher:
ISBN: 9781022342637
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Carnegie Institute Museum of Art
Publisher:
ISBN: 9781022342637
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Carnegie Institute. Museum of Art
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 114
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Book Description
Author: Jane Livingston
Publisher: Univ of California Press
ISBN: 0520212584
Category : Painters
Languages : en
Pages : 278
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Book Description
Recognized as a major figure in postwar American painting, Richard Diebenkorn (1922-1993) was an artist strongly identified with California. Published to coincide with the first retrospective of Diebenkorn's work since his death, this catalog is the most comprehensive volume on the artist now available. 192 color illustrations.
Author: Louise Nevelson
Publisher: Yale University Press
ISBN: 0300121725
Category : Art
Languages : en
Pages : 268
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Book Description
Presents a catalog of an exhibition showcasing the works of the American sculptor and artist.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 110
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Book Description
Author: Carnegie Museum of Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 190
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Book Description
Author: Delia Solomons
Publisher: Penn State Press
ISBN: 0271094087
Category : Art
Languages : en
Pages : 245
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Book Description
In 1959, the very year the Cuban Revolution amplified Cold War tensions in the Americas, museumgoers in the United States witnessed a sudden surge in major exhibitions of Latin American art. Surveying the 1960s boom of such exhibits, this book documents how art produced in regions considered susceptible to communist influence was staged on U.S. soil for U.S. audiences. Held in high-profile venues such as the Guggenheim Museum, the Walker Art Center, MoMA, and the Art Institute of Chicago, the exhibitions of the 1960s Latin American art boom did not define a single stylistic trend or the art of a single nation but rather attempted to frame Latin America as a unified whole for U.S. audiences. Delia Solomons calls attention to disruptive artworks that rebelled against the curatorial frames purporting to hold them and reveals these exhibitions to be complex contact zones in which competing voices collided. Ultimately, through multiple means—including choosing to exclude artworks with readily decipherable political messages and evading references to contemporary inter-American frictions—the U.S. curators who organized these shows crafted projections of Pan-American partnership and harmony, with the United States as leader, interpreter, and good neighbor, during an era of brutal U.S. interference across the Americas. Theoretically sophisticated and highly original, this survey of Cold War–era Latin American art exhibits sheds light on the midcentury history of major U.S. art museums and makes an important contribution to the fields of museum studies, art history, and Latin American modernist art.
Author: Horace Clifford Westermann
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 736
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Book Description
Author: Jennifer Josten
Publisher: Yale University Press
ISBN: 0300228600
Category : Architecture
Languages : en
Pages : 353
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Book Description
The first major work in English on Mathias Goeritz (1915-1990), this book illuminates the artist's pivotal role within the landscape of twentieth-century modernism. Goeritz became recognized as an abstract sculptor after arriving in Mexico from Germany by way of Spain in 1949. His call to integrate abstract forms into civic and religious architecture, outlined in his "Emotional Architecture" manifesto, had a transformative impact on midcentury Mexican art and design. While best known for the experimental museum El Eco and his collaborations with the architect Luis Barrag n, including the brightly colored towers of Satellite City, Goeritz also shaped the Bauhaus-inspired curriculum at Guadalajara's School of Architecture and the iconic Cultural Program of Mexico City's 1968 Olympic Games. Josten addresses the Cold War implications of these and other initiatives that pitted Goeritz, an advocate of internationalist abstraction, against Diego Rivera and David Alfaro Siqueiros, ardent defenders of the realist style that prevailed in official Mexican art during the postrevolutionary period. Exploring Goeritz's dialogues with leading figures among the Parisian and New York avant-gardes, such as Yves Klein and Philip Johnson, Josten shows how Goeritz's approach to modernism, which was highly attuned to politics and place, formed part of a global enterprise.
