Author: Grace Lees-Maffei
Publisher: A&C Black
ISBN: 1472558421
Category : Design
Languages : en
Pages : 338
Book Description
Goods made or designed in Italy enjoy a profile which far outstrips the country's modest manufacturing output. Italy's glorious design heritage and reputation for style and innovation has 'added value' to products made in Italy. Since 1945, Italian design has commanded an increasing amount of attention from design journalists, critics and consumers. But is Italian design a victim of its own celebrity? Made in Italy brings together leading design historians to explore this question, discussing both the history and significance of design from Italy and its international influence. Addressing a wide range of Italian design fields, including car design, graphic design, industrial and interior design and ceramics, well-known designers such as Alberto Rosselli and Ettore Sottsass, Jr. and iconic brands such as Olivetti, Vespa and Alessi, the book explores the historical, cultural and social influences that shaped Italian design, and how these iconic designs have contributed to the modern canon of Italian-inspired goods.
Made in Italy
Author: Grace Lees-Maffei
Publisher: A&C Black
ISBN: 1472558421
Category : Design
Languages : en
Pages : 338
Book Description
Goods made or designed in Italy enjoy a profile which far outstrips the country's modest manufacturing output. Italy's glorious design heritage and reputation for style and innovation has 'added value' to products made in Italy. Since 1945, Italian design has commanded an increasing amount of attention from design journalists, critics and consumers. But is Italian design a victim of its own celebrity? Made in Italy brings together leading design historians to explore this question, discussing both the history and significance of design from Italy and its international influence. Addressing a wide range of Italian design fields, including car design, graphic design, industrial and interior design and ceramics, well-known designers such as Alberto Rosselli and Ettore Sottsass, Jr. and iconic brands such as Olivetti, Vespa and Alessi, the book explores the historical, cultural and social influences that shaped Italian design, and how these iconic designs have contributed to the modern canon of Italian-inspired goods.
Publisher: A&C Black
ISBN: 1472558421
Category : Design
Languages : en
Pages : 338
Book Description
Goods made or designed in Italy enjoy a profile which far outstrips the country's modest manufacturing output. Italy's glorious design heritage and reputation for style and innovation has 'added value' to products made in Italy. Since 1945, Italian design has commanded an increasing amount of attention from design journalists, critics and consumers. But is Italian design a victim of its own celebrity? Made in Italy brings together leading design historians to explore this question, discussing both the history and significance of design from Italy and its international influence. Addressing a wide range of Italian design fields, including car design, graphic design, industrial and interior design and ceramics, well-known designers such as Alberto Rosselli and Ettore Sottsass, Jr. and iconic brands such as Olivetti, Vespa and Alessi, the book explores the historical, cultural and social influences that shaped Italian design, and how these iconic designs have contributed to the modern canon of Italian-inspired goods.
100 objects of italian design La Triennale di Milano
Author: AA. VV.
Publisher: Gangemi Editore spa
ISBN: 8849247060
Category : Architecture
Languages : en
Pages : 544
Book Description
Italian Design The Milan Triennale is an Italian State institution which, together with the Municipality of Milan and the Lombardy Region, is charged with preserving and promoting Italian Design as well as carrying out research in framework programs focusing on town-planning, architecture, handicrafts, industrial production, fashion, new media, etc. In its long history, the Milan Triennale has always followed developments in the field of applied arts; from the thirties to the post-war years, during the reconstruction years and the country's economic miracle and later during the economic and energy crisis of the seventies. Since the eighties, Milan has increasingly become an international centre of design. The Triennale played a leading role in organizing important qualitative events that have enhanced the city's image. Last but not least, the foundation of the Museum of Design. To achieve its goals, the Milan Triennale has established its own Research Centre and a Permanent Collection of Italian Design. The 100 objects of Italian Design on show in this exhibition have been selected from the Permanent Collection, a unique qualitative and quantative ensemble of Italy's design legacy. The Permanent Collection is used as a basis for all exhibits on Italian Design at the Triennale or around the world: its intention is to shed new light on the history of industrial production in Italy. The pieces in the Collection illustrate the heterogeneous history of Italian design, the innovation and experimentation that have made it famous and immediately recognisable thanks to the works created by its master designers. Italy is a country with a thriving manufacturing industry that focuses on quality design and products: in fact, design represents one of the country's strategic economic resources. Its "good fortune," and niche position on the international stage and world markets is primarily due to the "system" that has gradually been developed. The system unites design culture and production which are influenced, on the one hand, by the still unrivalled works of the past - for example, those by Leonardo da Vinci - and, on the other, by the vision of a future that goes beyond mere technique and the exploitation of natural resources. The exhibition 100 Objects of Italian Design, organised by the curator of the Collection, Silvana Annicchiarico, uses the objects that have made Italian design famous all over the world to tell this story. The exhibition is a way to discover the history of a country which, thanks to its creativity and design, is once again a leader on the world stage; a role it intends to pursue and develop by welcoming all and every contribution. Davide Rampello President of the Milan Triennale
Publisher: Gangemi Editore spa
ISBN: 8849247060
Category : Architecture
Languages : en
Pages : 544
Book Description
Italian Design The Milan Triennale is an Italian State institution which, together with the Municipality of Milan and the Lombardy Region, is charged with preserving and promoting Italian Design as well as carrying out research in framework programs focusing on town-planning, architecture, handicrafts, industrial production, fashion, new media, etc. In its long history, the Milan Triennale has always followed developments in the field of applied arts; from the thirties to the post-war years, during the reconstruction years and the country's economic miracle and later during the economic and energy crisis of the seventies. Since the eighties, Milan has increasingly become an international centre of design. The Triennale played a leading role in organizing important qualitative events that have enhanced the city's image. Last but not least, the foundation of the Museum of Design. To achieve its goals, the Milan Triennale has established its own Research Centre and a Permanent Collection of Italian Design. The 100 objects of Italian Design on show in this exhibition have been selected from the Permanent Collection, a unique qualitative and quantative ensemble of Italy's design legacy. The Permanent Collection is used as a basis for all exhibits on Italian Design at the Triennale or around the world: its intention is to shed new light on the history of industrial production in Italy. The pieces in the Collection illustrate the heterogeneous history of Italian design, the innovation and experimentation that have made it famous and immediately recognisable thanks to the works created by its master designers. Italy is a country with a thriving manufacturing industry that focuses on quality design and products: in fact, design represents one of the country's strategic economic resources. Its "good fortune," and niche position on the international stage and world markets is primarily due to the "system" that has gradually been developed. The system unites design culture and production which are influenced, on the one hand, by the still unrivalled works of the past - for example, those by Leonardo da Vinci - and, on the other, by the vision of a future that goes beyond mere technique and the exploitation of natural resources. The exhibition 100 Objects of Italian Design, organised by the curator of the Collection, Silvana Annicchiarico, uses the objects that have made Italian design famous all over the world to tell this story. The exhibition is a way to discover the history of a country which, thanks to its creativity and design, is once again a leader on the world stage; a role it intends to pursue and develop by welcoming all and every contribution. Davide Rampello President of the Milan Triennale
Italian Design
Author: Giampiero Bosoni
Publisher: The Museum of Modern Art
ISBN: 9780870707384
Category : Design
Languages : en
Pages : 168
Book Description
"The story of Italian design, told through works selected from the collection of the museum of modern art, New York."--BOOK JACKET.
Publisher: The Museum of Modern Art
ISBN: 9780870707384
Category : Design
Languages : en
Pages : 168
Book Description
"The story of Italian design, told through works selected from the collection of the museum of modern art, New York."--BOOK JACKET.
Italian Lighting Design 1945-2000
Author: Alberto Bassi
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 264
Book Description
Following World War II, Italian industrial designers began to earn worldwide acclaim for their lamp and lighting designs; since then the country has produced landmark models that have become classics of modern and contemporary design, such as lamps by the Castiglioni brothers and Artemide. This richly illustrated book documents the evolution of Italian lamp and lighting design from 1945 to the end of the twentieth century. A collection of essays by design historian Alberto Bassi, organized in seventeen sections, traces the industry’s critical and commercial successes and the unique relationship between tradition, decorative quality, technology, and production. Included are profiles of individual designers such the Castiglioni brothers, Vico Magistretti, Gino Sarfatti and Pietro Chiesa, and manufacturers such as Flos, Fontana Arte, and Luceplan. The book reproduces more than 300 archival and new photographs, original advertisements, product displays, and installations of lights and lighting. This volume is the second in a new series, inaugurated by ABC: Twentieth-Century Graphic Design, aimed not just at a traditional readership of architects but also at people working in the field of graphics and students at the new faculties of design.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 264
Book Description
Following World War II, Italian industrial designers began to earn worldwide acclaim for their lamp and lighting designs; since then the country has produced landmark models that have become classics of modern and contemporary design, such as lamps by the Castiglioni brothers and Artemide. This richly illustrated book documents the evolution of Italian lamp and lighting design from 1945 to the end of the twentieth century. A collection of essays by design historian Alberto Bassi, organized in seventeen sections, traces the industry’s critical and commercial successes and the unique relationship between tradition, decorative quality, technology, and production. Included are profiles of individual designers such the Castiglioni brothers, Vico Magistretti, Gino Sarfatti and Pietro Chiesa, and manufacturers such as Flos, Fontana Arte, and Luceplan. The book reproduces more than 300 archival and new photographs, original advertisements, product displays, and installations of lights and lighting. This volume is the second in a new series, inaugurated by ABC: Twentieth-Century Graphic Design, aimed not just at a traditional readership of architects but also at people working in the field of graphics and students at the new faculties of design.
Italian graphic design
Author: Chiara Barbieri
Publisher: Manchester University Press
ISBN: 152615112X
Category : Design
Languages : en
Pages : 263
Book Description
Italian graphic design offers a new perspective on the subject by exploring the emergence and articulation of graphic design practice, from the interwar period through to the appearance of an international graphic design discourse in the 1960s. The book asks how graphic designers learned their trade and investigates the ways in which they organised and made their practice visible while negotiating their collective identity with neighbouring practices such as typography, advertising and industrial design. Attention is drawn to everyday design practice, educational issues, mediating channels, networks, design exchange, organisational strategies and discourses on modernism. Drawing on a wide range of primary sources and placing an emphasis on visual analysis, this book provides a model for a contextualised graphic design history as an integral part of the history of design and visual culture.
Publisher: Manchester University Press
ISBN: 152615112X
Category : Design
Languages : en
Pages : 263
Book Description
Italian graphic design offers a new perspective on the subject by exploring the emergence and articulation of graphic design practice, from the interwar period through to the appearance of an international graphic design discourse in the 1960s. The book asks how graphic designers learned their trade and investigates the ways in which they organised and made their practice visible while negotiating their collective identity with neighbouring practices such as typography, advertising and industrial design. Attention is drawn to everyday design practice, educational issues, mediating channels, networks, design exchange, organisational strategies and discourses on modernism. Drawing on a wide range of primary sources and placing an emphasis on visual analysis, this book provides a model for a contextualised graphic design history as an integral part of the history of design and visual culture.
After Modern Art 1945-2000
Author: David Hopkins
Publisher: Oxford University Press
ISBN: 019284234X
Category : Art
Languages : en
Pages : 289
Book Description
Following a clear timeline, the author highlights key movements of modern art, giving careful attention to the artists' political and cultural worlds. Styles include Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and performance art. 65 color illustrations. 65 halftones.
Publisher: Oxford University Press
ISBN: 019284234X
Category : Art
Languages : en
Pages : 289
Book Description
Following a clear timeline, the author highlights key movements of modern art, giving careful attention to the artists' political and cultural worlds. Styles include Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and performance art. 65 color illustrations. 65 halftones.
Italy
Author: Giampiero Bosoni
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 244
Book Description
These twelve essays by leading architectural critics, sociologists, and designers are devoted to the unusual story of the transformation of residential living space in a country rich with architectural meaning. Home design and construction in Italy shifted after World War II from a base of craftsman builders to medium-size industrial production-a fundamental social change that was directed both by an active base of architectural theory and the culture of domestic life. Italy's design technologies extended the theory and practice of domestic architecture from its artisan characteristics to technologic visions-without breaking the social bond that architecture provides in Italy. Italy, unlike other countries, successfully redefined its "culture of living." The largest part of the anthology addresses issues of design, production, and building, including Beppe Finezzi's "Living Between Art and Architecture" and Frida Doveil's "New Materials and New User Values For the Home." Other essays include "The Landscape of Daily Life" (Francesca Picchi), "A Homeless Country (Andrea Branzi), "Italian Design" (Paola Antonelli). Provocative pieces like "Living in Italy, A Question of Taste" by Franco La Cecla center on the perception of rituals of living in Italy as they are affected by the accelerating design tastes of the last fifty years.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 244
Book Description
These twelve essays by leading architectural critics, sociologists, and designers are devoted to the unusual story of the transformation of residential living space in a country rich with architectural meaning. Home design and construction in Italy shifted after World War II from a base of craftsman builders to medium-size industrial production-a fundamental social change that was directed both by an active base of architectural theory and the culture of domestic life. Italy's design technologies extended the theory and practice of domestic architecture from its artisan characteristics to technologic visions-without breaking the social bond that architecture provides in Italy. Italy, unlike other countries, successfully redefined its "culture of living." The largest part of the anthology addresses issues of design, production, and building, including Beppe Finezzi's "Living Between Art and Architecture" and Frida Doveil's "New Materials and New User Values For the Home." Other essays include "The Landscape of Daily Life" (Francesca Picchi), "A Homeless Country (Andrea Branzi), "Italian Design" (Paola Antonelli). Provocative pieces like "Living in Italy, A Question of Taste" by Franco La Cecla center on the perception of rituals of living in Italy as they are affected by the accelerating design tastes of the last fifty years.
Italy
Author: Spencer M. DiScala
Publisher: Routledge
ISBN: 0429974736
Category : History
Languages : en
Pages : 467
Book Description
This essential book fills a serious gap in the field by synthesizing modern Italian history and placing it in a fully European context. Emphasizing globalization, Italy traces the country's transformation from a land of emigration to one of immigration and its growing cultural importance. Including coverage of the April 2008 elections, this updated edition offers expanded examinations of contemporary Italy's economic, social, and cultural development, a deepened discussion on immigration, and four new biographical sketches. Author Spencer M. Di Scala discusses the role of women, gives ample attention to the Italian South, and provides a picture of how ordinary Italians live. Cast in a clear and lively style that will appeal to readers, this comprehensive account is an indispensable addition to the field.
Publisher: Routledge
ISBN: 0429974736
Category : History
Languages : en
Pages : 467
Book Description
This essential book fills a serious gap in the field by synthesizing modern Italian history and placing it in a fully European context. Emphasizing globalization, Italy traces the country's transformation from a land of emigration to one of immigration and its growing cultural importance. Including coverage of the April 2008 elections, this updated edition offers expanded examinations of contemporary Italy's economic, social, and cultural development, a deepened discussion on immigration, and four new biographical sketches. Author Spencer M. Di Scala discusses the role of women, gives ample attention to the Italian South, and provides a picture of how ordinary Italians live. Cast in a clear and lively style that will appeal to readers, this comprehensive account is an indispensable addition to the field.
Electrifying Design
Author: Sarah Schleuning
Publisher: Yale University Press
ISBN: 0300254571
Category : Design
Languages : en
Pages : 221
Book Description
An unprecedented survey of modern lighting design foregrounding its materials, innovators, and far-reaching influence Offering the first comprehensive history of lighting design from the 20th and 21st centuries, Electrifying Design: A Century of Lighting explores how lighting has been integral to the development of modern design both in terms of aesthetics and technological advances. This fascinating book outlines the key aspects of lighting as a unique and creative artistic discipline and examines themes such as different typologies, the quality of light, and the evolution of the bulb. A series of essays by Sarah Schleuning and Cindi Strauss showcase lighting designs from different time periods and geographic locations and feature the work of significant figures, including Poul Henningsen, Ingo Maurer, and Gino Sarfatti. With over 130 illustrations of functional and sometimes fantastical designs, a historical timeline, and comprehensive artist biographies, this handsome volume expands our understanding of an understudied but influential art form and demonstrates lighting’s central role as both an expression of and a catalyst for innovations in modern and contemporary design. Published in association with the Museum of Fine Arts, Houston Exhibition Schedule: Museum of Fine Arts, Houston (February 21–May 16, 2021) High Museum of Art, Atlanta (July 2–September 26, 2021)
Publisher: Yale University Press
ISBN: 0300254571
Category : Design
Languages : en
Pages : 221
Book Description
An unprecedented survey of modern lighting design foregrounding its materials, innovators, and far-reaching influence Offering the first comprehensive history of lighting design from the 20th and 21st centuries, Electrifying Design: A Century of Lighting explores how lighting has been integral to the development of modern design both in terms of aesthetics and technological advances. This fascinating book outlines the key aspects of lighting as a unique and creative artistic discipline and examines themes such as different typologies, the quality of light, and the evolution of the bulb. A series of essays by Sarah Schleuning and Cindi Strauss showcase lighting designs from different time periods and geographic locations and feature the work of significant figures, including Poul Henningsen, Ingo Maurer, and Gino Sarfatti. With over 130 illustrations of functional and sometimes fantastical designs, a historical timeline, and comprehensive artist biographies, this handsome volume expands our understanding of an understudied but influential art form and demonstrates lighting’s central role as both an expression of and a catalyst for innovations in modern and contemporary design. Published in association with the Museum of Fine Arts, Houston Exhibition Schedule: Museum of Fine Arts, Houston (February 21–May 16, 2021) High Museum of Art, Atlanta (July 2–September 26, 2021)
Design
Author: Bernhard E. Bürdek
Publisher: Walter de Gruyter
ISBN: 3764376813
Category : Architecture
Languages : en
Pages : 483
Book Description
Design today is a global instrument. Bernhard Bürdek traces the progress of design from its beginnings in the late 19th century, through the most significant movements of the 20th century up to those recent developments in biological engineering which will shape the 21st century. Design is now a discipline in its own right and its expertise can be incorporated within interdisciplinary processes. The most important fundamental principles of design theory and methodology are presented, looking in particular at the communicative function of products and highlighting aspects such as corporate and service design, design management, strategic design, interface/interaction design and human design.
Publisher: Walter de Gruyter
ISBN: 3764376813
Category : Architecture
Languages : en
Pages : 483
Book Description
Design today is a global instrument. Bernhard Bürdek traces the progress of design from its beginnings in the late 19th century, through the most significant movements of the 20th century up to those recent developments in biological engineering which will shape the 21st century. Design is now a discipline in its own right and its expertise can be incorporated within interdisciplinary processes. The most important fundamental principles of design theory and methodology are presented, looking in particular at the communicative function of products and highlighting aspects such as corporate and service design, design management, strategic design, interface/interaction design and human design.