Bibliographic Guide to Music PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Bibliographic Guide to Music PDF full book. Access full book title Bibliographic Guide to Music by New York Public Library. Music Division. Download full books in PDF and EPUB format.
Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 896
Get Book Here
Book Description
Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 896
Get Book Here
Book Description
Author: Thomas Forrest Kelly
Publisher: Harvard University Press
ISBN: 9780981885803
Category : Music
Languages : en
Pages : 188
Get Book Here
Book Description
Houghton Library Studies Series Editor: William P Stoneman --
Author: Dominicus Johner
Publisher: Legare Street Press
ISBN: 9781016314817
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Richard Viladesau
Publisher: Oxford University Press
ISBN: 0198040660
Category : Religion
Languages : en
Pages : 225
Get Book Here
Book Description
From the earliest period of its existence, Christianity has been recognized as the "religion of the cross." Some of the great monuments of Western art are representations of the brutal torture and execution of Christ. Despite the horror of crucifixion, we often find such images beautiful. The beauty of the cross expresses the central paradox of Christian faith: the cross of Christ's execution is the symbol of God's victory over death and sin. The cross as an aesthetic object and as a means of devotion corresponds to the mystery of God's wisdom and power manifest in suffering and apparent failure. In this volume, Richard Viladesau seeks to understand the beauty of the cross as it developed in both theology and art from their beginnings until the eve of the renaissance. He argues that art and symbolism functioned as an alternative strand of theological expression -- sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of the Crucifixion and its role insalvation history. Using specific works of art to epitomize particular artistic and theological paradigms, Viladesau then explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. The beauty of the cross is examined from Patristic theology and the earliest representations of the Logos on the cross, to the monastic theology of victory and the Romanesque crucified "majesty," to the Anselmian "revolution" that centered theological and artistic attention on the suffering humanity of Jesus, and finally to the breakdown of the high scholastic theology of the redemption in empirically concentrated nominalism and the beginnings of naturalism in art. By examining the relationship between aesthetic and conceptual theology, Viladesau deepens our understanding of the foremost symbol of Christianity. This volume makes an important contribution to an emerging field, breaking new ground in theological aesthetics. The Beauty of the Cross is a valuable resource for scholars, students, and anyone interested in the passion of Christ and its representation.
Author: Hermann (von Reichenau)
Publisher: Boydell & Brewer
ISBN: 1580463908
Category : Music
Languages : en
Pages : 241
Get Book Here
Book Description
The renowned treatise on music, by an eleventh-century monk, in a critical edition with annotated English translation, introduction, and detailed indexes.
Author: Paull Franklin Baum
Publisher:
ISBN:
Category : Tales, Medieval
Languages : en
Pages : 22
Get Book Here
Book Description
Author: Susana Zapke
Publisher: Fundacion BBVA
ISBN: 8496515508
Category : Church music
Languages : es
Pages : 481
Get Book Here
Book Description
Author: Thomas Merton
Publisher: Christian Large Print
ISBN: 9780802724977
Category : Religion
Languages : en
Pages : 770
Get Book Here
Book Description
One man's search to find his role in the world is revealed in the writer's portrait of his youthful political activism and entry into a Trappist monastery
Author: Jeremy Yudkin
Publisher: Pearson
ISBN:
Category : Music
Languages : en
Pages : 644
Get Book Here
Book Description
Historical survey of music in medieval Europe, from the end of Antiquity to the beginning of the fifteenth century. Historical survey of music in medieval Europe, from the the end of Antiquity to the beginning of the fifteenth century;from plainchant to late medieval polyphonic song. Clearly presented and explained.
Author: Alejandro Enrique Planchart
Publisher: Cambridge University Press
ISBN: 1108547702
Category : Music
Languages : en
Pages : 1313
Get Book Here
Book Description
This volume explores the work of one of medieval music's most important figures, and in so doing presents an extended panorama of musical life in Europe at the end of the middle ages. Guillaume Du Fay rose from obscure beginnings to become the most significant composer of the fifteenth century, a man courted by kings and popes, and this study of his life and career provides a detailed examination of his entire output, including a number of newly discovered works. As well as offering musical analysis, this volume investigates his close association with the Cathedral of Cambrai, and explores how, at a time when music was becoming increasingly professionalised, Du Fay forged his own identity as 'a composer'. This detailed biography will be highly valuable for those interested in the history of medieval and church music, as well as for scholars of Du Fay's musical legacy.
