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Author: Mostra Internazionale di Architettura
Publisher:
ISBN: 9789639506435
Category :
Languages : en
Pages : 339
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Book Description
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Author: Mostra Internazionale di Architettura
Publisher:
ISBN: 9789639506435
Category :
Languages : en
Pages : 339
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Book Description
Author: Agnieszka Kurant
Publisher: Sternberg Press
ISBN: 9781934105214
Category : Architecture
Languages : en
Pages : 0
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Book Description
The artists Agnieszka Kurant and Aleksandra Wasilkowska are representing Poland at the 12th International Architecture Exhibition in Venice 2010, August 29 - November 21, 2010. The Emergency Exit installation not only merges the disciplines of architecture and art within this project, it is the culmination of a collaborative dialogue between Agnieszka Kurant and Aleksandra Wasilkowska that unites their interests and professional experiences. While the installation itself offers a unique and challenging experience within the Biennale context, there is also a specific set of ideas and a particular discourse in which the project is rooted. The Polish Pavilion thus represents both a cultural and epistemological moment that we attempt to unpack in this catalogue. Importantly, this background is not purely to be found in literary, theoretical or discursive texts. Rather, we hope that the many photographs, cultural references, and graphics give as much meaning to the pavilion as the essays we have brought together. In their essay Agnieszka Kurant and Aleksandra Wasilkowska present the ideas behind Emergency Exit and the concept of "urban portable holes." This is complemented by an archive of reference images, theories, films, and documents that inspire and support their work within expanding and interrelated subjects: "Utopian Ruins," "Urban Exploration," "Materialization of Utopias," "ComplexCity," and "Self-organization," "Extremely Rare Events," "Holes," "Fictional Sports and Escapism." Co-published with Zacheta National Gallery of Art, Warsaw Contributors Pedro Gadanho, Agnieszka Kurant, Markus Miessen, Magnus Nilsson, Hans Ulrich Obrist, Aaron Schuster, Aleksandra Wasilkowska
Author: Federica Martini
Publisher: postmediabooks
ISBN: 8874900600
Category : Art
Languages : it
Pages : 160
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Book Description
Author: Ana Džokić
Publisher: Jovis Verlag
ISBN: 9783868595222
Category : Architecture
Languages : en
Pages : 232
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Book Description
Upscaling, Training, Commoning features a lively account of the 10-year exploration by STEALTH.unlimited into what it means to engage with the glimpses of a world that has become conceivable in the cracks of the Global Financial Crisis (2008). Ultimately, this book is about devising methods for imagining and enacting other worlds. The perspective for this is situated between spatial practice and emerging commons, between an already plundered future and the politics of possibility, between reflection and future fiction. The book traces the moves STEALTH.unlimited (Ana Dzokić and Marc Neelen) have taken to reframe practice, to rethink economy and create urban commons. Its six-part sequence moves from critique to commitment, but along the way reveals an unsettling systemic rejection - by current politics and economy - of the urgency to upscale and 'train' for a world beyond the capitalist urban condition. The book leads us thus to a crucial question: how to construct our alternatives on the ruins of the broken system? By including personal accounts from emerging alternative voices from literature, economy and urban politics from across Europe, it expands this quest beyond the field of architecture and art.
Author: Clarissa Ricci
Publisher: et al.
ISBN: 9788864630243
Category : Art
Languages : en
Pages : 238
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Book Description
Author: Nato Thompson
Publisher: MIT Press
ISBN: 0262017342
Category : Art
Languages : en
Pages : 265
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Book Description
'Living as Form' grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a 30-person curatorial advisory team; each project is documented by a selection of colour images.
Author: Anthony Gardner
Publisher: John Wiley & Sons
ISBN: 1444336657
Category : Business & Economics
Languages : en
Pages : 306
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Book Description
This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art
Author: Sarah Chaplin
Publisher: Routledge
ISBN: 1134009763
Category : Architecture
Languages : en
Pages : 483
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Book Description
Addressing the collection, representation and exhibition of architecture and the built environment, this book explores current practices, historical precedents, theoretical issues and future possibilities arising from the meeting of a curatorial ‘subject’ and an architectural ‘object’. Striking a balance between theoretical investigations and case studies, the chapters cover a broad methodological as well as thematic range. Examining the influential role of architectural exhibitions, the contributors also look at curatorship as an emerging attitude towards the investigation and interpretation of the city. International in scope, this collection investigates curation, architecture and the city across the world, opening up new possibilities for exploring the urban fabric.
Author: Gillian Wilson
Publisher: J. Paul Getty Museum
ISBN: 9781606066300
Category : Design
Languages : en
Pages : 0
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Book Description
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Author: Rachel Rivenc
Publisher: Getty Publications
ISBN: 1606065378
Category : Art
Languages : en
Pages : 208
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Book Description
Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist’s chosen technology often carries with it strong sociological and historical information and meanings. www.getty.edu/publications/keepitmoving
