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Author: Rhoda Roberts
Publisher:
ISBN:
Category : Art festivals
Languages : en
Pages : 61
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Book Description
"As host of the 11th Festival of Pacific Arts, Solomon Islands is in a unique position relative to the hosts of previous festivals. It has a longer lead-time for preparation, and a commitment of support from the Secretariat of the Pacific Community (SPC), as signified by the publication of this report well in advance of the event. The National Festival Organising Committee (NFOC) - like the committee or taskforce that oversaw each previous festival - will play an advisory role in assisting departments, technical, programming and administrative sections and committees across a number of events. As well as allowing thorough planning for this event, the longer timeframe and strong commitment of those involved open up the opportunity to develop templates and models for future festivals. Training and working with established key arts groups across the Pacific will give Pacific Islanders themselves greater control of the event in future years. Good communication and reporting will establish a continuous structure for the festival and its management so that each new host nation need not 'reinvent the wheel' every four years. This report identifies key requirements for creating a sustainable 11th Festival of Pacific Arts that showcases the diversity and excellence of indigenous arts and culture through a unique voice. In particular, a priority is to carefully consider and make prompt decisions regarding global, environmental, budget and programming policies"--Publisher website.
Author: Rhoda Roberts
Publisher:
ISBN:
Category : Art festivals
Languages : en
Pages : 61
Get Book Here
Book Description
"As host of the 11th Festival of Pacific Arts, Solomon Islands is in a unique position relative to the hosts of previous festivals. It has a longer lead-time for preparation, and a commitment of support from the Secretariat of the Pacific Community (SPC), as signified by the publication of this report well in advance of the event. The National Festival Organising Committee (NFOC) - like the committee or taskforce that oversaw each previous festival - will play an advisory role in assisting departments, technical, programming and administrative sections and committees across a number of events. As well as allowing thorough planning for this event, the longer timeframe and strong commitment of those involved open up the opportunity to develop templates and models for future festivals. Training and working with established key arts groups across the Pacific will give Pacific Islanders themselves greater control of the event in future years. Good communication and reporting will establish a continuous structure for the festival and its management so that each new host nation need not 'reinvent the wheel' every four years. This report identifies key requirements for creating a sustainable 11th Festival of Pacific Arts that showcases the diversity and excellence of indigenous arts and culture through a unique voice. In particular, a priority is to carefully consider and make prompt decisions regarding global, environmental, budget and programming policies"--Publisher website.
Author: World Intellectual Property Organization
Publisher: WIPO
ISBN:
Category : Law
Languages : en
Pages : 23
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Book Description
This guide was written for people attending the Festival, as well as participants, performers and exhibitors.
Author: Terri Janke
Publisher:
ISBN: 9789280518894
Category : Art festivals
Languages : en
Pages : 0
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Book Description
This study was prepared as part of a program of assistance being provided to the Solomon Islands and the Council of Pacific Arts by the Secretariat of the Pacific Community (SPC) and WIPO.
Author: Karen Stevenson
Publisher:
ISBN: 9789820005518
Category : Art festivals
Languages : en
Pages : 18
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Book Description
Author: Crispin Howarth
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 132
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Book Description
Through over sixty works, this book explores traditional, or kastom, beliefs in ancestral ghosts, the world of spirit beings, ocean-bound raiding expeditions and the indigenous aesthetics of the self - the use of adornments to express identity and status from the mid nineteenth to the mid twentieth centuries.--From back cover.
Author: World Intellectual Property Organization
Publisher: WIPO
ISBN:
Category : Law
Languages : en
Pages : 4
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Book Description
This Brief introduces intellectual property consideration for arts festival organizers, to safeguard and promote their own interests and those of festival participants.
Author: World Intellectual Property Organization
Publisher: WIPO
ISBN: 928052531X
Category : Law
Languages : en
Pages : 60
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Book Description
This Guide provides general information about intellectual property (IP) and cultural interests. It identifies the main IP challenges faced by festival organizers and outlines some practical elements of an effective IP management strategy, following a step-by-step approach.
Author: Kalissa Alexeyeff
Publisher: ANU Press
ISBN: 1922144266
Category : Business & Economics
Languages : en
Pages : 480
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Book Description
Tourism is vital to the economies of most Pacific nations and as such is an important site for the meaningful production of shared and disputed cultural values and practices. This is especially the case when tourism intersects with other important arenas for cultural production, both directly and indirectly. Touring Pacific Cultures captures the central importance of tourism to the visual, material and performed cultures of the Pacific region. In this volume, we propose to explore new directions in understanding how culture is defined, produced, experienced and sustained through tourism-related practices across that region. We ask, how is cultural value, ownership, performance and commodification negotiated and experienced in actual lived practice as it moves with people across the Pacific? ‘This collection is a welcome addition to tourism studies, or perhaps we should say post- or para-tourism. The essays bring out many facets and experiences too quickly bundled under a single label and focused exclusively on “destinations” visited by “outsiders”. Tourism, we see here, actively involves many different populations, societies, and economies, a range of local/global/regional engagements that can be both destructive and creative. Western outsiders aren’t the only ones on the move. Unequal power, (neo)colonial exploitation and capitalist commodification are very much part of the picture. But so are desire, adventure, pleasure, cultural reinvention and economic development. The effect, overall, is an attitude of alert, critical ambivalence with respect to a proliferating historical phenomenon. A bumpy and rewarding ride.’ — James Clifford, Professor Emeritus, University of California, Santa Cruz
Author: Fiona Cameron
Publisher: Routledge
ISBN: 1135013527
Category : Art
Languages : en
Pages : 288
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Book Description
Climate change is a complex and dynamic environmental, cultural and political phenomenon that is reshaping our relationship to nature. Climate change is a global force, with global impacts. Viable solutions on what to do must involve dialogues and decision-making with many agencies, stakeholder groups and communities crossing all sectors and scales. Current policy approaches are inadequate and finding a consensus on how to reduce levels of greenhouse gases in the atmosphere through international protocols has proven difficult. Gaps between science and society limit government and industry capacity to engage with communities to broker innovative solutions to climate change. Drawing on leading-edge research and creative programming initiatives, this collection details the important roles and agencies that cultural institutions (in particular, natural history and science museums and science centres) can play within these gaps as resources, catalysts and change agents in climate change debates and decision-making processes; as unique public and trans-national spaces where diverse stakeholders, government and communities can meet; where knowledge can be mediated, competing discourses and agendas tabled and debated; and where both individual and collective action might be activated.
Author: Keir Reeves
Publisher: Routledge
ISBN: 1317479009
Category : Business & Economics
Languages : en
Pages : 291
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Book Description
Battlefield Events: Landscape, Commemoration and Heritage is an investigative and analytical study into the way in which significant landscapes of war have been constructed and imagined through events over time to articulate specific narratives and denote consequence and identity. The book charts the ways in which a number of landscapes of war have been created and managed from an events perspective, and how the processes of remembering (along with silencing and forgetting) at these places has influenced the management of these warscapes in the present day. With chapters from authors based in seven different countries on three continents and comparative case studies, this book has a truly international perspective. This timely longitudinal analysis of war commemoration events, the associated landscapes, travel to these destinations and management strategies will be valuable reading for all those interested in war landscapes and events.
