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Author: Virginia Lynn Moylan
Publisher:
ISBN: 9780813035789
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Moylan, founding member of the Fort Pierce, Fla., Annual Zora Festival, draws heavily on two texts (Valerie Boyd's biography Wrapped in Rainbows, and Carla Kaplan's edition of Hurston's letters, Zora Neale Hurston: A Life in Letters), supplemented by a number of interviews with the employers, acquaintances, and friends of Hurston's last decade. After a brief biographical sketch of Hurston's early years, Moylan addresses, the false child molestation charges that, even after they were recanted, left Hurston's reputation in tatters, and her very controversial (in Moylan's words, "eccentric") objections to Brown v. Board of Education and desegregation on the grounds that, in her perspective, "racial uplift" would come by individual effort alone. Hurston's final creative projects-her development of an "anthropologically correct" black baby doll and planned biography of King Herod attest to how the famously idiosyncratic and iconoclastic writer remained deeply unpredictable and fascinating, and that her "lost years" merit a thoughtful and thorough biography
Author: Virginia Lynn Moylan
Publisher:
ISBN: 9780813035789
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Moylan, founding member of the Fort Pierce, Fla., Annual Zora Festival, draws heavily on two texts (Valerie Boyd's biography Wrapped in Rainbows, and Carla Kaplan's edition of Hurston's letters, Zora Neale Hurston: A Life in Letters), supplemented by a number of interviews with the employers, acquaintances, and friends of Hurston's last decade. After a brief biographical sketch of Hurston's early years, Moylan addresses, the false child molestation charges that, even after they were recanted, left Hurston's reputation in tatters, and her very controversial (in Moylan's words, "eccentric") objections to Brown v. Board of Education and desegregation on the grounds that, in her perspective, "racial uplift" would come by individual effort alone. Hurston's final creative projects-her development of an "anthropologically correct" black baby doll and planned biography of King Herod attest to how the famously idiosyncratic and iconoclastic writer remained deeply unpredictable and fascinating, and that her "lost years" merit a thoughtful and thorough biography
Author: Carla Kaplan, Ph.D.
Publisher: Anchor
ISBN: 0307430367
Category : Biography & Autobiography
Languages : en
Pages : 906
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Book Description
“ I mean to live and die by my own mind,” Zora Neale Hurston told the writer Countee Cullen. Arriving in Harlem in 1925 with little more than a dollar to her name, Hurston rose to become one of the central figures of the Harlem Renaissance, only to die in obscurity. Not until the 1970s was she rediscovered by Alice Walker and other admirers. Although Hurston has entered the pantheon as one of the most influential American writers of the 20th century, the true nature of her personality has proven elusive. Now, a brilliant, complicated and utterly arresting woman emerges from this landmark book. Carla Kaplan, a noted Hurston scholar, has found hundreds of revealing, previously unpublished letters for this definitive collection; she also provides extensive and illuminating commentary on Hurston’s life and work, as well as an annotated glossary of the organizations and personalities that were important to it. From her enrollment at Baltimore’s Morgan Academy in 1917, to correspondence with Marjorie Kinnan Rawlings, Langston Hughes, Dorothy West and Alain Locke, to a final query letter to her publishers in 1959, Hurston’s spirited correspondence offers an invaluable portrait of a remarkable, irrepressible talent.
Author: Zora Neale Hurston
Publisher: HarperCollins
ISBN: 006274822X
Category : Transportation
Languages : en
Pages : 211
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Book Description
One of the New York Times' Most Memorable Literary Moments of the Last 25 Years! • New York Times Bestseller • TIME Magazine’s Best Nonfiction Book of 2018 • New York Public Library’s Best Book of 2018 • NPR’s Book Concierge Best Book of 2018 • Economist Book of the Year • SELF.com’s Best Books of 2018 • Audible’s Best of the Year • BookRiot’s Best Audio Books of 2018 • The Atlantic’s Books Briefing: History, Reconsidered • Atlanta Journal Constitution, Best Southern Books 2018 • The Christian Science Monitor’s Best Books 2018 • “A profound impact on Hurston’s literary legacy.”—New York Times “One of the greatest writers of our time.”—Toni Morrison “Zora Neale Hurston’s genius has once again produced a Maestrapiece.”—Alice Walker A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade—abducted from Africa on the last "Black Cargo" ship to arrive in the United States. In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past—memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War. Based on those interviews, featuring Cudjo’s unique vernacular, and written from Hurston’s perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.
Author: Anna Lillios
Publisher:
ISBN: 9780813038094
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Drawing from interviews with people who knew both writers, as well as letters between them and other documented evidence of their meetings, Lillios (English, U. of Central Florida) offers an intriguing and in-depth study of the friendship between writers Zora Neale Hurston and Marjorie Kinnan Rawlings. She describes their complicated interracial friendship during the 1940s, when both were at the height of their fame and creativity and had published successful memoirs--Hurston's Dust Tracks on a Road and Rawlings' Cross Creek--following their novels Their Eyes Were Watching God and The Yearling, respectively. Focusing on the year 1942, when the two met, she describes the development of their friendship, the development of their writing craft that culminated in their masterpieces, their memoirs, and how they influenced each other as they struggled to complete their last creative works.
Author: Virginia Lynn Moylan
Publisher:
ISBN: 9780813046228
Category : African American authors
Languages : en
Pages : 193
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Book Description
This book draws on archival and community census reports, new interviews with Hurston's contemporaries, numerous correspondence, and diligent research to fill in the missing pieces of Hurston's life after she returned to Florida following a false child molestation charge in 1948. Included is a summary of the highlights of Hurston's life and career through 1948, an accounting of the molestation scandal, a fresh and judicious examination and interpretation of her controversial political views, and her involvement with the production of the country's first anthropologically correct black baby doll.
Author: Zora Neale Hurston
Publisher:
ISBN: 9780800074142
Category :
Languages : en
Pages : 159
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Book Description
Author: Judith Bloom Fradin
Publisher: Houghton Mifflin Harcourt
ISBN: 0547006950
Category : Juvenile Nonfiction
Languages : en
Pages : 197
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Book Description
A biography of African American author Zora Neale Hurston.
Author: Valerie Boyd
Publisher: Simon and Schuster
ISBN: 0684842300
Category : Biography & Autobiography
Languages : en
Pages : 546
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Book Description
Traces the career of the influential African-American writer, citing the historical backdrop of her life and work while considering her relationships with and influences on top literary, intellectual, and artistic figures.
Author: Zora Neale Hurston
Publisher: Open Road Media
ISBN: 1504081471
Category : Literary Criticism
Languages : en
Pages : 8
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Book Description
The acclaimed author of Their Eyes Were Watching God relates her experiences as an African American woman in early-twentieth-century America. In this autobiographical essay, author Zora Neale Hurston recounts episodes from her childhood in different communities in Florida: Eatonville and Jacksonville. She reflects on what those experiences showed her about race, identity, and feeling different. “How It Feels to Be Colored Me” was originally published in 1928 in the magazine The World Tomorrow.
Author: Cynthia Davis
Publisher: Scarecrow Press
ISBN: 0810891530
Category : Reference
Languages : en
Pages : 294
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Book Description
Zora Neale Hurston (1891-1960), the most prominent of the Harlem Renaissance women writers, was unique because her social and professional connections were not limited to literature but encompassed theatre, dance, film, anthropology, folklore, music, politics, high society, academia, and artistic bohemia. Hurston published four novels, three books of nonfiction, and dozens of short stories, plays, and essays. In addition, she won a long list of fellowships and prizes, including a Guggenheim and a Rosenwald. Yet by the 1950s, Hurston, like most of her Harlem Renaissance peers, had faded into oblivion. An essay by Alice Walker in the 1970s, however, spurred the revival of Hurston’s literary reputation, and her works, including her 1937 novel Their Eyes Were Watching God, have enjoyed an enduring popularity. Zora Neale Hurston: An Annotated Bibliography of Works and Criticism consists of reviews of critical interpretations of Hurston’s work. In addition to publication information, each selection is carefully crafted to capture the author’s thesis in a short, pithy, analytical framework. Also included are original essays by eminent Hurston scholars that contextualize the bibliographic entries. Meticulously researched but accessible, these essays focus on gaps in Hurston criticism and outline new directions for Hurston scholarship in the twenty-first century. Comprehensive and up-to-date, this volume contains analytical summaries of the most important critical writings on Zora Neale Hurston from the 1970s to the present. In addition, entries from difficult-to-locate sources, such as small academic presses or international journals, can be found here. Although intended as a bibliographic resource for graduate and undergraduate students, this volume is also aimed toward general readers interested in women’s literature, African American literature, American history, and popular culture. The book will also appeal to scholars and teachers studying twentieth-century American literature, as well as those specializing in anthropology, modernism, and African American studies, with a special focus on the women of the Harlem Renaissance.
