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Author: Zeami
Publisher: Hotei Publishing
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
This work is a translation of the "Sarugaku dangi" ("Talks on Sarugaku"), a collection of comments by the actor, playwright, critic and founding father of the Nt theatre, Zeami (1363-1443). The "Sarugaku dangi" is generally considered as part of Zeami's transmitted writings, but more specifically it forms part of his treatises on Nt. The "Sarugaku dangi" is a unique source on the history of early Nt. The present translation, preceded by an extensive introduction on Zeami and his work, is an invaluable aid in the study of Nt.
Author: Zeami
Publisher: Hotei Publishing
ISBN:
Category : Art
Languages : en
Pages : 312
Get Book Here
Book Description
This work is a translation of the "Sarugaku dangi" ("Talks on Sarugaku"), a collection of comments by the actor, playwright, critic and founding father of the Nt theatre, Zeami (1363-1443). The "Sarugaku dangi" is generally considered as part of Zeami's transmitted writings, but more specifically it forms part of his treatises on Nt. The "Sarugaku dangi" is a unique source on the history of early Nt. The present translation, preceded by an extensive introduction on Zeami and his work, is an invaluable aid in the study of Nt.
Author: Shelley Fenno Quinn
Publisher: University of Hawaii Press
ISBN: 9780824829681
Category : Performing Arts
Languages : en
Pages : 502
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Book Description
The great noh actor, theorist, and playwright Zeami Motokiyo (ca. 1363-1443) is one of the major figures of world drama. His critical treatises have attracted international attention ever since their publication in the early 1900s. His corpus of work and ideas continues to offer a wealth of insights on issues ranging from the nature of dramatic illusion and audience interest to tactics for composing successful plays to issues of somaticity and bodily training. Shelley Fenno Quinn’s impressive interpretive examination of Zeami’s treatises addresses all of these areas as it outlines the development of the playwright’s ideas on how best to cultivate attunement between performer and audience. Quinn begins by tracing Zeami’s transformation of the largely mimetic stage art of his father’s troupe into a theater of poiesis in which the playwright and actors aim for performances wherein dance and chant are re-keyed to the evocative power of literary memory. Synthesizing this remembered language of stories, poems, phrases, and their prosodies and associated auras with the flow of dance and chant led to the creation of a dramatic prototype that engaged and depended on the audience as never before. Later chapters examine a performance configuration created by Zeami (the nikyoku santai) as articulated in his mature theories on the training of the performer. Drawing on possible reference points from Buddhist and Daoist thought, the author argues that Zeami came to treat the nikyoku santai as a set of guidelines for bracketing the subjectivity of the novice actor, thereby allowing the actor to reach a certain skill level or threshold from which his freedom as an artist might begin.
Author: Zeami
Publisher: Columbia University Press
ISBN: 0231139594
Category : Drama
Languages : en
Pages : 525
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Book Description
Annotation Zeami (1363-1443), Japan's most celebrated actor and playwright, composed more than 30 of the finest plays of no drama. He also wrote a variety of texts on theater and performance. This text presents the full range of Zeami's critical thought on the subject.
Author: Noel J. Pinnington
Publisher: Cornell University Press
ISBN: 1942242328
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Author: Professor Graham Ley
Publisher: Royal College of General Practitioners
ISBN: 0859899640
Category : History
Languages : en
Pages : 285
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Book Description
This collection of published and unpublished essays connects antiquity with the present by debating the current prohibiting conceptions of performance theory and the insistence on a limited version of ‘the contemporary’. The theatre is attractive for its history and also for its lively present. These essays explore aspects of historical performance in ancient Greece, and link thoughts on its significance to wider reflections on cultural theory from around the world and performance in the contemporary postmodern era, concluding with ideas on the new theatre of the diaspora. Each section of the book includes a short introduction; the essays and shorter interventions take various forms, but all are concerned with theatre, with practical aspects of theatre and theoretical dimensions of its study. The subjects range from ancient Greece to the present day, and include speculations on the origin of ancient tragic acting, the kinds of festival performance in ancient Athens, how performance is reflected in the tragic scripts, the significance of the presence of the chorus, technology and the ancient theatre, comparative thinking on Greek, Indian and Japanese theory, a critique of the rhetoric of performance theory and of postmodernism, reflections on modernism and theatre, and on the importance of adaptation to theatre, studies of the theatre and diaspora in Britain.
Author: Beng Choo Lim
Publisher: Cornell University Press
ISBN: 1942242638
Category : Performing Arts
Languages : en
Pages : 276
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Book Description
Author: Susan Blakely Klein
Publisher: BRILL
ISBN: 1684176239
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
Dancing the Dharma examines the theory and practice of allegory by exploring a select group of medieval Japanese noh plays and treatises. Susan Blakeley Klein demonstrates how medieval esoteric commentaries on the tenth-century poem-tale Ise monogatari (Tales of Ise) and the first imperial waka poetry anthology Kokin wakashū influenced the plots, characters, imagery, and rhetorical structure of seven plays (Maiguruma, Kuzu no hakama, Unrin’in, Oshio, Kakitsubata, Ominameshi, and Haku Rakuten) and two treatises (Zeami’s Rikugi and Zenchiku’s Meishukushū). In so doing, she shows that it was precisely the allegorical mode—vital to medieval Japanese culture as a whole—that enabled the complex layering of character and poetic landscape we typically associate with noh. Klein argues that understanding noh’s allegorical structure and paying attention to the localized historical context for individual plays are key to recovering their original function as political and religious allegories. Now viewed in the context of contemporaneous beliefs and practices of the medieval period, noh plays take on a greater range and depth of meaning and offer new insights to readers today into medieval Japan.
Author: Noel John Pinnington
Publisher: Springer
ISBN: 303006140X
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
This book traces the history of noh and kyōgen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early Nō Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of kyōgen, which has often been left in noh's shadow. It is based on contemporary research in Japan, Asia, Europe and America, and embraces current ideas of theatre history, providing a richly contextualized account which looks closely at theatrical forms and genres as they arose. The masked drama of noh, with its ghosts, chanting and music, and its use in Japanese films, has been the object of modern international interest. However, audiences are often confused as to what noh actually is. This book attempts to answer where noh came from, what it was like in its day, and what it was for. To that end, it contains sections which discuss a number of prominent noh plays in their period and challenges established approaches. It also contains the first detailed study in English of the kyōgen repertoire of the sixteenth-century.
Author: Karen Brazell
Publisher: Columbia University Press
ISBN: 9780231108737
Category : Drama
Languages : en
Pages : 580
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Book Description
The first book of its kind: a collection of the most important genres of Japanese performance--noh, kyogen, kabuki, and puppet theater--in one comprehensive, authoritative volume.
Author: Helen Parker
Publisher: BRILL
ISBN: 9004486941
Category : Drama
Languages : en
Pages : 206
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Book Description
This monograph with an accompanying CD-ROM explores through plot repetition the relationships between three genres of traditional Japanese theatre, nō, kabuki and ningyō-jōruri, with a focus on plays depicting the final, fugitive years of Minamoto no Yoshitsune. First, the theoretical background to the concept of plot repetition is discussed and the theme of Yoshitsune’s downfall is introduced. The next and main section analyses the treatment of the Funa Benkei and Ataka/Kanjinchō plots in the three genres, with reference to their historical development and contemporary performance. The CD-ROM contains video clips, photographs and nishiki-e prints from productions in each genre to illustrate how the plots are presented on stage.
