Author: Ferdinand Lessing
Publisher:
ISBN:
Category : Buddhism
Languages : en
Pages : 250
Book Description
Yung-ho-kung, an Iconography of the Lamaist Cathedral in Peking
Author: Ferdinand Lessing
Publisher:
ISBN:
Category : Buddhism
Languages : en
Pages : 250
Book Description
Publisher:
ISBN:
Category : Buddhism
Languages : en
Pages : 250
Book Description
Yung-ho-kung
Author: Ferdinand Lessing
Publisher:
ISBN:
Category : Buddhism
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : Buddhism
Languages : en
Pages : 248
Book Description
Yung-Ho-Kung
Author: Ferdinand D. Lessing
Publisher: Routledge
ISBN: 9780700706846
Category : History
Languages : en
Pages : 179
Book Description
This is a in depth report of the most important Tibetan temple in Peking. The Yung Ho Kung is a far reaching pioneer work often referred to by others. It provides a detailed study of the temple's iconography as well as a study of some Vajrayana rites performed there. This volume will be appreciated by experts in the field. Book jacket.
Publisher: Routledge
ISBN: 9780700706846
Category : History
Languages : en
Pages : 179
Book Description
This is a in depth report of the most important Tibetan temple in Peking. The Yung Ho Kung is a far reaching pioneer work often referred to by others. It provides a detailed study of the temple's iconography as well as a study of some Vajrayana rites performed there. This volume will be appreciated by experts in the field. Book jacket.
Yung-Ho-Kung
Author: Ferdinand Diederich Lessing
Publisher:
ISBN:
Category :
Languages : en
Pages : 179
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 179
Book Description
Yung-Ho-Kung
Author: Ferdinand Diederich Lessing
Publisher:
ISBN:
Category :
Languages : en
Pages : 183
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 183
Book Description
Empire of Emptiness
Author: Patricia Berger
Publisher: University of Hawaii Press
ISBN: 0824862368
Category : Art
Languages : en
Pages : 299
Book Description
Imperial Manchu support and patronage of Buddhism, particularly in Mongolia and Tibet, has often been dismissed as cynical political manipulation. Empire of Emptiness questions this generalization by taking a fresh look at the huge outpouring of Buddhist painting, sculpture, and decorative arts Qing court artists produced for distribution throughout the empire. It examines some of the Buddhist underpinnings of the Qing view of rulership and shows just how central images were in the carefully reasoned rhetoric the court directed toward its Buddhist allies in inner Asia. The multilingual, culturally fluid Qing emperors put an extraordinary range of visual styles into practice--Chinese, Tibetan, Nepalese, and even the European Baroque brought to the court by Jesuit artists. Their pictorial, sculptural, and architectural projects escape easy analysis and raise questions about the difference between verbal and pictorial description, the ways in which overt and covert meaning could be embedded in images through juxtaposition and collage, and the collection and criticism of paintings and calligraphy that were intended as supports for practice and not initially as works of art.
Publisher: University of Hawaii Press
ISBN: 0824862368
Category : Art
Languages : en
Pages : 299
Book Description
Imperial Manchu support and patronage of Buddhism, particularly in Mongolia and Tibet, has often been dismissed as cynical political manipulation. Empire of Emptiness questions this generalization by taking a fresh look at the huge outpouring of Buddhist painting, sculpture, and decorative arts Qing court artists produced for distribution throughout the empire. It examines some of the Buddhist underpinnings of the Qing view of rulership and shows just how central images were in the carefully reasoned rhetoric the court directed toward its Buddhist allies in inner Asia. The multilingual, culturally fluid Qing emperors put an extraordinary range of visual styles into practice--Chinese, Tibetan, Nepalese, and even the European Baroque brought to the court by Jesuit artists. Their pictorial, sculptural, and architectural projects escape easy analysis and raise questions about the difference between verbal and pictorial description, the ways in which overt and covert meaning could be embedded in images through juxtaposition and collage, and the collection and criticism of paintings and calligraphy that were intended as supports for practice and not initially as works of art.
The Local Cultures of South and East China
Author: Wolfram Eberhard
Publisher: Brill Archive
ISBN:
Category : China
Languages : en
Pages : 536
Book Description
Publisher: Brill Archive
ISBN:
Category : China
Languages : en
Pages : 536
Book Description
A Monastery on the Move
Author: Uranchimeg Tsultemin
Publisher: University of Hawaii Press
ISBN: 0824878302
Category : Art
Languages : en
Pages : 305
Book Description
In 1639, while the Géluk School of the Fifth Dalai Lama and Qing emperors vied for supreme authority in Inner Asia, Zanabazar (1635–1723), a young descendent of Chinggis Khaan, was proclaimed the new Jebtsundampa ruler of the Khalkha Mongols. Over the next three centuries, the ger (yurt) erected to commemorate this event would become the mobile monastery Ikh Khüree, the political seat of the Jebtsundampas and a major center of Mongolian Buddhism. When the monastery and its surrounding structures were destroyed in the 1930s, they were rebuilt and renamed Ulaanbaatar, the modern-day capital of Mongolia. Based on little-known works of Mongolian Buddhist art and architecture, A Monastery on the Move presents the intricate and colorful history of Ikh Khüree and of Zanabazar, himself an eminent artist. Author Uranchimeg Tsultemin makes the case for a multifaceted understanding of Mongol agency during the Géluk’s political ascendancy and the Qing appropriation of the Mongol concept of dual rulership (shashin tör) as the nominal “Buddhist Government.” In rich conversation with heretofore unpublished textual, archeological, and archival sources (including ritualized oral histories), Uranchimeg argues that the Qing emperors’ “Buddhist Government” was distinctly different from the Mongol vision of sovereignty, which held Zanabazar and his succeeding Jebtsundampa reincarnates to be Mongolia’s rightful rulers. This vision culminated in their independence from the Qing and the establishment of the Jebtsundampa’s theocractic government in 1911. A groundbreaking work, A Monastery on the Move provides a fascinating, in-depth analysis and interpretation of Mongolian Buddhist art and its role in shaping borders and shifting powers in Inner Asia.
Publisher: University of Hawaii Press
ISBN: 0824878302
Category : Art
Languages : en
Pages : 305
Book Description
In 1639, while the Géluk School of the Fifth Dalai Lama and Qing emperors vied for supreme authority in Inner Asia, Zanabazar (1635–1723), a young descendent of Chinggis Khaan, was proclaimed the new Jebtsundampa ruler of the Khalkha Mongols. Over the next three centuries, the ger (yurt) erected to commemorate this event would become the mobile monastery Ikh Khüree, the political seat of the Jebtsundampas and a major center of Mongolian Buddhism. When the monastery and its surrounding structures were destroyed in the 1930s, they were rebuilt and renamed Ulaanbaatar, the modern-day capital of Mongolia. Based on little-known works of Mongolian Buddhist art and architecture, A Monastery on the Move presents the intricate and colorful history of Ikh Khüree and of Zanabazar, himself an eminent artist. Author Uranchimeg Tsultemin makes the case for a multifaceted understanding of Mongol agency during the Géluk’s political ascendancy and the Qing appropriation of the Mongol concept of dual rulership (shashin tör) as the nominal “Buddhist Government.” In rich conversation with heretofore unpublished textual, archeological, and archival sources (including ritualized oral histories), Uranchimeg argues that the Qing emperors’ “Buddhist Government” was distinctly different from the Mongol vision of sovereignty, which held Zanabazar and his succeeding Jebtsundampa reincarnates to be Mongolia’s rightful rulers. This vision culminated in their independence from the Qing and the establishment of the Jebtsundampa’s theocractic government in 1911. A groundbreaking work, A Monastery on the Move provides a fascinating, in-depth analysis and interpretation of Mongolian Buddhist art and its role in shaping borders and shifting powers in Inner Asia.
Political Frontiers, Ethnic Boundaries and Human Geographies in Chinese History
Author: Nicola Di Cosmo
Publisher: Routledge
ISBN: 1135790957
Category : History
Languages : en
Pages : 433
Book Description
The question of boundaries - physical or political - has become fertile ground in the analysis of Chinese history and society. These essays cover the early decades of the Zhou dynasty to the early centuries after the Manchu conquest.
Publisher: Routledge
ISBN: 1135790957
Category : History
Languages : en
Pages : 433
Book Description
The question of boundaries - physical or political - has become fertile ground in the analysis of Chinese history and society. These essays cover the early decades of the Zhou dynasty to the early centuries after the Manchu conquest.
Tibetan Buddhists in the Making of Modern China
Author: Gray Tuttle
Publisher: Columbia University Press
ISBN: 0231134479
Category : History
Languages : en
Pages : 362
Book Description
Gray Tuttle reveals the surprising role Buddhism and Buddhist leaders played in the development of the modern Chinese state and in fostering relations between Tibet and China from the Republican period (1912-1949) to the early years of Communist rule. Tuttle offers new insights on the impact of modern ideas of nationalism, race, and religion in East Asia. He draws on previously unexamined archival and governmental materials, as well as personal memoirs of Chinese politicians and Buddhist monks, and ephemera from religious ceremonies.
Publisher: Columbia University Press
ISBN: 0231134479
Category : History
Languages : en
Pages : 362
Book Description
Gray Tuttle reveals the surprising role Buddhism and Buddhist leaders played in the development of the modern Chinese state and in fostering relations between Tibet and China from the Republican period (1912-1949) to the early years of Communist rule. Tuttle offers new insights on the impact of modern ideas of nationalism, race, and religion in East Asia. He draws on previously unexamined archival and governmental materials, as well as personal memoirs of Chinese politicians and Buddhist monks, and ephemera from religious ceremonies.