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Author: Edi Hubschmid
Publisher: BoD – Books on Demand
ISBN: 3907317017
Category : Fiction
Languages : en
Pages : 242
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Book Description
How, from prison, Yilmaz Güney wrote and oversaw the shooting of his film YOL. How he arranged his escape to Switzerland and was crowned with the Palme d'Or in Cannes 1982. In this detailed and richly illustrated book, Edi Hubschmid tells a story that is exciting as it is daring. It is also a drama. For years, the Turkish government had condemned the Kurdish Turk Yilmaz Güney, the popular actor, screenwriter and director, for being a Marxist. In 1974, after a shooting incident in a café, Güney was arrested. In 1976, he was sentenced to 19 years in prison. Güney's film YOL was a critique of repressive Turkey of the day - a society enslaved by the yoke of honor and revenge. And today still, YOL remains a relevant critique of the Turkish state, exacerbated by the president's dictorial policies and the increasingly brutal repression of the Kurds. In a book as gripping as a thriller, Edi Hubschmid describes how events unfolded with the production of YOL, Güney's successful escape from prison, his exile in Switzerland, and the completion of the film in France in secret locations. Turkey had requested Interpol issue an international arrest warrant, and Güney remained in France, where he was well hidden by the Swiss. When YOL premiered in May at the Cannes Festival, the film received the Palme d'Or jointly with Missing by Costa-Gavras.
Author: Edi Hubschmid
Publisher: BoD – Books on Demand
ISBN: 3907317017
Category : Fiction
Languages : en
Pages : 242
Get Book Here
Book Description
How, from prison, Yilmaz Güney wrote and oversaw the shooting of his film YOL. How he arranged his escape to Switzerland and was crowned with the Palme d'Or in Cannes 1982. In this detailed and richly illustrated book, Edi Hubschmid tells a story that is exciting as it is daring. It is also a drama. For years, the Turkish government had condemned the Kurdish Turk Yilmaz Güney, the popular actor, screenwriter and director, for being a Marxist. In 1974, after a shooting incident in a café, Güney was arrested. In 1976, he was sentenced to 19 years in prison. Güney's film YOL was a critique of repressive Turkey of the day - a society enslaved by the yoke of honor and revenge. And today still, YOL remains a relevant critique of the Turkish state, exacerbated by the president's dictorial policies and the increasingly brutal repression of the Kurds. In a book as gripping as a thriller, Edi Hubschmid describes how events unfolded with the production of YOL, Güney's successful escape from prison, his exile in Switzerland, and the completion of the film in France in secret locations. Turkey had requested Interpol issue an international arrest warrant, and Güney remained in France, where he was well hidden by the Swiss. When YOL premiered in May at the Cannes Festival, the film received the Palme d'Or jointly with Missing by Costa-Gavras.
Author: Tage Tayfun Einar Luxembourgeus
Publisher: Proverbial Elephant
ISBN: 9163944219
Category : Performing Arts
Languages : en
Pages : 231
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Book Description
Tunç Okan (Bay Okan) is an independent emigrant filmmaker born in 1942 in Turkey. He started his filmmaking career in 1974 with his debut film The Bus, which he made in Sweden, and partly in Germany. He completed the film some seven years after he quit his short but hectic acting career in Turkey’s popular commercial cinema industry, Yeşilçam. A dentist by training, Okan’s cinema career started in 1965 after winning an acting competition organised by a popular film magazine. Starring in thirteen films in a period of less than two years, he achieved considerable fame. In 1967, Okan quit his career in Yeşilçam, which he accused of anaesthetising society, and immigrated to Switzerland.3 His debut film The Bus was followed by only three other films: Drôle de samedi (Funny Saturday, 1985), Mercedes mon Amour (The Yellow Mercedes, 1992), and Umut Üzümleri (Grapes of Hope, 2013). Okan’s films are products that can best be studied in relation to both the mainstream popular cinema of Turkey, Yeşilçam, in which Okan started his cinema career, and in relation to certain European filmmakers and cinema movements that have influenced his cinema. Naficy’s accented cinema concept ultimately focuses too much on Hollywood cinema, and for this reason, it is ill-equipped to study the cinema of filmmakers like Okan, whose works have little to do with Hollywood. Okan’s cinema requires a different approach and a vocabulary which will enable one to study his cinema in relation not only to Hollywood, but to a diverse group of personal cinemas and cinema movements. Okan is an eclectic filmmaker; his cinema is in constant flux. As I demonstrate in this study, Okan’s cinema is inspired by a diverse group of filmmakers and cinemas. In his films, one can find markers of, inspirations from, and references to a great variety of European filmmakers, ranging from Wim Wenders to Jacques Tati, Jean-Luc Godard to Jack Clayton, and cinema movements from Italian Neorealism to the Czechoslovak New Wave, French New Wave to British Free Cinema influenced New Wave kitchen-sink dramas. Although his films feature recurrent themes relating to im/migration, being the cinema of an independent filmmaker Okan’s cinema proves to be a difficult one to categorise because of the many neatly employed inspirations from, and references to, diverse sources. Perhaps this is one of the reasons why it has thus far received so little attention. Okan is not a “typical” Turkish film director. Only half of his films take place in Turkey, and even those films feature parts that were shot abroad. More importantly, he is not a film- maker who uses themes, cultural icons, stereotypes, narration strategies, and filmic aesthetics that have typically been used by filmmakers in Turkey. He is also not a filmmaker who has attracted the attention of international critics. His cinema is a cinema in-between; it is a cinema of tensions and competing identities, visions, and interests. It invokes a split reception on the viewer. On one hand, his films can be read in relation/reaction to tendencies in national/Turkish cinema, and on the other hand, in relation to international, particularly the European, arthouse cinema. Given this, the best way to understand and appreciate his works is perhaps to read Okan’s films in dialogue with developments in both cinema of Turkey and European (art) cinema, for his “signature” derives influences from a variety of sources in these cinemas. Okan’s own words, identifying himself as a “European Turk” could be seen as legitimisation, and encouragement to discuss his works in relation to both cinema of Turkey and European (art) cinema. Okan is neither a one-issue director nor a filmmaker who restricts himself to one format or genre. On the contrary, his films are always on the road, sometimes literally; his third film, The Yellow Mercedes, is a road movie, and The Bus, though not being a road movie in the strict sense, generously exploits the conventions of the genre. Figuratively, all of Okan’s films are in search of new ways of expression. Indeed, they are the products of this very search. This constant search motivates him to challenge, and often cross, many established conventions and boundaries of cinema. Okan’s cinema is what I call “transboundary cinema”.
Author: Mohammed Nasir Jawed
Publisher:
ISBN: 9788186420003
Category : Islam
Languages : en
Pages : 798
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Book Description
Author: Gönül Dönmez-Colin
Publisher: Routledge
ISBN: 1317937260
Category : Performing Arts
Languages : en
Pages : 393
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Book Description
The first critical and analytical dictionary of Turkish Cinema, this book provides a comprehensive overview of Turkish cinema from its beginnings to the present day. Addressing the lacuna in scholarly work on the topic, this dictionary provides immense detail on a wide range of aspects of Turkish cinema including; prominent filmmakers, films, actors, screenwriters, cinematographers, editors, producers, significant themes, genres, movements, theories, production modes, film journals, film schools and professional organizations. Extensively researched, elaborately detailed and written in a remarkably readable style, the Routledge Dictionary of Turkish Cinema will be invaluable for film scholars and researchers as a reference book and as a guide to the dynamics of the cinema of Turkey.
Author: Mehran Tamadonfar
Publisher: Rowman & Littlefield
ISBN: 1498571190
Category : Political Science
Languages : en
Pages : 445
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Book Description
Kurds and their Struggle for Autonomy: Enduring Identity and Clientelism is a comprehensive study of the roots of Kurdish identity, the processes of identity formation among the Kurds, and the Kurds’ seemingly never-ending struggle for self-determination. By relying on a hybrid theoretical model of identity politics, this book offers a thorough treatment of the origins, characteristics, and evolution of Kurdish culture in general, and political culture in particular. It also examines the historical explanations and nuances of Kurdish struggles for some form of autonomy, assesses economic imperatives that shape the potentials and challenges of Kurdish social and political life, and offers a critical review of the contemporary Kurdish institutional and policy dynamics in Iraq and Syria.
Author: Charles Warren Hostler
Publisher: Taylor & Francis
ISBN: 1000805840
Category : Political Science
Languages : en
Pages : 243
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Book Description
Turkism and the Soviets (1957) uses Turkish, Russian and Western sources to present a remarkable study of the Turkish world and its importance in international relations. It thoroughly examines the two factors which give this huge ethnic group its great importance – the strategic position of their territories and secondly their homogeneity and common objectives. Throughout this book the role of the Turkish peoples is examined as an issue intimately connected with the problem of the USSR and Communism. The southern border of the Soviet Union divides the Turkish world into two halves and partially cuts through the living area of the Turkish people. This is the area which contains the most important Soviet oil fields. The section of the book which deals with the splintering away of the Turkic portions of the USSR is of vital importance.
Author: Rough Guides
Publisher: Penguin
ISBN: 0241217652
Category : Travel
Languages : en
Pages : 518
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Book Description
The new-look Rough Guide to Istanbul is the perfect travel guide to one of the world's most popular and vibrant cities. Colourful, clearly laid-out pages are packed with exciting and evocative photographs, detailed colour-coded maps and insightful descriptions of all the sights. From the city's iconic Byzantine churches and Ottoman mosques to its roof-top bars, restaurants, live music and club scene, every side of Istanbul is covered. Take a ferry up the Golden Horn, cruise across the Bosphorus to Asia, walk the city's land-walls or lounge on the Princes' Islands beaches: The Rough Guide to Istanbul will be with you all the way. You'll also find the latest insider information on the city's thriving arts scenes, as well as the best places to stay and shop. And if you are up for a little exploring beyond the city, The Rough Guide to Istanbul is the only major guidebook to include sections on the former Ottoman capitals of Bursa and Edirne, lakeside Iznik and legendary Troy. Make the most of your time on EarthTM with The Rough Guide to Istanbul.
Author: Terry Richardson
Publisher: Rough Guides UK
ISBN: 1409332470
Category : Travel
Languages : en
Pages : 991
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Book Description
The Rough Guide to Turkey is the most comprehensive travel guide to a unique country straddling both Europe and Asia and bordering countries as diverse as Greece in the west and Iran in the east. Inside you'll find insightful coverage of everything from Mediterranean beaches that play host to nesting turtles to soaring mountain ranges spangled with Alpine flowers, and from legendary ancient sites such as Troy to the exotic domed skyline of Byzantine and Ottoman-era Istanbul. There's detailed advice on how to travel about this vast and varied country and, once you reach your destination, clear city maps to help you navigate everywhere from the fifteen-million plus metropolis of Istanbul to the small frontier settlement of Dogubeyazit, in the shadow of biblical Mt Ararat. There's up to date descriptions of the best eating and drinking places, hotels and shops to suit all budgets, plus an array of stunning images. Make the most of your time with The Rough Guide to Turkey. Now available in ePub format.
Author: Terry Richardson
Publisher: Penguin
ISBN: 1409359697
Category : Travel
Languages : en
Pages : 489
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Book Description
The Rough Guide to Istanbul is the perfect introduction to a vibrant mega-city, fast-becoming as popular for its nightlife and arts scene as it is for its unique historical heritage. All the major Byzantine and Ottoman sites, plus a myriad of lesser-known gems, are easily tracked down using clear, comprehensive maps. Whether you wish to watch the faithful at prayer in the iconic Blue Mosque, admire the glittering- gold mosaics in the Church of the Holy Wisdom, relax in an historic Turkish bath, cruise up the continent-dividing Bosphorus or dance the night away in an über-cool club, you can find out where and how in The Rough Guide to Istanbul. Evocative photographs of the city's highlights complement the text and two full-colour sections introduce the fascinating world of Ottoman Turkish architecture and the culinary delights of the Turkish kitchen. There are up-to-date descriptions of the city's best bars, cafes, clubs, hotels, restaurants and shops for all budgets, and a detailed section on 'out of town' trips including the legendary city of Troy and the former-Ottoman capitals of Bursa and Edirne.
Author: Shahrzad Mojab
Publisher: Transnational Press London
ISBN: 1801350329
Category : Political Science
Languages : en
Pages : 378
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Book Description
Women of Kurdistan: A Historical and Bibliographic Study documents a century long history of Kurdish women’s struggles against oppressive gender relations and state violence. It speaks to bibliographic silences on Kurdish women; silences that are systemic and structured, with many factors contributing to their (re)production. The book records extensive literature on violence perpetrated by the family, community, and the state as well as presenting the reader with a vibrant archive of resistance and struggle of Kurdish women. The analysis avoids the fashionable state-centered scholarship, which purifies processes of nation-building, state-building, and disguises their violence. The image depicted of the women of Kurdistan in this bibliography is shaped also by the languages we have chosen: English, French, and German. It is a record of material in languages that are not spoken by the majority of the Kurds. It will, therefore, be different from a bibliography of works in the Kurdish language, which have a majority of Kurdish authors, with more entries on topics such as poetry, fiction, education, and arts. "Love and learning made the making of this bibliography imaginable. It began more than 20 years ago when Amir was expanding his theoretical ground for class analysis of nationalism and peasant movement in the Kurdish region of Mukriyan (Hassanpour, 2021). Simultaneously, I was engaged with debates on Marxist feminism and transnational feminism while grappling with post-al tendencies in feminism such as post-colonialism, post-structuralism, and post-modernism. We wanted to better understand the explanatory power and political implications of Marx’s dialectical historical materialism in explicating the intersecting and refracting relations of gender, class, race, culture, nation, and nationalism. This commitment, nonetheless, did not remain in the realm of epistemology as a disembodied intellectual exercise. As a member of a dominant nation–a Shirazi born Iranian–I wanted to critically confront this national “identity” and the sense of “belonging.” Amir sought to scrutinize patriarchal structures and gender relations in Kurdish history, society, culture, and nation. This intertwined mind and heart desire put us onto a path of renewed discoveries of our personal and intellectual relations. In a nutshell, this was the beginning of the making of Women of Kurdistan: A Historical and Bibliographic Study." Women of Kurdistan provides a meticulously researched source book for readers interested in women, gender, and sexuality in Kurdistan and the Middle East. It covers a wealth of bibliographic material, including both scholarly and non-academic publications, many of which have not previously been accessible to broader audiences. But Women of Kurdistan is more than a source of information. It is also an eloquent reflection on the entanglement of knowledge production and political power, and a call to recognize scholarship’s potential in shaping historical change. Above all, it is a passionate statement about the impossibility to comprehend the intersection of colonial, capitalist, and nationalist forces without attention to women’s lives and struggles. - Marlene Schäfers, British Academy Newton International Fellow, University of Cambridge. Women of Kurdistan is simply an excellent template for how to chronicle women’s resistance politics. By framing the Kurdish women’s struggles within a historical materialism under different modes of production and discussing the political influence of five different nations on the Kurdish peoples, the authors offer a rich context that surpasses the common fetishization of women’s armed resistance. Internationally known for their Marxist and feminist works, Mojab and Hassanpour apply theories of nationalism, capitalism, peasantry, knowledge production, and relationship between state and non-state to understand the Kurdish experience, while honouring the struggle, voice, and poetry of Kurdish women activists. The book is as unapologetically critical of regional and religious hegemonies as it is of Kurdish patriarchies and is candid about the slipperiness of the concept of the “ideal Kurdish woman,” while skeptical of the benefits of transnationalization for the women honoured in this book. - Afiya Zia, author of Faith and Feminism: Religious Agency or Secular Autonomy? CONTENTS PART I. THE MAKING OF THE BIBLIOGRAPHY THE STATE OF KNOWLEDGE ABOUT KURDISH WOMEN WOMEN OF KURDISTAN PART II. WOMEN OF KURDISTAN: A BIBLIOGRAPHIC STUDY GENERAL WORKS ARTS AND CULTURE CUSTOMS AND BELIEFS DISPLACEMENT, REFUGEES, AND MIGRATION EDUCATION ETHNIC FORMATIONS FEMINIST AND WOMEN’S MOVEMENTS GENDER RELATIONS GENOCIDE, GENDERCIDE, WAR CRIMES, AND CRIMES AGAINST HUMANITY GEOGRAPHY HEALTH AND MEDICINE HISTORY LANGUAGE LAW LITERATURE POLITICS RELIGION SOCIAL AND ECONOMIC ORGANIZATION WAR AND PEACE APPENDIX INDEX
