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Author: Ken Monteith
Publisher: Routledge
ISBN: 1135915628
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
When H. P. Blavatsky, the controversial head of the turn of the century movement Theosophy, defined "a true Theosophist" in her book The Key to Theosophy, she could have just as easily have been describing W. B. Yeats. Blavatsky writes, "A true Theosophist must put in practice the loftiest moral ideal, must strive to realize his unity with the whole of humanity, and work ceaselessly for others." Although Yeats joined Blavatsky's group in 1887, and subsequently left to help form The Golden Dawn in 1890, Yeats's career as poet and politician were very much in line with the methods set forth by Blavatsky's doctrine. My project explores how Yeats employs this pop-culture occultism in the creation of his own national literary aesthetic. This project not only examines the influence theosophy has on the literary work Yeats produced in the late 1880's and 1890's, but also Yeats's work as literary critic and anthology editor during that time. While Yeats uses theosophy's metaphysical world view to provide an underlying structure for some of his earliest poetry and drama, he uses theosophy's methods of investigation and argument to discover a metaphysical literary tradition which incorporates all of his own literary heroes into an Irish cultural tradition. Theosophy provides a methodology for Yeats to argue that both Shelley and Blake (for example) are part of a tradition that includes himself. Basing his argument in theosophy, Yeats can argue that the Irish people are a distinct race with a culture more "sincere" and "natural" than that of England.
Author: Ken Monteith
Publisher: Routledge
ISBN: 1135915628
Category : Literary Criticism
Languages : en
Pages : 253
Get Book Here
Book Description
When H. P. Blavatsky, the controversial head of the turn of the century movement Theosophy, defined "a true Theosophist" in her book The Key to Theosophy, she could have just as easily have been describing W. B. Yeats. Blavatsky writes, "A true Theosophist must put in practice the loftiest moral ideal, must strive to realize his unity with the whole of humanity, and work ceaselessly for others." Although Yeats joined Blavatsky's group in 1887, and subsequently left to help form The Golden Dawn in 1890, Yeats's career as poet and politician were very much in line with the methods set forth by Blavatsky's doctrine. My project explores how Yeats employs this pop-culture occultism in the creation of his own national literary aesthetic. This project not only examines the influence theosophy has on the literary work Yeats produced in the late 1880's and 1890's, but also Yeats's work as literary critic and anthology editor during that time. While Yeats uses theosophy's metaphysical world view to provide an underlying structure for some of his earliest poetry and drama, he uses theosophy's methods of investigation and argument to discover a metaphysical literary tradition which incorporates all of his own literary heroes into an Irish cultural tradition. Theosophy provides a methodology for Yeats to argue that both Shelley and Blake (for example) are part of a tradition that includes himself. Basing his argument in theosophy, Yeats can argue that the Irish people are a distinct race with a culture more "sincere" and "natural" than that of England.
Author: Ken Monteith
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
When H. P. Blavatsky, the controversial head of the turn of the century movement Theosophy, defined "a true Theosophist" in her book The Key to Theosophy, she could have just as easily have been describing W. B. Yeats. Blavatsky writes, "A true Theosophist must put in practice the loftiest moral ideal, must strive to realize his unity with the whole of humanity, and work ceaselessly for others." Although Yeats joined Blavatsky's group in 1887, and subsequently left to help form The Golden Dawn in 1890, Yeats's career as poet and politician were very much in line with the methods set forth by Blavatsky's doctrine. My project explores how Yeats employs this pop-culture occultism in the creation of his own national literary aesthetic. This project not only examines the influence theosophy has on the literary work Yeats produced in the late 1880's and 1890's, but also Yeats's work as literary critic and anthology editor during that time. While Yeats uses theosophy's metaphysical world view to provide an underlying structure for some of his earliest poetry and drama, he uses theosophy's methods of investigation and argument to discover a metaphysical literary tradition which incorporates all of his own literary heroes into an Irish cultural tradition. Theosophy provides a methodology for Yeats to argue that both Shelley and Blake (for example) are part of a tradition that includes himself. Basing his argument in theosophy, Yeats can argue that the Irish people are a distinct race with a culture more "sincere" and "natural" than that of England.
Author: Warwick Gould
Publisher: Springer
ISBN: 1349237574
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Yeats Annual No. 11 has four broad themes: W.B. Yeats's written and oral poetic technique; his philosophical interests in Eastern thought and A Vision; his manuscripts: and Jack B. Yeats's work, including his illustrations for his brother's writing. The contributions include: Michael Sidnell on Yeats's 'Written Speech'; Helen Vendler on Yeats and Ottava Rima; Steve Ellis on Chaucer, Yeats and the Living Voice; P.S. Sri on Yeats and Mohini Chatterjee; Matthew Gibson and Colin McDowell on A Vision and the automatic script; Wayne Chapman on the 'Countess Cathleen Row' of 1899 and revisions to the play; Warwick Gould and Deirdre Toomey on The Flame of the Spirit; Hilary Pyle on Jack B. Yeats's Illustrations for his Brother; John Purser's edited transcript of Jack Yeats and Thomas MacGreevy in conversation. There are shorter notes by Morton D. Paley, A.Norman Jeffares, Lis Pihl and others. Fourteen new books are reviewed and the nine plates include hitherto unpublished images.
Author: Erik Reenberg Sand
Publisher:
ISBN: 0190853883
Category : History
Languages : en
Pages : 361
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Book Description
The essays in Imagining the East explore how Theosophists during the formative period imagined the religions and cultures of the East. The authors examine the relationship of such representations to orientalism, the history of ideas, politics, and culture at large and discuss how these esoteric or theosophical representations mirrored conditions and values current in nineteenth-century mainstream intellectual culture. The essays also look at how the early Theosophical Society's representations of the East differed from mainstream 'orientalism' and how the Theosophical Society's mission in India was distinct from that of British colonialism and Christian missionaries.
Author: Seán Golden
Publisher:
ISBN: 9781782054009
Category :
Languages : en
Pages :
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Book Description
"The association of Yeats with Asia suggests references to Byzantium, Theosophy, the influence of Mohini Chatterjee, Occultism, Rabindranath Tagore or the Upanishads, Nōh theatre, masks or his fugitive use of Zen koans, and the gyres as a version of Yin and Yang. Yeats made explicit references to Asian matters in his works, like the Buddha in 'The Statues,' as well as implicit references that might be evident to Asian readers but otherwise opaque, like the 'polished mirror' in Per Amica Silentia Lunae. There is also the vexed and vexing question of 'Asia' itself'. For the ancient Greeks it was the far shore of the Aegean Sea, the opposite and 'Other' of their own 'Europe,' long before Edward Said called attention to the implications and consequences of 'Orientalism'. Many experts doubt that Yeats 'correctly' understood the Asian cultural references that he cherry-picked for his own purposes. Others doubt that it really mattered, since he turned everything he touched to his own idiosyncratic use anyway. These essays revisit the roles of West, South and East Asia in his work and revise the theoretical bases that have been applied to his use of Asia in the past"--
Author: Robert Fitzroy Foster
Publisher:
ISBN: 9780192880857
Category : Biography & Autobiography
Languages : en
Pages : 708
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Book Description
William Butler Yeats has cast his long shadow over the history of both modern poetry and modern Ireland for so long that his preeminence is taken for granted. Now, in the first authorized biography of Yeats to appear in over fifty years, leading Irish historian R.F. Foster travels beyond Yeats's towering image as arguably the century's greatest poet to restore a real sense of Yeats's extraordinary life as Yeats himself experienced it--what he saw, what he did, the passions and the petty squabbles that consumed him, and his alchemical ability to transmute the events of his crowded and contradictory life into enduring art. In the first volume of this long-awaited biography, Foster covers the poet's first fifty years, bringing new light to bear on Yeats's heroic and often ruthless efforts to invent himself as a poet and public figure. Drawn from a fascinating archive of personal and contemporary documents with the cooperation of surviving members of the Yeats family, it dramatically alters long-held assumptions about the poet's background, his relationship with Maud Gonne and other women, and his roles in the great cultural and political upheavals that transformed Ireland in his lifetime. A rich and entertaining account of Yeats's boyhood days amidst the talented but troubled members of the Yeats and Pollexfen clans provides important insight into the poet's deep and lifelong connection to the Irish landscape, his early, impassioned embrace of the nationalist cause, and his later retreat to the traditions of the once grand Protestant aristocracy. In his own day Yeats attracted enemies and admirers with equal passion, and Foster vividly recreates the friendships, love affairs, and simmering rivalries that swirled about the poet's circles in London, Dublin, and Coole Park. Complementing his meticulous scholarship with a shrewd wit and a novelist's eye for detail, he chronicles the romantic disappointments, financial difficulties, experimentation with hashish and mescal, and the growing preoccupation with the occult that prefaced Yeats's attempt to unite Irish politics with high culture and his creation of an Irish national theater. Here are the poet's memorable encounters with many of the most interesting people of his time, including Oscar Wilde, George Bernard Shaw, Lady Gregory, J.M. Synge, Ezra Pound, James Joyce, and the wildly diverse leaders of the Irish independence movement. And here at last is a full accounting of the complex bond between Yeats and the incomparable Maud Gonne, revealed as an influence eternally recreated 'like the phoenix,' affecting almost everything he did. Poet, playwright, mystic and revolutionary; lover, confidant, and friend. This brilliant account of the public and private lives of William Butler Yeats illuminates not only the wellspring of his artistic vision, but the modern Irish identity he helped to create. It is essential reading for anyone intrigued by one of the most original and influential voices of the twentieth century.
Author: Alfred Percy Sinnett
Publisher:
ISBN:
Category : Buddha (The concept)
Languages : en
Pages : 282
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Book Description
This theory recognizes the evolution of the soul as a process that is quite continuous in itself, though carried out partly through the instrumentality of a great series of dissociated forms. Putting aside for the moment of profound metaphysics of the theory which trace the principle of life from the original first cause of the cosmos, we find the soul as an entity emerging from the animal kingdom, and passing into the earliest human forms, without being at that time ripe for the higher intellectual life with which the present state of humanity renders us familiar. But through successive incarnations in forms whose physical improvement, under the Darwinian law, is constantly fitting them to be its habitation at each return to objective life, it gradually gathers that enormous range of experience which is summed up in its higher development. In the intervals between its physical incarnations it prolongs and works out, and finally exhausts or transmutes into so much abstract development, the personal experiences of each life. This is the clue to the true explanation of that apparent difficulty which besets the cruder form of the theory of reincarnation which independent speculation has sometimes thrown out. Each man is unconscious of having led previous lives, therefore he contends that subsequent lives can afford him no compensation for this one. He overlooks the enormous importance of the intervening spiritual condition, in which he by no means forgets the personal adventures and emotions he has just passed through, and in the course of which he distills these into so much cosmic progress. In the following pages the elucidation of this profoundly interesting mystery is attempted, and it will be seen that the view of events now afforded us is not only a solution of the problems of life and death, but of many very perplexing experiences on the borderland between those conditions - or rather between physical and spiritual life - which have engaged attention and speculation so widely of recent years in most civilized countries.
Author: Annie Besant
Publisher:
ISBN:
Category : Theosophy
Languages : en
Pages : 152
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Book Description
Author: Terence Brown
Publisher: Gill & MacMillan
ISBN: 9780717132485
Category : Ireland
Languages : en
Pages : 434
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Book Description
This biography of Ireland's greatest poet does not simply tell the story of his life - it explains it.
Author: Susan Johnston Graf
Publisher: Weiser Books
ISBN: 9781578631384
Category : Biography & Autobiography
Languages : en
Pages : 244
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Book Description
W.B. Yeats -- Twentieth-Century Magus is a comprehensive study of his magical practices and beliefs. Yeats moved through many different phases of spiritual development, believing that his life was an intellectual, spiritual, and artistic quest -- a quest greatly influenced by Celtic lore, Theosophy, Golden Dawn ceremonial magic, Swedenborg's metaphysics, the works of Jacob Boehme, and Neo-Platonism. For Yeats, writing poetry was an act of divine possession, and he believed that a perfected soul was the source of his inspiration, visiting him during times of superconscious awareness. Susan Johnston Graf meticulously documents and provides evidence that Yeats's poetry is a brilliant, lyric narrative of reality captured through the mind of a practicing magician working in the Western Tradition.
