W.B. Yeats and the Theatre of Desolate Reality PDF Download
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Author: David R. Clark
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 320
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Book Description
Originally published in 1965, the revised edition of this lucid study uses six plays to show the development of the great poet-dramatist and includes all of the original book plus new material and much previously unpublished work by Yeats himself. Annotation copyright by Book News, Inc., Portland, OR
Author: David R. Clark
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 320
Get Book Here
Book Description
Originally published in 1965, the revised edition of this lucid study uses six plays to show the development of the great poet-dramatist and includes all of the original book plus new material and much previously unpublished work by Yeats himself. Annotation copyright by Book News, Inc., Portland, OR
Author:
Publisher:
ISBN:
Category : Realism in literature
Languages : en
Pages : 125
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: David Ridgley Clark
Publisher:
ISBN:
Category :
Languages : en
Pages : 125
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Book Description
Author: Norman A. Jeffares
Publisher: Routledge
ISBN: 1136212310
Category : Literary Criticism
Languages : en
Pages : 504
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Book Description
This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
![W. B. Yeats and the Theatre of Desolate Reality [by] David R. Clark PDF](https://books.google.com/books/content/images/frontcover/rVirwgEACAAJ?fife=w80-h100)
Author: David R. Clark
Publisher:
ISBN:
Category : Realism in literature
Languages : en
Pages : 125
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Book Description
![W.B. Yeats and the theatre of desolate reality [Dublin], Dolmen PDF](https://books.google.com/books/content/images/frontcover/-1FxnQEACAAJ?fife=w80-h100)
Author: David R. Clark
Publisher:
ISBN:
Category : Realism in literature
Languages : en
Pages :
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Book Description
Author: Christopher Morash
Publisher: Cambridge University Press
ISBN: 1009033026
Category : Literary Criticism
Languages : en
Pages : 470
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Book Description
W. B. Yeats is recognised globally as one of the most significant poets of the past century. And yet, in his Nobel address, he singled out his work in the theatre as his main accomplishment. Yeats on Theatre restores Yeats not only a playwright, but as a writer and thinker who, over forty years, produced a body of theory covering all aspects of theatre, including the possibilities of performance space, the role of the audience and the nature of tragedy. When read as whole, in conjunction with his plays, letters, and extensive manuscript materials, Yeats's theatre writings emerge as a radical, cohesive, theatrical aesthetic, at odds with – and in advance of – the theatre of his time. Ultimately, the Yeats who takes shape in Yeats on Theatre is an artist who thinks through theatre, providing us with an urgently needed reassertion of the value of theatre as embodied thought.
Author: Maeve Good
Publisher: Springer
ISBN: 1349082465
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Author: James Moran
Publisher: Bloomsbury Publishing
ISBN: 1350145513
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Modernists and the Theatre is the first study to examine how theories of modernism intersect with those of the theatre within the works, philosophies and literary lives of six key modernist writers. Drawing on a wealth of unfamiliar archive material and fresh readings of neglected documents, James Moran reveals how these literary figures interacted with the theatre through playwriting, by engaging in philosophical debates and participating in theatrical performances. Chapters assess W.B. Yeats's very earliest playwriting, Ezra Pound's onstage acting, the interconnections between James Joyce's and D.H. Lawrence's sense of drama, Eliot's thinking about theatre in Dublin, and the feminist politics of Virginia Woolf's small-scale theatrical experiments. While these writers valued coterie production and often made hostile comments about drama, this volume highlights the paradoxical fact that, despite their harsh words, the theatrically 'large-scale' also attracted each of these writers. The theatre event of 'restricted production' offered modernists a satisfying mode of sharing their work amongst the like-minded, and the book discloses a set of unfamiliar events of this sort that allowed these writers to act as agents of legitimation in granting cultural value. The book explores their engagements with popular drama, as well as the long-forgotten acting performances in which each of these writers personally participated. Moran uncovers how the playhouse became a key geographical space where the high-modernists could explore a tension that fascinated them, and which motivated much of their wider thinking and literary work.
