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Author: John Wyeth
Publisher:
ISBN:
Category : Choruses, Sacred (Mixed voices), Unaccompanied
Languages : en
Pages : 160
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Book Description
Author: John Wyeth
Publisher:
ISBN:
Category : Choruses, Sacred (Mixed voices), Unaccompanied
Languages : en
Pages : 160
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Book Description
Author: John Ogasapian
Publisher: Mercer University Press
ISBN: 9780881460261
Category : Music
Languages : en
Pages : 306
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Book Description
The history of American church music is a particularly fascinating and challenging subject, if for no other reason than because of the variety of diverse religious groups that have immigrated and movements that have sprung up in American. Indeed, for the first time in modern history-possibly the only time since the rule of medieval Iberia under the Moors-different faiths have co-existed here with a measure of peace- sometimes ill-humored, occasionally hostile, but more often amicable or at least tolerant-influencing and even weaving their traditions into the fabric of one another's worship practices even as they competed for converts in the free market of American religion. This overview traces the musical practices of several of those groups from their arrival on these shores up to the present, and the way in which those practices and traditions influenced each other, leading to the diverse and multi-hued pattern that is American church music at the beginning of the twenty-first century. The tone is non-technical; there are no musical examples, and the musical descriptions are clear and concise. In short, it is a book for interested laymen as well as professional church musicians, for pastors and seminarians as well as students of American religious culture and its history.
Author: Marion J. Hatchett
Publisher: Univ. of Tennessee Press
ISBN: 9781572332034
Category : History
Languages : en
Pages : 532
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Book Description
"The shape-note tradition first flourished in the small towns and rural areas of early America. Church-sponsored "singing schools" taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitch; this method worked well with congregants who had little knowledge of standard musical notation. Today many enthusiasts carry on the shape-note tradition, and The New Harp of Columbia (recently published in a "restored edition" by the University of Tennessee Press) is one of five shape-note singing-manuals still in use."--Jacket.
Author: Gwynn S. McPeek
Publisher: Taylor & Francis
ISBN: 9782881242168
Category : Music
Languages : en
Pages : 412
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Book Description
First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
Author: David Warren Steel
Publisher: University of Illinois Press
ISBN: 0252053958
Category : Music
Languages : en
Pages : 354
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Book Description
This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. Where other studies of the Sacred Harp have focused on the sociology of present-day singers and their activities, David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. The Makers of the Sacred Harp also includes analyses of the textual influences on the music--including metrical psalmody, English evangelical poets, American frontier preachers, camp meeting hymnody, and revival choruses--and essays placing the Sacred Harp as a product of the antebellum period with roots in religious revivalism. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition.
Author: Bill C. Malone
Publisher: University of Oklahoma Press
ISBN: 0806158514
Category : Biography & Autobiography
Languages : en
Pages : 370
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Book Description
For over fifty years, Bill C. Malone has researched and written about the history of country music. Today he is celebrated as the foremost authority on this distinctly American genre. This new collection brings together his significant article-length work from a variety of sources, including essays, book chapters, and record liner notes. Sing Me Back Home distills a lifetime of thinking about country and southern roots music. Malone offers the heartfelt story of his own working-class upbringing in rural East Texas, recounting how in 1939 his family’s first radio, a battery-powered Philco, introduced him to hillbilly music and how, years later, he went on to become a scholar in the field before the field formally existed. Drawing on a hundred years of southern roots music history, Malone assesses the contributions of artists such as William S. Hays, Albert Brumley, Joe Thompson, Jimmie Rodgers, Johnny Gimble, and Elvis Presley. He also explores the intricate relationships between black and white music styles, gospel and secular traditions, and pop, folk, and country music. Author of many books, Malone is best known for his pioneering volume County Music, U.S.A., published in 1968. It ranks as the first comprehensive history of American country music and remains a standard reference. This compilation of Malone’s shorter—and more personal—essays is the perfect complement to his earlier writing and a compelling introduction to the life’s work of America’s most respected country music historian.
Author: Various
Publisher: Liturgical Press
ISBN: 0814646956
Category : Music
Languages : en
Pages : 528
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Book Description
Sacred Song is a modern, Catholic, three-year, hymnal that easily supports congregational singing throughout the liturgical year. It contains over 950 liturgical music compositions--classic, contemporary, chant, and traditional. Sacred Song includes: the Order of Mass with ICEL Chants--accompaniment composed by Anthony Ruff, OSB; the complete Psallite collection of over 290 liturgical antiphons inspired by the entrance, responsorial, and Communion songs for each Sunday and solemnity of all three years of the liturgical cycle; responsorial psalm antiphons from the Basilica Psalter; new music for Christian initiation, weddings, and funerals from Psallite; classic Gregorian chant music, including over 30 hymns/chants in Latin, most with English translations (including the Marian antiphons), plus the entire Latin chant Mass Iubilate Deo; a wide variety of hymns and songs reflecting the breadth of the Catholic tradition--from classic hymns to contemporary music from GIA Publications, Hope Publishing, World Library Publications, Oregon Catholic Press, Selah Publishing, Liturgical Press, Oxford University Press, and more. Sacred Song features the following Mass settings: The Psallite Mass: At the Table of the Lord by the Collegeville Composers Group Mass in Honor of Saint Benedict by Robert LeBlanc Mass in A Minor by Frederick Strassburger An Austrian Mass by Michael Haydn, arr. by Anthony Ruff, OSB Land of Rest Acclamations by Richard Proulx Missa Pacem by L. Randolph Babin Mass in Honor of Saint Paul by Kevin Christopher Vogt Mass in Honor of Saint Cecilia by David Hurd Mass in Honor of Saint Dominic by Matthew S. Still Acclamations from Mass of Creation by Marty Haugen The entire Latin chant Mass Missa Iubilate Deo, Vatican Edition
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1280
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Book Description
Author: Nelson Rollin Burr
Publisher: Princeton University Press
ISBN: 1400880017
Category : Religion
Languages : en
Pages : 694
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Book Description
Volume IV (bound as two volumes) provides a critical and descriptive bibliography of religion in American life that is unequalled in any other source. Arranged topically, so that books and articles on a single subject are discussed in relation to each other, and carefully cross-referenced and indexed, it will be an indispensable tool for anyone exploring further into American religion or related subjects. Originally published in 1961. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Fred Kimball Graham
Publisher: Scarecrow Press
ISBN: 9780810849839
Category : Music
Languages : en
Pages : 192
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Book Description
The publication by John Wesley of the "Foundery" Collection (1742) marked the establishment of standards for tunes suited to Methodist hymn singing. Early Methodist hymn books in the United States contained words only, but they were cross-referenced with a leader's tune book, beginning with David's Companion (1808). "With One Heart and One Voice" reviews the trends surrounding the styles of tunes selected and analyzes the changes in shape and text for the most frequently used tunes in the Methodist Episcopal Church. Seventy six "core repertory" tunes are analyzed based upon their repeated appearances in most of the tune books published between 1808 and 1878, at which point Methodists finally obtained a hymnal with both words and music, after a half century of experimentation with tune selection. The conclusions reached in this work will allow scholars, hymnologists, and hymn singers to explore the social and musicological influences on hymn tune writing, how long it took for texts to acquire a "fixed tune," how tastes in hymn tunes change ever so slowly, and how many delightful tunes found in the core repertory of the 19th century have been dropped from today's repertoire.
