Author: Guido Scholl
Publisher: GRIN Verlag
ISBN: 3640116402
Category :
Languages : en
Pages : 37
Book Description
Seminar paper from the year 2000 in the subject English Language and Literature Studies - Literature, grade: 1,5, University of Hannover, language: English, abstract: "Wuthering Heights" is Emily Bronte's (1818-1848) only novel and was published in 1847. It became tremendously popular and is today looked upon as one the most important works of its period especially in terms of describing nature. It is also interesting, though, to examine the description of its characters, especially that of Heathcliff, whose descent and parentage is not unveiled in the story. The reader is tempted into thinking that he might be a Gypsy by heritage. The Question, whether the main character of Emily Bronte's novel "Wuthering Heights", the foundling Heathcliff, is a Gypsy, must certainly be approached out of two different angles. The first thing to discuss is his mere appearance in the novel and the second thing is the examination of how Emily Bronte presents him. The difference of these two ways of approaching the question is one of the very basic features of literature as it is understood in our culture: what does the reader perceive when perusing a text and what is the author's intention for the reader's perception. It is certainly difficult to trace down what the author's intention really is and to separate that from one's own understanding of a piece of literature but one may at least try to approach this task by looking at the story first and then examine the way of representation. Thus, the first step in this paper will be to show which features classify Heathcliff as being a Gypsy in the fashion of the stereotypical Gypsy of 19th century literature and which features might oppose such a view. The second step will be to describe Emily Bronte's way of representation.
Wuthering Heights: Is Heathcliff a Gypsy?
Author: Guido Scholl
Publisher: GRIN Verlag
ISBN: 3640116402
Category :
Languages : en
Pages : 37
Book Description
Seminar paper from the year 2000 in the subject English Language and Literature Studies - Literature, grade: 1,5, University of Hannover, language: English, abstract: "Wuthering Heights" is Emily Bronte's (1818-1848) only novel and was published in 1847. It became tremendously popular and is today looked upon as one the most important works of its period especially in terms of describing nature. It is also interesting, though, to examine the description of its characters, especially that of Heathcliff, whose descent and parentage is not unveiled in the story. The reader is tempted into thinking that he might be a Gypsy by heritage. The Question, whether the main character of Emily Bronte's novel "Wuthering Heights", the foundling Heathcliff, is a Gypsy, must certainly be approached out of two different angles. The first thing to discuss is his mere appearance in the novel and the second thing is the examination of how Emily Bronte presents him. The difference of these two ways of approaching the question is one of the very basic features of literature as it is understood in our culture: what does the reader perceive when perusing a text and what is the author's intention for the reader's perception. It is certainly difficult to trace down what the author's intention really is and to separate that from one's own understanding of a piece of literature but one may at least try to approach this task by looking at the story first and then examine the way of representation. Thus, the first step in this paper will be to show which features classify Heathcliff as being a Gypsy in the fashion of the stereotypical Gypsy of 19th century literature and which features might oppose such a view. The second step will be to describe Emily Bronte's way of representation.
Publisher: GRIN Verlag
ISBN: 3640116402
Category :
Languages : en
Pages : 37
Book Description
Seminar paper from the year 2000 in the subject English Language and Literature Studies - Literature, grade: 1,5, University of Hannover, language: English, abstract: "Wuthering Heights" is Emily Bronte's (1818-1848) only novel and was published in 1847. It became tremendously popular and is today looked upon as one the most important works of its period especially in terms of describing nature. It is also interesting, though, to examine the description of its characters, especially that of Heathcliff, whose descent and parentage is not unveiled in the story. The reader is tempted into thinking that he might be a Gypsy by heritage. The Question, whether the main character of Emily Bronte's novel "Wuthering Heights", the foundling Heathcliff, is a Gypsy, must certainly be approached out of two different angles. The first thing to discuss is his mere appearance in the novel and the second thing is the examination of how Emily Bronte presents him. The difference of these two ways of approaching the question is one of the very basic features of literature as it is understood in our culture: what does the reader perceive when perusing a text and what is the author's intention for the reader's perception. It is certainly difficult to trace down what the author's intention really is and to separate that from one's own understanding of a piece of literature but one may at least try to approach this task by looking at the story first and then examine the way of representation. Thus, the first step in this paper will be to show which features classify Heathcliff as being a Gypsy in the fashion of the stereotypical Gypsy of 19th century literature and which features might oppose such a view. The second step will be to describe Emily Bronte's way of representation.
Wuthering Heights (Seasons Edition -- Winter)
Author: Emily Bronte
Publisher: Thomas Nelson
ISBN: 0785236546
Category : Fiction
Languages : en
Pages : 415
Book Description
“My love for Linton is like the foliage in the woods: time will change it, I’m well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary.” – Wuthering Heights, Emily Bronte In the classic Wuthering Heights Catherine is forced to choose between passionate, tortured gypsy Heathcliff and gentle, well-bred Edgar Linton. Catherine surrenders to the expectations of her class and sets off a domino effect with lasting consequences. As Heathcliff's bitterness and vengeance at his betrayal are visited upon the next generation, their innocent heirs must struggle to escape the legacy of the lovers tortured past. This e-book includes select, highly designed pages featuring quotes about the winter season. The Seasons Edition - Winter collection includes Little Women, Pride and Prejudice, A Tale of Two Cities, and Wuthering Heights.
Publisher: Thomas Nelson
ISBN: 0785236546
Category : Fiction
Languages : en
Pages : 415
Book Description
“My love for Linton is like the foliage in the woods: time will change it, I’m well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary.” – Wuthering Heights, Emily Bronte In the classic Wuthering Heights Catherine is forced to choose between passionate, tortured gypsy Heathcliff and gentle, well-bred Edgar Linton. Catherine surrenders to the expectations of her class and sets off a domino effect with lasting consequences. As Heathcliff's bitterness and vengeance at his betrayal are visited upon the next generation, their innocent heirs must struggle to escape the legacy of the lovers tortured past. This e-book includes select, highly designed pages featuring quotes about the winter season. The Seasons Edition - Winter collection includes Little Women, Pride and Prejudice, A Tale of Two Cities, and Wuthering Heights.
Imperialism at Home
Author: Susan Meyer
Publisher: Cornell University Press
ISBN: 1501742671
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
The implicit link between white women and "the dark races" recurs persistently in nineteenth-century English fiction. Imperialism at Home examines the metaphorical use of race by three nineteenth-century women novelists: Charlotte Brontë, Emily Brontë, and George Eliot. Susan Meyer argues that each of these domestic novelists uses race relations as a metaphor through which to explore the relationships between men and women at home in England. In the fiction of, for example, Anthony Trollope and Charles Dickens, as in nineteenth-century culture more generally, the subtle and not-so-subtle comparison of white women and people of color is used to suggest their mutual inferiority. The Bronte sisters and George Eliot responded to this comparison, Meyer contends, transforming it for their own purposes. Through this central metaphor, these women novelists work out a sometimes contentious relationship to established hierarchies of race and gender. Their feminist impulses, in combination with their use of race as a metaphor, Meyer argues, produce at times a surprising, if partial, critique of empire. Through readings of Jane Eyre, Wuthering Heights, The Mill on the Floss, Daniel Deronda, and Charlotte Brontë's African juvenilia, Meyer traces the aesthetically and ideologically complex workings of the racial metaphor. Her analysis is supported by careful attention to textual details and thorough grounding in recent scholarship on the idea of race, and on literature and imperialism.
Publisher: Cornell University Press
ISBN: 1501742671
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
The implicit link between white women and "the dark races" recurs persistently in nineteenth-century English fiction. Imperialism at Home examines the metaphorical use of race by three nineteenth-century women novelists: Charlotte Brontë, Emily Brontë, and George Eliot. Susan Meyer argues that each of these domestic novelists uses race relations as a metaphor through which to explore the relationships between men and women at home in England. In the fiction of, for example, Anthony Trollope and Charles Dickens, as in nineteenth-century culture more generally, the subtle and not-so-subtle comparison of white women and people of color is used to suggest their mutual inferiority. The Bronte sisters and George Eliot responded to this comparison, Meyer contends, transforming it for their own purposes. Through this central metaphor, these women novelists work out a sometimes contentious relationship to established hierarchies of race and gender. Their feminist impulses, in combination with their use of race as a metaphor, Meyer argues, produce at times a surprising, if partial, critique of empire. Through readings of Jane Eyre, Wuthering Heights, The Mill on the Floss, Daniel Deronda, and Charlotte Brontë's African juvenilia, Meyer traces the aesthetically and ideologically complex workings of the racial metaphor. Her analysis is supported by careful attention to textual details and thorough grounding in recent scholarship on the idea of race, and on literature and imperialism.
The Gypsies in Poland
Author: Jerzy Ficowski
Publisher: Interpress
ISBN:
Category : Gypsies
Languages : en
Pages : 312
Book Description
Publisher: Interpress
ISBN:
Category : Gypsies
Languages : en
Pages : 312
Book Description
“Gypsies” in European Literature and Culture
Author: V. Glajar
Publisher: Springer
ISBN: 023061163X
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
This book traces representations of "Gypsies" that have become prevalent in the European imagination and culture and influenced the perceptions of Roma in Eastern and Western European societies.
Publisher: Springer
ISBN: 023061163X
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
This book traces representations of "Gypsies" that have become prevalent in the European imagination and culture and influenced the perceptions of Roma in Eastern and Western European societies.
The House of Dead Maids
Author: Clare B. Dunkle
Publisher: Henry Holt and Company (BYR)
ISBN: 1429951222
Category : Young Adult Fiction
Languages : en
Pages : 160
Book Description
Young Tabby Aykroyd has been brought to the dusty mansion of Seldom House to be nursemaid to a foundling boy. He is a savage little creature, but the Yorkshire moors harbor far worse, as Tabby soon discovers. Why do scores of dead maids and masters haunt Seldom House with a jealous devotion that extends beyond the grave? As Tabby struggles to escape the evil forces rising out of the land, she watches her young charge choose a different path. Long before he reaches the old farmhouse of Wuthering Heights, the boy who will become Heathcliff has doomed himself and any who try to befriend him.
Publisher: Henry Holt and Company (BYR)
ISBN: 1429951222
Category : Young Adult Fiction
Languages : en
Pages : 160
Book Description
Young Tabby Aykroyd has been brought to the dusty mansion of Seldom House to be nursemaid to a foundling boy. He is a savage little creature, but the Yorkshire moors harbor far worse, as Tabby soon discovers. Why do scores of dead maids and masters haunt Seldom House with a jealous devotion that extends beyond the grave? As Tabby struggles to escape the evil forces rising out of the land, she watches her young charge choose a different path. Long before he reaches the old farmhouse of Wuthering Heights, the boy who will become Heathcliff has doomed himself and any who try to befriend him.
Wuthering Bites
Author: Sarah Gray
Publisher: Kensington Books
ISBN: 0758254083
Category : Fiction
Languages : en
Pages : 368
Book Description
As Heathcliff, the son of a vampire slayer and vampire, roams the moors to protect his love, Catherine Earnshaw, from the undead, Catherine must choose between a life of danger and marriage to Edgar.
Publisher: Kensington Books
ISBN: 0758254083
Category : Fiction
Languages : en
Pages : 368
Book Description
As Heathcliff, the son of a vampire slayer and vampire, roams the moors to protect his love, Catherine Earnshaw, from the undead, Catherine must choose between a life of danger and marriage to Edgar.
Wuthering Heights
Author: Emily Bronte
Publisher: Library of Alexandria
ISBN: 1613103379
Category : Fiction
Languages : en
Pages : 469
Book Description
Wuthering Heights is the name of Mr. HeathcliffÕs dwelling. ÔWutheringÕ being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones. Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date Ô1500,Õ and the name ÔHareton Earnshaw.Õ I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium. One stop brought us into the family sitting-room, without any introductory lobby or passage: they call it here Ôthe houseÕ pre-eminently. It includes kitchen and parlour, generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fireplace; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been under-drawn: its entire anatomy lay bare to an inquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horse-pistols: and, by way of ornament, three gaudily-painted canisters disposed along its ledge. The floor was of smooth, white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser reposed a huge, liver-coloured bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.
Publisher: Library of Alexandria
ISBN: 1613103379
Category : Fiction
Languages : en
Pages : 469
Book Description
Wuthering Heights is the name of Mr. HeathcliffÕs dwelling. ÔWutheringÕ being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones. Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date Ô1500,Õ and the name ÔHareton Earnshaw.Õ I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium. One stop brought us into the family sitting-room, without any introductory lobby or passage: they call it here Ôthe houseÕ pre-eminently. It includes kitchen and parlour, generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fireplace; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been under-drawn: its entire anatomy lay bare to an inquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horse-pistols: and, by way of ornament, three gaudily-painted canisters disposed along its ledge. The floor was of smooth, white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser reposed a huge, liver-coloured bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.
The Lost Child
Author: Caryl Phillips
Publisher: Random House
ISBN: 1473569826
Category : Fiction
Languages : en
Pages : 238
Book Description
Discover this heartrending story of orphans, outcasts and the grip of the past from award-winning novelist Caryl Phillips – inspired by Wuthering Heights. It is the 1960s. Isolated from her parents after falling in love with a foreigner, Monica Johnson raises her sons in the shadow of the wild Yorkshire moors. But when her younger son Tommy, a loner who is bullied at school, disappears, the family bond is demolished – with devastating consequences. Deftly intertwined with this modern narrative is the story of the ragged childhood of Emily Brontë’s Heathcliff, one of literature’s most enigmatic lost boys. Recovering the mysteries of the past to illuminate the predicaments of the present, The Lost Child is an exquisite novel about exile, freedom and what it is to belong. ‘Heartbreaking...compelling’ Independent
Publisher: Random House
ISBN: 1473569826
Category : Fiction
Languages : en
Pages : 238
Book Description
Discover this heartrending story of orphans, outcasts and the grip of the past from award-winning novelist Caryl Phillips – inspired by Wuthering Heights. It is the 1960s. Isolated from her parents after falling in love with a foreigner, Monica Johnson raises her sons in the shadow of the wild Yorkshire moors. But when her younger son Tommy, a loner who is bullied at school, disappears, the family bond is demolished – with devastating consequences. Deftly intertwined with this modern narrative is the story of the ragged childhood of Emily Brontë’s Heathcliff, one of literature’s most enigmatic lost boys. Recovering the mysteries of the past to illuminate the predicaments of the present, The Lost Child is an exquisite novel about exile, freedom and what it is to belong. ‘Heartbreaking...compelling’ Independent
Gypsies and the British Imagination, 1807-1930
Author: Deborah Epstein Nord
Publisher: Columbia University Press
ISBN: 0231510330
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
Gypsies and the British Imagination, 1807-1930, is the first book to explore fully the British obsession with Gypsies throughout the nineteenth century and into the twentieth. Deborah Epstein Nord traces various representations of Gypsies in the works of such well-known British authors John Clare, Walter Scott, William Wordsworth, George Eliot, Arthur Conan Doyle, and D. H. Lawrence. Nord also exhumes lesser-known literary, ethnographic, and historical texts, exploring the fascinating histories of nomadic writer George Borrow, the Gypsy Lore Society, Dora Yates, and other rarely examined figures and institutions. Gypsies were both idealized and reviled by Victorian and early-twentieth-century Britons. Associated with primitive desires, lawlessness, cunning, and sexual excess, Gypsies were also objects of antiquarian, literary, and anthropological interest. As Nord demonstrates, British writers and artists drew on Gypsy characters and plots to redefine and reconstruct cultural and racial difference, national and personal identity, and the individual's relationship to social and sexual orthodoxies. Gypsies were long associated with pastoral conventions and, in the nineteenth century, came to stand in for the ancient British past. Using myths of switched babies, Gypsy kidnappings, and the Gypsies' murky origins, authors projected onto Gypsies their own desires to escape convention and their anxieties about the ambiguities of identity. The literary representations that Nord examines have their roots in the interplay between the notion of Gypsies as a separate, often despised race and the psychic or aesthetic desire to dissolve the boundary between English and Gypsy worlds. By the beginning of the twentieth century, she argues, romantic identification with Gypsies had hardened into caricature-a phenomenon reflected in D. H. Lawrence's The Virgin and the Gipsy-and thoroughly obscured the reality of Gypsy life and history.
Publisher: Columbia University Press
ISBN: 0231510330
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
Gypsies and the British Imagination, 1807-1930, is the first book to explore fully the British obsession with Gypsies throughout the nineteenth century and into the twentieth. Deborah Epstein Nord traces various representations of Gypsies in the works of such well-known British authors John Clare, Walter Scott, William Wordsworth, George Eliot, Arthur Conan Doyle, and D. H. Lawrence. Nord also exhumes lesser-known literary, ethnographic, and historical texts, exploring the fascinating histories of nomadic writer George Borrow, the Gypsy Lore Society, Dora Yates, and other rarely examined figures and institutions. Gypsies were both idealized and reviled by Victorian and early-twentieth-century Britons. Associated with primitive desires, lawlessness, cunning, and sexual excess, Gypsies were also objects of antiquarian, literary, and anthropological interest. As Nord demonstrates, British writers and artists drew on Gypsy characters and plots to redefine and reconstruct cultural and racial difference, national and personal identity, and the individual's relationship to social and sexual orthodoxies. Gypsies were long associated with pastoral conventions and, in the nineteenth century, came to stand in for the ancient British past. Using myths of switched babies, Gypsy kidnappings, and the Gypsies' murky origins, authors projected onto Gypsies their own desires to escape convention and their anxieties about the ambiguities of identity. The literary representations that Nord examines have their roots in the interplay between the notion of Gypsies as a separate, often despised race and the psychic or aesthetic desire to dissolve the boundary between English and Gypsy worlds. By the beginning of the twentieth century, she argues, romantic identification with Gypsies had hardened into caricature-a phenomenon reflected in D. H. Lawrence's The Virgin and the Gipsy-and thoroughly obscured the reality of Gypsy life and history.