Writing Rape, Writing Women in Early Modern England

Writing Rape, Writing Women in Early Modern England PDF Author: J. Catty
Publisher: Springer
ISBN: 0230309070
Category : Literary Criticism
Languages : en
Pages : 304

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Book Description
The word 'rape' today denotes sexual appropriation; yet it originally signified the theft of a woman from her father or husband by abduction or elopement. In the early modern period, its meaning is in transition between these two senses, while rapes and attempted rapes proliferate in literature. This age also sees the emergence of the woman writer, despite a sexual ideology which equates women's writing with promiscuity. Classical myths, however, associate women's story-telling with resistance to rape. This comprehensive study of rape and representation considers a wide range of texts drawn from prose fiction, poetry and drama by male and female writers, both canonical and non-canonical. Combining close attention to detail with an overview of the period, it demonstrates how the representation of gender-relations has exploited the subject of rape, and uses its understanding of this phenomenon to illuminate the issues of sexual and discursive autonomy which figure largely in women's texts of the period.

Writing Rape, Writing Women in Early Modern England

Writing Rape, Writing Women in Early Modern England PDF Author: J. Catty
Publisher: Springer
ISBN: 0230309070
Category : Literary Criticism
Languages : en
Pages : 304

Get Book Here

Book Description
The word 'rape' today denotes sexual appropriation; yet it originally signified the theft of a woman from her father or husband by abduction or elopement. In the early modern period, its meaning is in transition between these two senses, while rapes and attempted rapes proliferate in literature. This age also sees the emergence of the woman writer, despite a sexual ideology which equates women's writing with promiscuity. Classical myths, however, associate women's story-telling with resistance to rape. This comprehensive study of rape and representation considers a wide range of texts drawn from prose fiction, poetry and drama by male and female writers, both canonical and non-canonical. Combining close attention to detail with an overview of the period, it demonstrates how the representation of gender-relations has exploited the subject of rape, and uses its understanding of this phenomenon to illuminate the issues of sexual and discursive autonomy which figure largely in women's texts of the period.

Reading Early Modern Women's Writing

Reading Early Modern Women's Writing PDF Author: Paul Salzman
Publisher: Oxford University Press
ISBN: 0199261040
Category : Literary Criticism
Languages : en
Pages : 256

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Book Description
Most people, even within the area of English literature, are unaware of how much writing women produced in the 16th and 17th centuries. This book offers an outline of that writing, and also looks at how it was read and reproduced through succeeding centuries.

Writing Rape, Writing Women in Early Modern England

Writing Rape, Writing Women in Early Modern England PDF Author: Jocelyn Catty
Publisher: Palgrave Macmillan
ISBN: 9780312221812
Category : Literary Criticism
Languages : en
Pages : 276

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Book Description
This comprehensive study covers a wide range of texts drawn from fiction, poetry and drama to reveal the significance of rape in the portrayal of gender-relations.

Rape and the Rise of the Author

Rape and the Rise of the Author PDF Author: Dr Amy Greenstadt
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409476103
Category : Literary Criticism
Languages : en
Pages : 214

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Book Description
Contending that early modern fictional portrayals of sexual violence identify the position of the author with that of the chaste woman threatened with rape, Amy Greenstadt challenges the prevalent scholarly view that this period's concept of 'The Author' was inherently masculine. Instead, she argues, the analogy between rape and writing centrally informed ideas of literary intention that emerged during the English Renaissance. Analyzing works by Milton, Sidney, Shakespeare and Cavendish, Greenstadt shows how the figure of 'The Author' - and by extension ideas of the modern individual--derived from a paradigm of female virtue and vulnerability. This volume supplements the growing body of studies that address the relationship between early modern textual representation and notions of gender and sexuality; it also adds a new dimension in considering the wider origins of modern concepts of selfhood and individual rights.

Reading Shakespeare’s Poems in Early Modern England

Reading Shakespeare’s Poems in Early Modern England PDF Author: S. Roberts
Publisher: Springer
ISBN: 0230286844
Category : Literary Criticism
Languages : en
Pages : 266

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Book Description
This is the first comprehensive study of early modern texts, readings, and readers of Shakespeare's poems in print and manuscript, Reading Shakespeare's Poems in Early Modern England makes a compelling contribution both to Shakespeare studies and the history of the book. Examining gendered readerships and the use of erotic works, reading practises and manuscript culture, textual forms and transmission, literary taste and the canonisation of Shakespeare, this book argues that historicist criticism can no longer ignore histories of reading.

Mind-Travelling and Voyage Drama in Early Modern England

Mind-Travelling and Voyage Drama in Early Modern England PDF Author: D. McInnis
Publisher: Springer
ISBN: 1137035366
Category : Literary Criticism
Languages : en
Pages : 250

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Book Description
Drawing on a wide range of drama from across the seventeenth century, including works by Marlowe, Heywood, Jonson, Brome, Davenant, Dryden and Behn, this book situates voyage drama in its historical and intellectual context between the individual act of reading in early modern England and the communal act of modern sightseeing.

Reading Sensations in Early Modern England

Reading Sensations in Early Modern England PDF Author: K. Craik
Publisher: Springer
ISBN: 0230206085
Category : Literary Criticism
Languages : en
Pages : 212

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Book Description
How did Renaissance literature affect readers' minds, bodies and souls? In what ways did the history of literary experience overlap with the history of humours and emotions? This book argues that a new aesthetic vocabulary based on the theory of the passions was formulated in the Renaissance to describe the affective power of literature.

The Culture of Translation in Early Modern England and France, 1500-1660

The Culture of Translation in Early Modern England and France, 1500-1660 PDF Author: T. Demtriou
Publisher: Springer
ISBN: 1137401494
Category : Literary Criticism
Languages : en
Pages : 194

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Book Description
This book explores modalities and cultural interventions of translation in the early modern period, focusing on the shared parameters of these two translation cultures. Translation emerges as a powerful tool for thinking about community and citizenship, literary tradition and the classical past, certitude and doubt, language and the imagination.

Environment and Embodiment in Early Modern England

Environment and Embodiment in Early Modern England PDF Author: Garrett A. Sullivan, Jr
Publisher: Springer
ISBN: 023059302X
Category : Literary Criticism
Languages : en
Pages : 225

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Book Description
Eleven essays invite us to rethink not only what constitutes an environment but also where the environment ends and selfhood begins. The essays examine the dynamic and varied mediations early modern writers posited between microcosm and macrocosm, ranging from discourses on the ecology of passions to striking examples of distributed cognition.

Boundaries of Violence in Early Modern England

Boundaries of Violence in Early Modern England PDF Author: Samantha Dressel
Publisher: Taylor & Francis
ISBN: 1000933482
Category : Performing Arts
Languages : en
Pages : 166

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Book Description
This book explores the possibilities and limitations of violence on the Early Modern stage and in the Early Modern world. This collection is divided into three sections: History-cal Violence, (Un)Comic Violence, and Revenge Violence. This division allows scholars to easily find intertextual materials; comic violence may function similarly across multiple comedies but is vastly different from most tragic violence. While the source texts move beyond Shakespeare, this book follows the classic division of Shakespeare’s plays into history, comedy, and tragedy. Each section of the book contains one chapter engaging with modern dramatic practice along with several that take textual or historical approaches. This wide-ranging approach means that the book will be appropriate both for specialists in Early Modern violence who are looking across multiple perspectives, and for students or scholars researching texts or approaches.