Writing Gender and Genre in Medieval Literature PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Writing Gender and Genre in Medieval Literature PDF full book. Access full book title Writing Gender and Genre in Medieval Literature by Elaine Treharne. Download full books in PDF and EPUB format.
Author: Elaine Treharne
Publisher: DS Brewer
ISBN: 9780859917605
Category : Anglo-Saxon literature
Languages : en
Pages : 156
Get Book Here
Book Description
Medievalists demonstrate how a focus on gender can transform an approach to literary texts and genres. The essays in this annual English Association volume provide useful examples of how the conventions behind and the expectations evoked by literary modes and genres help to shape what purports to be an entirely essential and/or socially constructed aspect of identity of the 'he', 'she', or 'I' of the literary text. Ranging across materials from Old English Biblical poetry and hagiography to the late Middle English romances and fabliaux, the essays are united by a commitment to a variety of traditional scholarly methodologies. But each examines afresh an important aspect of what it means to be man or women, husband, son, mother, daughter, wife, devotee or love in the context of particular kinds of medieval literary texts. Contributors ANNE MARIE D'ARCY, HUGH MAGENNIS, DAVID SALTER, MARY SWAN, ELAINE TREHARNE, GREG WALKER.
Author: Elaine Treharne
Publisher: DS Brewer
ISBN: 9780859917605
Category : Anglo-Saxon literature
Languages : en
Pages : 156
Get Book Here
Book Description
Medievalists demonstrate how a focus on gender can transform an approach to literary texts and genres. The essays in this annual English Association volume provide useful examples of how the conventions behind and the expectations evoked by literary modes and genres help to shape what purports to be an entirely essential and/or socially constructed aspect of identity of the 'he', 'she', or 'I' of the literary text. Ranging across materials from Old English Biblical poetry and hagiography to the late Middle English romances and fabliaux, the essays are united by a commitment to a variety of traditional scholarly methodologies. But each examines afresh an important aspect of what it means to be man or women, husband, son, mother, daughter, wife, devotee or love in the context of particular kinds of medieval literary texts. Contributors ANNE MARIE D'ARCY, HUGH MAGENNIS, DAVID SALTER, MARY SWAN, ELAINE TREHARNE, GREG WALKER.
Author: Simon Gaunt
Publisher: Cambridge University Press
ISBN: 0521464943
Category : Language Arts & Disciplines
Languages : en
Pages : 386
Get Book Here
Book Description
Wide-ranging study of gender and the underlying ideologies of Old French and Occitan literature.
Author: Elaine Treharne
Publisher:
ISBN:
Category :
Languages : en
Pages : 142
Get Book Here
Book Description
Author: Heldris (de Cornuälle.)
Publisher: MSU Press
ISBN:
Category : Fiction
Languages : en
Pages : 414
Get Book Here
Book Description
This bilingual edition, based on a reexamination of the Old French manuscript, makes Silence available to specialists and students in various fields of literature, to those in women's studies and, most important, to everyone who loves a first-rate story.
Author: Masha Raskolnikov
Publisher:
ISBN: 9780814211021
Category : Literary Criticism
Languages : en
Pages : 225
Get Book Here
Book Description
In medieval allegory, Body and Soul were often pitted against one another in debate. In Body Against Soul: Gender and Sowlehele in Middle English Allegory, Masha Raskolnikov argues that such debates function as a mode of thinking about psychology, gender, and power in the Middle Ages. Neither theological nor medical in nature, works of sowlehele (“soul-heal”) described the self to itself in everyday language—moderns might call this kind of writing “self-help.” Bringing together contemporary feminist and queer theory along with medieval psychological thought, Body Against Soul examines Piers Plowman, the “Katherine Group,” and the history of psychological allegory and debate. In so doing, it rewrites the history of the Body to include its recently neglected fellow, the Soul. The topic of this book is one that runs through all of Western history and remains of primary interest to modern theorists—how “my” body relates to “me.” In the allegorical tradition traced by this study, a male person could imagine himself as a being populated by female personifications, because Latin and Romance languages tended to gender abstract nouns as female. However, since Middle English had ceased to inflect abstract nouns as male or female, writers were free to gender abstractions like “Will” or “Reason” any way they liked. This permitted some psychological allegories to avoid the representational tension caused by placing a female soul inside a male body, instead creating surprisingly queer same-sex inner worlds. The didactic intent driving sowlehele is, it turns out, complicated by the erotics of the struggle to establish a hierarchy of the self's inner powers.
Author: Albrecht Classen
Publisher: Walter de Gruyter
ISBN: 3110897776
Category : Literary Criticism
Languages : de
Pages : 461
Get Book Here
Book Description
The study takes the received view among scholars that women in the Middle Ages were faced with sustained misogyny and that their voices were seldom heard in public and subjects it to a critical analysis. The ten chapters deal with various aspects of the question, and the voices of a variety of authors - both female and male - are heard. The study opens with an enquiry into violence against women, including in texts by male writers (Hartmann von Aue, Gottfried von Straßburg, Wolfram von Eschenbach) which indeed describe instances of violence, but adopt an extremely critical stance towards them. It then proceeds to show how women were able to develop an independent identity in various genres and could present themselves as authorities in the public eye. Mystic texts by Hildegard of Bingen, Marie de France and Margery Kempe, the medieval conduct poem known as Die Winsbeckin, the Devout Books of Sisters composed in convents in South-West Germany, but also quasi-historical documents such as the memoirs of Helene Kottaner or Anna Weckerin's cookery book, demonstrate that far more women were in the public gaze than had hitherto been assumed and that they possessed the self-confidence to establish their positions with their intellectual and their literary achievements.
Author: Diane Watt
Publisher: Polity
ISBN: 0745632556
Category : Literary Criticism
Languages : en
Pages : 433
Get Book Here
Book Description
Medieval Women's Writing is a major new contribution to our understanding of women's writing in England, 1100-1500. The most comprehensive account to date, it includes writings in Latin and French as well as English, and works for as well as by women. Marie de France, Clemence of Barking, Julian of Norwich, Margery Kempe, and the Paston women are discussed alongside the Old English lives of women saints, The Life of Christina of Markyate, the St Albans Psalter, and the legends of women saints by Osbern Bokenham. Medieval Women's Writing addresses these key questions: Who were the first women authors in the English canon? What do we mean by women's writing in the Middle Ages? What do we mean by authorship? How can studying medieval writing contribute to our understanding of women's literary history? Diane Watt argues that female patrons, audiences, readers, and even subjects contributed to the production of texts and their meanings, whether written by men or women. Only an understanding of textual production as collaborative enables us to grasp fully women's engagement with literary culture. This radical rethinking of early womens literary history has major implications for all scholars working on medieval literature, on ideas of authorship, and on women's writing in later periods. The book will become standard reading for all students of these debates.
Author: Jennifer Jahner
Publisher: Cambridge University Press
ISBN: 1316732207
Category : Literary Criticism
Languages : en
Pages : 689
Get Book Here
Book Description
History writing in the Middle Ages did not belong to any particular genre, language or class of texts. Its remit was wide, embracing the events of antiquity; the deeds of saints, rulers and abbots; archival practices; and contemporary reportage. This volume addresses the challenges presented by medieval historiography by using the diverse methodologies of medieval studies: legal and literary history, art history, religious studies, codicology, the history of the emotions, gender studies and critical race theory. Spanning one thousand years of historiography in England, Wales, Ireland and Scotland, the essays map historical thinking across literary genres and expose the rich veins of national mythmaking tapped into by medieval writers. Additionally, they attend to the ways in which medieval histories crossed linguistic and geographical borders. Together, they trace multiple temporalities and productive anachronisms that fuelled some of the most innovative medieval writing.
Author: Massimiliano Bampi
Publisher: Boydell & Brewer
ISBN: 1843845644
Category : Literary form
Languages : en
Pages : 390
Get Book Here
Book Description
A comprehensive guide to a crucial aspect of Old Norse literature.
Author: Barbara L. Estrin
Publisher: Duke University Press
ISBN: 9780822314998
Category : Literary Criticism
Languages : en
Pages : 366
Get Book Here
Book Description
How do men imagine women? In the poetry of Petrarch and his English successors—Wyatt, Donne, and Marvell—the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-François Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts. Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.
