Author: William V. Costanzo
Publisher: John Wiley & Sons
ISBN: 1118712927
Category : Performing Arts
Languages : en
Pages : 464
Book Description
World Cinema through Global Genres introduces the complex forces of global filmmaking using the popular concept of film genre. The cluster-based organization allows students to acquire a clear understanding of core issues that apply to all films around the world. Innovative pedagogical approach that uses genres to teach the more unfamiliar subject of world cinema A cluster-based organization provides a solid framework for students to acquire a sharper understanding of core issues that apply to all films around the world A “deep focus” section in each chapter gives students information and insights about important regions of filmmaking (India, China, Japan, and Latin America) that tend to be underrepresented in world cinema classes Case studies allow students to focus on important and accessible individual films that exemplify significant traditions and trends A strong foundation chapter reviews key concepts and vocabulary for understanding film as an art form, a technology, a business, an index of culture, a social barometer, and a political force. The engaging style and organization of the book make it a compelling text for both world cinema and film genre courses
World Cinema through Global Genres
Author: William V. Costanzo
Publisher: John Wiley & Sons
ISBN: 1118712927
Category : Performing Arts
Languages : en
Pages : 464
Book Description
World Cinema through Global Genres introduces the complex forces of global filmmaking using the popular concept of film genre. The cluster-based organization allows students to acquire a clear understanding of core issues that apply to all films around the world. Innovative pedagogical approach that uses genres to teach the more unfamiliar subject of world cinema A cluster-based organization provides a solid framework for students to acquire a sharper understanding of core issues that apply to all films around the world A “deep focus” section in each chapter gives students information and insights about important regions of filmmaking (India, China, Japan, and Latin America) that tend to be underrepresented in world cinema classes Case studies allow students to focus on important and accessible individual films that exemplify significant traditions and trends A strong foundation chapter reviews key concepts and vocabulary for understanding film as an art form, a technology, a business, an index of culture, a social barometer, and a political force. The engaging style and organization of the book make it a compelling text for both world cinema and film genre courses
Publisher: John Wiley & Sons
ISBN: 1118712927
Category : Performing Arts
Languages : en
Pages : 464
Book Description
World Cinema through Global Genres introduces the complex forces of global filmmaking using the popular concept of film genre. The cluster-based organization allows students to acquire a clear understanding of core issues that apply to all films around the world. Innovative pedagogical approach that uses genres to teach the more unfamiliar subject of world cinema A cluster-based organization provides a solid framework for students to acquire a sharper understanding of core issues that apply to all films around the world A “deep focus” section in each chapter gives students information and insights about important regions of filmmaking (India, China, Japan, and Latin America) that tend to be underrepresented in world cinema classes Case studies allow students to focus on important and accessible individual films that exemplify significant traditions and trends A strong foundation chapter reviews key concepts and vocabulary for understanding film as an art form, a technology, a business, an index of culture, a social barometer, and a political force. The engaging style and organization of the book make it a compelling text for both world cinema and film genre courses
Rethinking Genre in Contemporary Global Cinema
Author: Silvia Dibeltulo
Publisher: Springer
ISBN: 3319901346
Category : Performing Arts
Languages : en
Pages : 240
Book Description
Rethinking Genre in Contemporary Global Cinema offers a unique, wide-ranging exploration of the intersection between traditional modes of film production and new, transitional/transnational approaches to film genre and related discourses in a contemporary, global context. This volume’s content—the films, genres, and movements explored, as well as methodologies used in their analysis—is diverse and, crucially, up-to-date with contemporary film-making practice and theory. Significantly, the collection extends existing scholarly discourse on film genre beyond its historical bias towards a predominant focus on Hollywood cinema, on the one hand, and a tendency to treat “other” national cinemas in isolation and/or as distinct systems of production, on the other. In view of the ever-increasing globalisation and transnational mediation of film texts and screen media and culture worldwide, the book recognises the need for film genre studies and film genre criticism to cast a broader, indeed global, scope. The collection thus rethinks genre cinema as a transitional, cross-cultural, and increasingly transnational, global paradigm of film-making in diverse contexts.
Publisher: Springer
ISBN: 3319901346
Category : Performing Arts
Languages : en
Pages : 240
Book Description
Rethinking Genre in Contemporary Global Cinema offers a unique, wide-ranging exploration of the intersection between traditional modes of film production and new, transitional/transnational approaches to film genre and related discourses in a contemporary, global context. This volume’s content—the films, genres, and movements explored, as well as methodologies used in their analysis—is diverse and, crucially, up-to-date with contemporary film-making practice and theory. Significantly, the collection extends existing scholarly discourse on film genre beyond its historical bias towards a predominant focus on Hollywood cinema, on the one hand, and a tendency to treat “other” national cinemas in isolation and/or as distinct systems of production, on the other. In view of the ever-increasing globalisation and transnational mediation of film texts and screen media and culture worldwide, the book recognises the need for film genre studies and film genre criticism to cast a broader, indeed global, scope. The collection thus rethinks genre cinema as a transitional, cross-cultural, and increasingly transnational, global paradigm of film-making in diverse contexts.
Genre, Gender, Race and World Cinema
Author: Julie F. Codell
Publisher: Wiley-Blackwell
ISBN: 9781405132329
Category : Performing Arts
Languages : en
Pages : 496
Book Description
Genre, Gender, Race, and World Cinema is an innovative anthology that introduces the study of film theory using the four topics of genre, gender, race, and world cinema, to encourage critical discussion. A major anthology geared towards course use, which covers key concepts in film studies through analysis of important films from American, Asian, European and African cinema Combines formal, historical, cultural, and theoretical approaches to study Analyzes how film represents and influences individual and societal constructs of identity Uses selected readings to introduce inter-textual relations between the readings and the films they discuss Contains section introductions that map the themes and histories of each topic, and raise theoretical issues specific to each
Publisher: Wiley-Blackwell
ISBN: 9781405132329
Category : Performing Arts
Languages : en
Pages : 496
Book Description
Genre, Gender, Race, and World Cinema is an innovative anthology that introduces the study of film theory using the four topics of genre, gender, race, and world cinema, to encourage critical discussion. A major anthology geared towards course use, which covers key concepts in film studies through analysis of important films from American, Asian, European and African cinema Combines formal, historical, cultural, and theoretical approaches to study Analyzes how film represents and influences individual and societal constructs of identity Uses selected readings to introduce inter-textual relations between the readings and the films they discuss Contains section introductions that map the themes and histories of each topic, and raise theoretical issues specific to each
International Film Musical
Author: Corey K Creekmur
Publisher: Edinburgh University Press
ISBN: 0748654305
Category : Performing Arts
Languages : en
Pages : 291
Book Description
A unique study of the film musical, a global cinema tradition.
Publisher: Edinburgh University Press
ISBN: 0748654305
Category : Performing Arts
Languages : en
Pages : 291
Book Description
A unique study of the film musical, a global cinema tradition.
Film Genre
Author: Barry Langford
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 328
Book Description
This book provides a detailed account of genre history and contemporary trends in film genre, alongside the critical debates they have provoked.
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 328
Book Description
This book provides a detailed account of genre history and contemporary trends in film genre, alongside the critical debates they have provoked.
The Global Road Movie
Author: José Duarte
Publisher: Intellect (UK)
ISBN: 9781783208777
Category : Road films
Languages : en
Pages : 0
Book Description
The Global Road Movie looks at the road movie genre from a wider perspective, exploring the motif of travel not just in American films. Through analyses of several films, this book enables us to think afresh about how today's road movies fit into the history of the genre and what they can tell us about how people move about in the world today.
Publisher: Intellect (UK)
ISBN: 9781783208777
Category : Road films
Languages : en
Pages : 0
Book Description
The Global Road Movie looks at the road movie genre from a wider perspective, exploring the motif of travel not just in American films. Through analyses of several films, this book enables us to think afresh about how today's road movies fit into the history of the genre and what they can tell us about how people move about in the world today.
Directory of World Cinema: Brazil
Author: Louis Bayman
Publisher: Intellect Books
ISBN: 1783202300
Category : Performing Arts
Languages : en
Pages : 296
Book Description
Best known to international audiences for its carnivalesque irreverence and recent gangster blockbusters, Brazilian cinema is gaining prominence with critics, at global film festivals and on DVD shelves. This volume seeks to introduce newcomers to Brazilian cinema and to offer valuable insights to those already well versed in the topic. It brings into sharp focus some of the most important movements, genres and themes from across the eras of Brazilian cinema, from cinema novo to musical chanchada, the road movie to cinema de bordas, avant-garde to pornochanchada. Delving deep beyond the surface of cinema, the volume also addresses key themes such as gender, indigenous and diasporic communities and Afro-Brazilian identity. Situating Brazilian cinema within the country's changing position in the global capitalist system, the essays consider uneven modernization, class division, dictatorship, liberation struggles and globalization alongside questions of entertainment and artistic innovation.
Publisher: Intellect Books
ISBN: 1783202300
Category : Performing Arts
Languages : en
Pages : 296
Book Description
Best known to international audiences for its carnivalesque irreverence and recent gangster blockbusters, Brazilian cinema is gaining prominence with critics, at global film festivals and on DVD shelves. This volume seeks to introduce newcomers to Brazilian cinema and to offer valuable insights to those already well versed in the topic. It brings into sharp focus some of the most important movements, genres and themes from across the eras of Brazilian cinema, from cinema novo to musical chanchada, the road movie to cinema de bordas, avant-garde to pornochanchada. Delving deep beyond the surface of cinema, the volume also addresses key themes such as gender, indigenous and diasporic communities and Afro-Brazilian identity. Situating Brazilian cinema within the country's changing position in the global capitalist system, the essays consider uneven modernization, class division, dictatorship, liberation struggles and globalization alongside questions of entertainment and artistic innovation.
Cinemas of the World
Author: James Chapman
Publisher: Reaktion Books
ISBN: 1861895747
Category : Performing Arts
Languages : en
Pages : 488
Book Description
The cinema has been the pre-eminent popular art form of the 20th century. In Cinemas of the World, James Chapman examines the relationship between film and society in the modern world: film as entertainment medium, film as a reflection of national cultures and preoccupations, film as an instrument of propaganda. He also explores two interrelated issues that have recurred throughout the history of cinema: the economic and cultural hegemony of Hollywood on the one hand, and, on the other, the attempts of film-makers elsewhere to establish indigenous national cinemas drawing on their own cultures and societies. Chapman examines the rise to dominance of Hollywood cinema in the silent and early sound periods. He discusses the characteristic themes of American movies from the Depression to the end of the Cold War especially those found in the western and film noir – genres that are often used as vehicles for exploring issues central to us society and politics. He looks at national cinemas in various European countries in the period between the end of the First World War and the end of the Second, which all exhibit the formal and aesthetic properties of modernism. The emergence of the so-called "new cinemas" of Europe and the wider world since 1960 are also explored. "Chapman is a tough-thinking, original writer . . . an engaging, excellent piece of work."—David Lancaster, Film and History
Publisher: Reaktion Books
ISBN: 1861895747
Category : Performing Arts
Languages : en
Pages : 488
Book Description
The cinema has been the pre-eminent popular art form of the 20th century. In Cinemas of the World, James Chapman examines the relationship between film and society in the modern world: film as entertainment medium, film as a reflection of national cultures and preoccupations, film as an instrument of propaganda. He also explores two interrelated issues that have recurred throughout the history of cinema: the economic and cultural hegemony of Hollywood on the one hand, and, on the other, the attempts of film-makers elsewhere to establish indigenous national cinemas drawing on their own cultures and societies. Chapman examines the rise to dominance of Hollywood cinema in the silent and early sound periods. He discusses the characteristic themes of American movies from the Depression to the end of the Cold War especially those found in the western and film noir – genres that are often used as vehicles for exploring issues central to us society and politics. He looks at national cinemas in various European countries in the period between the end of the First World War and the end of the Second, which all exhibit the formal and aesthetic properties of modernism. The emergence of the so-called "new cinemas" of Europe and the wider world since 1960 are also explored. "Chapman is a tough-thinking, original writer . . . an engaging, excellent piece of work."—David Lancaster, Film and History
Simultaneous Worlds
Author: Jennifer L. Feeley
Publisher: U of Minnesota Press
ISBN: 1452944253
Category : Art
Languages : en
Pages : 308
Book Description
Since the 1927 release of Fritz Lang’s pioneer film Metropolis, science fiction cinema has largely been regarded a Western genre. In Simultaneous Worlds, Jennifer L. Feeley and Sarah Ann Wells showcase authors who challenge this notion by focusing on cinemas and cultures, from Cuba to North Korea, not traditionally associated with science fiction. This collection introduces films about a metal-eating monster who helps peasants overthrow an exploitative court, an inflatable sex doll who comes to life, a desert planet where matchsticks are more valuable than money, and more. Simultaneous Worlds is the first volume to bring a transnational, interdisciplinary lens to science fiction cinema. Encountering some of the best emerging and established voices in the field, readers will become immersed in discussions of well-known works such as the Ghost in the Shell franchise and Neill Blomkamp’s District 9 alongside lesser-known but equally fascinating works by African, Asian, European, and South American filmmakers. Divided into five parts that cover theoretical concerns such as new media economies, translation, the Global South, cyborgs, and socialist and postsocialist cinema, these essays trace cinema’s role in imagining global communities and power struggles. Considering both individual films and the broader networks of production, distribution, and exhibition, Simultaneous Worlds illustrates how film industries across the globe take part in visualizing the perils of globalization and technological modernity. Ultimately, this book opens new ways of thinking about world cinema and our understanding of the world at large.
Publisher: U of Minnesota Press
ISBN: 1452944253
Category : Art
Languages : en
Pages : 308
Book Description
Since the 1927 release of Fritz Lang’s pioneer film Metropolis, science fiction cinema has largely been regarded a Western genre. In Simultaneous Worlds, Jennifer L. Feeley and Sarah Ann Wells showcase authors who challenge this notion by focusing on cinemas and cultures, from Cuba to North Korea, not traditionally associated with science fiction. This collection introduces films about a metal-eating monster who helps peasants overthrow an exploitative court, an inflatable sex doll who comes to life, a desert planet where matchsticks are more valuable than money, and more. Simultaneous Worlds is the first volume to bring a transnational, interdisciplinary lens to science fiction cinema. Encountering some of the best emerging and established voices in the field, readers will become immersed in discussions of well-known works such as the Ghost in the Shell franchise and Neill Blomkamp’s District 9 alongside lesser-known but equally fascinating works by African, Asian, European, and South American filmmakers. Divided into five parts that cover theoretical concerns such as new media economies, translation, the Global South, cyborgs, and socialist and postsocialist cinema, these essays trace cinema’s role in imagining global communities and power struggles. Considering both individual films and the broader networks of production, distribution, and exhibition, Simultaneous Worlds illustrates how film industries across the globe take part in visualizing the perils of globalization and technological modernity. Ultimately, this book opens new ways of thinking about world cinema and our understanding of the world at large.
Contemporary World Cinema
Author: Shohini Chaudhuri
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 216
Book Description
This book provides an overview of the cinemas of Europe, the Middle East, East Asia and South Asia, interpreting some of the recent developments as strategic responses to globalisation. Highlighting transnational and cross-cultural structures, influences and themes.
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 216
Book Description
This book provides an overview of the cinemas of Europe, the Middle East, East Asia and South Asia, interpreting some of the recent developments as strategic responses to globalisation. Highlighting transnational and cross-cultural structures, influences and themes.