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Author: M. Waters
Publisher: Springer
ISBN: 0230301975
Category : Art
Languages : en
Pages : 247
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Book Description
A timely intervention into debates on the representation of feminist and feminine identities in contemporary visual culture. The essays in this collection interrogate how and why certain formulations of feminism and femininity are currently prevalent in mainstream cinema and television, offering new insights into postfeminist media phenomena.
Author: M. Waters
Publisher: Springer
ISBN: 0230301975
Category : Art
Languages : en
Pages : 247
Get Book Here
Book Description
A timely intervention into debates on the representation of feminist and feminine identities in contemporary visual culture. The essays in this collection interrogate how and why certain formulations of feminism and femininity are currently prevalent in mainstream cinema and television, offering new insights into postfeminist media phenomena.
Author: Sheryl Sandberg
Publisher: Knopf
ISBN: 0385349955
Category : Biography & Autobiography
Languages : en
Pages : 241
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Book Description
#1 INTERNATIONAL BESTSELLER • “A landmark manifesto" (The New York Times) that's a revelatory, inspiring call to action and a blueprint for individual growth that will empower women around the world to achieve their full potential. In her famed TED talk, Sheryl Sandberg described how women unintentionally hold themselves back in their careers. Her talk, which has been viewed more than eleven million times, encouraged women to “sit at the table,” seek challenges, take risks, and pursue their goals with gusto. Lean In continues that conversation, combining personal anecdotes, hard data, and compelling research to change the conversation from what women can’t do to what they can. Sandberg, COO of Meta (previously called Facebook) from 2008-2022, provides practical advice on negotiation techniques, mentorship, and building a satisfying career. She describes specific steps women can take to combine professional achievement with personal fulfillment, and demonstrates how men can benefit by supporting women both in the workplace and at home.
Author: Lynne Attwood
Publisher: Rivers Oram Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
The Soviet Union was the first country in the world to declare women equal to men. At the same time, cinema was emerging as the newest and most accessible form of popular entertainment, and as a powerful tool in propagandizing the Party line. This book looks at the interaction between these two phenomena: at the extent to which women's new status and roles were reflected and promoted on Soviet screens throughout the country's history. Part I, written by Lynne Attwood, provides an essential framework for readers unfamiliar with Soviet studies. It offers a lucid and lively account of the milestones in Soviet history, the importance of film within this history and the changing images and experiences of Soviet women within both cinema and society. In Parts II and III, women from the former Soviet Union - film critics, directors, camera-operators and script-writers - relate their own experiences in the film industry, and their responses to the images of women portrayed on screen. This crisply-written book, illustrated with evocative photographs from Soviet films, will provide readers with a real insight into the relationship between women and film in the Soviet Union.
Author: Karen Redrobe
Publisher: Duke University Press
ISBN: 082238437X
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
With the help of mirrors, trap doors, elevators, photographs, and film, women vanish and return in increasingly spectacular ways throughout the nineteenth and twentieth centuries. Karen Beckman tracks the proliferation of this elusive figure, the vanishing woman, from her genesis in Victorian stage magic through her development in conjunction with photography and film. Beckman reveals how these new visual technologies projected their anxieties about insubstantiality and reproducibility onto the female body, producing an image of "woman" as utterly unstable and constantly prone to disappearance. Drawing on cinema studies and psychoanalysis as well as the histories of magic, spiritualism, and photography, Beckman looks at particular instances of female vanishing at specific historical moments—in Victorian magic’s obsessive manipulation of female and colonized bodies, spiritualist photography’s search to capture traces of ghosts, the comings and goings of bodies in early cinema, and Bette Davis’s multiple roles as a fading female star. As Beckman places the vanishing woman in the context of feminism’s discussion of spectacle and subjectivity, she explores not only the problems, but also the political utility of this obstinate figure who hovers endlessly between visible and invisible worlds. Through her readings, Beckman argues that the visibly vanishing woman repeatedly signals the lurking presence of less immediately perceptible psychic and physical erasures, and she contends that this enigmatic figure, so ubiquitous in late-nineteenth- and twentieth-century culture, provides a new space through which to consider the relationships between visibility, gender, and agency.
Author: Ivanka Trump
Publisher: Penguin
ISBN: 0735211337
Category : Business & Economics
Languages : en
Pages : 258
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Book Description
NEW YORK TIMES BESTSELLER! Ivanka is donating the unpaid portion of her advance and all future royalties received from Women Who Work to the Ivanka M. Trump Charitable Fund, a donor advised fund that will make grants to organizations that empower and educate women and girls.* "This is a chatty step-by-step guide to living a happy life and getting ahead in a career." —USA Today "The advice is spot-on for everyone, not just women." —Tony Hsieh, CEO of Zappos.com and author of Delivering Happiness I believe that when it comes to women and work, there isn’t one right answer. The only person who can create a life you’ll love is you. Our grandmothers fought for the right to work. Our mothers fought for the choice to be in an office or to stay at home. Our generation is the first to fully embrace and celebrate the fact that our lives are multidimensional. Thanks to the women who came before us and paved the way, we can create the lives we want to lead—which look different for each of us. I’ve been fortunate to be able to build my career around my passions, from real estate to fashion. But my professional titles only begin to describe who I am and what I value. I have been an executive and an entrepreneur, but also—and just as importantly—a wife, mother, daughter, and friend. To me, “work” encompasses my efforts to succeed in all of these areas. After appearing on The Apprentice years ago and receiving a flood of letters from young women asking for guidance, I realized the need for more female leaders to speak out publicly in order to change the way society thinks and talks about “women who work.” So I created a forum to do just that. This book evolves the conversation that started on IvankaTrump.com, where so many incredible women (and men!) have shared their experiences, advice, ambitions, and passions. Women who work lead meetings and train for marathons. We learn how to cook and how to code. We inspire our employees and our children. We innovate at our current jobs and start new businesses. Women Who Work will equip you with the best skills I’ve learned from some of the amazing people I’ve met, on subjects such as identifying opportunities, shifting careers smoothly, negotiating, leading teams, starting companies, managing work and family, and helping change the system to make it better for women—now and in the future. I hope it will inspire you to redefine success and architect a life that honors your individual passions and priorities, in a way only you can. * The Ivanka M. Trump Charitable Fund (the “Fund”) is a donor advised fund that supports the economic empowerment of women and girls. Ivanka Trump is the grant advisor to the Fund and sole member of IT WWW Pub, LLC (the “LLC”), which receives royalties from the publication of Women Who Work. The LLC will contribute a minimum $425,000 to the Fund, which is the unpaid portion of the advance, net of expenses. In addition, the LLC will contribute all future royalties it receives that are in excess of the advance to the Fund during the period from May 1, 2017 to May 1, 2022.
Author: Kate Ince
Publisher: Bloomsbury Publishing USA
ISBN: 1623562929
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agnès Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the “Thinking Cinema” series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities. Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency, and avoiding the most important questions about how cinema can "do justice" to female subjectivity. Kate Ince suggests that the films of independent women directors are progressively redressing the balance, reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to interpret such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank anew, suggesting that a philosophical understanding of female subjectivity as embodied and ethical should underpin future feminist film study.
Author: Mia Mask
Publisher: University of Illinois Press
ISBN: 0252091825
Category : Performing Arts
Languages : en
Pages : 323
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Book Description
This insightful study places African American women's stardom in historical and industrial contexts by examining the star personae of five African American women: Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah Winfrey, and Halle Berry. Interpreting each woman's celebrity as predicated on a brand of charismatic authority, Mia Mask shows how these female stars have ultimately complicated the conventional discursive practices through which blackness and womanhood have been represented in commercial cinema, independent film, and network television. Mask examines the function of these stars in seminal yet underanalyzed films. She considers Dandridge's status as a sexual commodity in films such as Tamango, revealing the contradictory discourses regarding race and sexuality in segregation-era American culture. Grier's feminist-camp performances in sexploitation pictures Women in Cages and The Big Doll House and her subsequent blaxploitation vehicles Coffy and Foxy Brown highlight a similar tension between representing African American women as both objectified stereotypes and powerful, self-defining icons. Mask reads Goldberg's transforming habits in Sister Act and The Associate as representative of her unruly comedic routines, while Winfrey's daily television performance as self-made, self-help guru echoes Horatio Alger narratives of success. Finally, Mask analyzes Berry's meteoric success by acknowledging the ways in which Dandridge's career made Berry's possible.
Author: Giuliana Bruno
Publisher: Routledge
ISBN: 1317929128
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
This feminist anthology from Italy offers an enriching perspective on cinema studies. Focusing on women’s engagement with political theory and film-making, the book never loses sight of the female experience of cinema. It examines how women have chosen to represent themselves and how they have been represented, and how they deal with the cinematic apparatus, as subjects of production, objects of representation, and spectators. A variety of approaches are offered, ranging from psychoanalysis and semiology to history. With an exhaustive filmography, this anthology of chapters by eminent theorists demonstrates the central importance of recent developments in Italy for the whole spectrum of film and feminist studies.
Author: Catherine D'Ignazio
Publisher: MIT Press
ISBN: 0262358530
Category : Social Science
Languages : en
Pages : 328
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Book Description
A new way of thinking about data science and data ethics that is informed by the ideas of intersectional feminism. Today, data science is a form of power. It has been used to expose injustice, improve health outcomes, and topple governments. But it has also been used to discriminate, police, and surveil. This potential for good, on the one hand, and harm, on the other, makes it essential to ask: Data science by whom? Data science for whom? Data science with whose interests in mind? The narratives around big data and data science are overwhelmingly white, male, and techno-heroic. In Data Feminism, Catherine D'Ignazio and Lauren Klein present a new way of thinking about data science and data ethics—one that is informed by intersectional feminist thought. Illustrating data feminism in action, D'Ignazio and Klein show how challenges to the male/female binary can help challenge other hierarchical (and empirically wrong) classification systems. They explain how, for example, an understanding of emotion can expand our ideas about effective data visualization, and how the concept of invisible labor can expose the significant human efforts required by our automated systems. And they show why the data never, ever “speak for themselves.” Data Feminism offers strategies for data scientists seeking to learn how feminism can help them work toward justice, and for feminists who want to focus their efforts on the growing field of data science. But Data Feminism is about much more than gender. It is about power, about who has it and who doesn't, and about how those differentials of power can be challenged and changed.
Author: Judith Mayne
Publisher: Indiana University Press
ISBN: 9780253115041
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
"[The Woman at the Keyhole is one] of the most significant contributions to feminist film theory sin ce the 1970s." -- SubStance "... this intelligent, eminently readable volume puts women's filmmaking on the main stage.... serves at once as introduction and original contribution to the debates structuring the field. Erudite but never obscure, effectively argued but not polemical, The Woman at the Keyhole should prove to be a valuable text for courses on women and cinema." -- The Independent When we imagine a "woman" and a "keyhole," it is usually a woman on the other side of the keyhole, as the proverbial object of the look, that comes to mind. In this work the author is not necessarily reversing the conventional image, but rather asking what happens when women are situated on both sides of the keyhole. In all of the films discussed, the threshold between subject and object, between inside and outside, between virtually all opposing pairs, is a central figure for the reinvention of cinematic narrative.
