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Author: Mel Bochner
Publisher:
ISBN:
Category : Conceptual art
Languages : en
Pages : 214
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Book Description
Author: Mel Bochner
Publisher:
ISBN:
Category : Conceptual art
Languages : en
Pages : 214
Get Book Here
Book Description
Author: Mel Bochner
Publisher:
ISBN:
Category : Conceptual art
Languages : en
Pages : 214
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Book Description
Author: A. A. Bronson
Publisher: michalis pichler
ISBN: 3868740007
Category :
Languages : en
Pages : 1
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Book Description
Author: Mel Bochner
Publisher: National Geographic Books
ISBN: 0262026317
Category : Art
Languages : en
Pages : 0
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Book Description
Reviews, art criticism, theoretical texts, interviews, catalog statements, notecards, magazine interventions, and other writings on art and art in the form of writing by a leading conceptual artist; many pages reproduced in facsimile. Artist Mel Bochner became a writer, he says, almost by accident. In 1965, as a young artist in New York, he was out of a job; Arts Magazine paid him $2.50 for every review he turned in, whether they published it or not; a month of review-writing paid his rent—$28.00 a month. His reviews and articles provoked a range of unexpected reactions. “At that time, artists who wrote were looked at suspiciously, as if writing somehow tainted their visual practice,” he writes. A painter friend attacked him publicly for “joining the enemy.” Bochner soon began testing the boundary between writing-as-criticism and writing-as-visual-art. Solar System & Rest Rooms collects both Bochner's writings on art and his writings as art, offering more than fifty pieces—reviews, art criticism, theoretical texts, interviews, catalog statements, notecards, and his groundbreaking “magazine interventions”—many reproduced in facsimile. Bochner is a leading figure in conceptualism; his 1966 installation at the School of Visual Arts Gallery Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art is considered to be the earliest exhibition of conceptual art. Solar System & Rest Rooms chronologically documents the work and ideas of this important artist over a span of forty years, as well as providing a unique perspective on the conceptual and post-minimal art scene in New York. This book offers a rare insight into what it means to be an artist whose visual practice is inseparable from the sustained practice of writing. Mel Bochner has lived and worked in New York City since 1964. His work has been exhibited internationally and is included in major museum collections throughout the world.
Author: Mel Bochner
Publisher:
ISBN:
Category : Conceptual art
Languages : en
Pages :
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Book Description
Author: Mel Bochner
Publisher:
ISBN:
Category : Conceptual art
Languages : en
Pages : 212
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Book Description
Author: Helen Anne Molesworth
Publisher: Penn State Press
ISBN: 9780271023342
Category : Art
Languages : en
Pages : 254
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Book Description
Examines the proliferation of new ways of making "art" in the 1960s by focusing on the changed organization of work in society at the time. Co-published with The Baltimore Museum of Art in conjunction with an exhibition of the same name.
Author: Alexander Alberro
Publisher: MIT Press
ISBN: 9780262511841
Category : Art
Languages : en
Pages : 258
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Book Description
An examination of the origins and legacy of the conceptual art movement.
Author:
Publisher:
ISBN:
Category : Conceptual art
Languages : en
Pages :
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Book Description
Author: T Fleischmann
Publisher: Coffee House Press
ISBN: 1566895553
Category : Literary Collections
Languages : en
Pages : 127
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Book Description
W. G. Sebald meets Maggie Nelson in an autobiographical narrative of embodiment, visual art, history, and loss. How do the bodies we inhabit affect our relationship with art? How does art affect our relationship to our bodies? T Fleischmann uses Felix Gonzáles-Torres’s artworks—piles of candy, stacks of paper, puzzles—as a path through questions of love and loss, violence and rejuvenation, gender and sexuality. From the back porches of Buffalo, to the galleries of New York and L.A., to farmhouses of rural Tennessee, the artworks act as still points, sites for reflection situated in lived experience. Fleischmann combines serious engagement with warmth and clarity of prose, reveling in the experiences and pleasures of art and the body, identity and community.
