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Author: Mary Elizabeth Norton
Publisher:
ISBN:
Category :
Languages : en
Pages : 138
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Book Description
Author: Mary Elizabeth Norton
Publisher:
ISBN:
Category :
Languages : en
Pages : 138
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Book Description
Author: Alan Liu
Publisher:
ISBN: 9780804718936
Category : Literary Criticism
Languages : en
Pages : 726
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Book Description
Author: K. Hanley
Publisher: Springer
ISBN: 0230288138
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
Wordsworth: A Poet's History examines the range of Wordsworth's poetry and criticism over the course of his career. It examines the writer and his works against the backdrop of revolutionary history, public, personal as well as political. The study foregrounds the ways in which Wordsworth's account of 'self-representation in poetic language' coils around and recoils from the linguistic traumas excited by the French Revolution. The book also examines Wordsworth's patriotism and the evolution of this as demonstrated in his poetry.
Author: Stefan H. Uhlig
Publisher: Palgrave MacMillan
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 240
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Book Description
Wordsworth's verse and compelling criticism have shaped our understanding of poetic art since the Romantic period. This collection is the first in years to reexamine Wordsworth's complex theory of poetry in depth. Designed to be equally useful and inspiring, it provides much-needed reassessments of a vital juncture of Romantic creativity.
Author: David Simpson
Publisher: Routledge
ISBN: 1317620313
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Traditionally, Wordsworth’s greatness is founded on his identity as the poet of nature and solitude. The Wordsworthian imagination is seen as an essentially private faculty, its very existence premised on the absence of other people. In this title, first published in 1987, David Simpson challenges this established view of Wordsworth, arguing that it fails to recognize and explain the importance of the context of the public sphere and the social environment to the authentic experience of the imagination. Wordsworth’s preoccupation with the metaphors of property and labour shows him to be acutely anxious about the value of his art in a world that he regarded as corrupted. Through close examination of a few important poems, both well-known and relatively unknown, Simpson shows that there is no unitary, public Wordsworth, nor is there a conflict or tension between the private and the public. The absence of any clear kind of authority in the voice that speaks the poems makes Wordsworth’s poetry, in Simpson’s phrase, a ‘poetry of displacement’.
Author: Adam Nicolson
Publisher: Farrar, Straus and Giroux
ISBN: 0374721270
Category : Literary Criticism
Languages : en
Pages : 457
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Book Description
Brimming with poetry, art, and nature writing—Wordsworth and Coleridge as you've never seen them before June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and “Kubla Khan,” as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth’s revolutionary songs in Lyrical Ballads along with “Tintern Abbey,” Wordsworth's paean to the unity of soul and cosmos, love and understanding. In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it. The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach.
Author: Geraldine Friedman
Publisher: Stanford University Press
ISBN: 9780804725446
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Through a series of theoretically informed readings, this book explores the uncanny effectivity of history in its seeming absence in canonical works by Burke, Wordsworth, Keats, and Baudelaire written in the shadow of the French Revolution and the Revolution of 1848. The book begins with the discovery that, in these writers, issues of narration and figuration are already taken up in the political and historical questions raised by the two revolutions; conversely, historical-political positioning and representation are involved from the beginning in problems of narration and figuration. This co-implication of aesthetics and history in each other has profound consequences: once historical events take the form of figures, they no longer act as literal, material referents but rather interrogate the status of reference itself. Far from being denied, history becomes a problem for analysis, one whose normative frames of understanding and founding concepts, such as event, experience, and chronology, must be rethought. This can be most easily seen in the fact that the four writers, in their different ways, all miss historical occurrencenot when they try to flee it, as many older accounts of Romanticism have claimed, but just when they attempt to engage it most intensely.
Author: Hugh Sykes-Davies
Publisher: Cambridge University Press
ISBN: 0521309093
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
In this book Hugh Sykes Davies addresses Wordworth's major poetry from the perspectives of language, Freud, Coleridge and the Romantic Imagination. A remarkable combination of analytic and empathic intelligence, this book should earn a place among the few essential studies of the poet.
Author: Thomas Owens
Publisher:
ISBN: 0198840861
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Thomas Owens explores exultant visions inspired by Wordsworth's and Coleridge's scrutiny of the night sky, the natural world, and the domains of science. He examines a set of scientific patterns which the poets used to express ideas about poetry, religion, criticism, and philosophy, and sets out the importance of analogy in their creative thinking.
Author: Thomas Pfau
Publisher: Stanford University Press
ISBN: 9780804729024
Category : Literary Criticism
Languages : en
Pages : 478
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Book Description
In exploring Wordsworth's professionalization as a writer, the author's interpretations are coordinated by a single, albeit highly ramified, critical hypothesis: that Romanticism's aesthetic forms afforded the middle classes an imaginary furlough from the impinging consciousness of their tenuous socioeconomic status.
