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Author:
Publisher:
ISBN: 9781999903763
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN: 9781999903763
Category :
Languages : en
Pages :
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Book Description
Author: Harry White
Publisher: OUP Oxford
ISBN: 0191609439
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century. He argues that this preoccupation decisively influenced Moore's attempt to translate the 'meaning' of Irish music into verse, and that it also informed Moore's considerable impact on the development of European musical romanticism, as in the music of Berlioz and Schumann. White then examines how this preoccupation was later recovered by W.B. Yeats, whose poetry is imbued with music as a rival presence to language. In its readings of Yeats, Synge, Shaw and Joyce, the book argues that this striking musical awareness had a profound influence on the Irish literary imagination, to the extent that poetry, fiction and drama could function as correlatives of musical genres. Although Yeats insisted on the synonymous condition of speech and song in his poetry, Synge, Shaw and Joyce explicitly identified opera in particular as a generic prototype for their own work. Synge's formal musical training and early inclinations as a composer, Shaw's perception of himself as the natural successor to Wagner, and Joyce's no less striking absorption of a host of musical techniques in his fiction are advanced in this study as formative (rather than incidental) elements in the development of modern Irish writing. Music and the Irish Literary Imagination also considers Beckett's emancipation from the oppressive condition of words in general (and Joyce in particular) through the agency of music, and argues that the strong presence of Mendelssohn, Chopin and Janácek in the works of Brian Friel is correspondingly essential to Friel's dramatisation of Irish experience in the aftermath of Beckett. The book closes with a reading of Seamus Heaney, in which the poet's own preoccupation with the currency of established literary forms is enlisted to illuminate Heaney's abiding sense of poetry as music.
Author: Harry White
Publisher: OUP Oxford
ISBN: 0191563161
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century. He argues that this preoccupation decisively influenced Moore's attempt to translate the 'meaning' of Irish music into verse, and that it also informed Moore's considerable impact on the development of European musical romanticism, as in the music of Berlioz and Schumann. White then examines how this preoccupation was later recovered by W.B. Yeats, whose poetry is imbued with music as a rival presence to language. In its readings of Yeats, Synge, Shaw and Joyce, the book argues that this striking musical awareness had a profound influence on the Irish literary imagination, to the extent that poetry, fiction and drama could function as correlatives of musical genres. Although Yeats insisted on the synonymous condition of speech and song in his poetry, Synge, Shaw and Joyce explicitly identified opera in particular as a generic prototype for their own work. Synge's formal musical training and early inclinations as a composer, Shaw's perception of himself as the natural successor to Wagner, and Joyce's no less striking absorption of a host of musical techniques in his fiction are advanced in this study as formative (rather than incidental) elements in the development of modern Irish writing. Music and the Irish Literary Imagination also considers Beckett's emancipation from the oppressive condition of words in general (and Joyce in particular) through the agency of music, and argues that the strong presence of Mendelssohn, Chopin and Janácek in the works of Brian Friel is correspondingly essential to Friel's dramatisation of Irish experience in the aftermath of Beckett. The book closes with a reading of Seamus Heaney, in which the poet's own preoccupation with the currency of established literary forms is enlisted to illuminate Heaney's abiding sense of poetry as music.
Author: Alfred Perceval Graves
Publisher: London : Scribner
ISBN:
Category : English poetry
Languages : en
Pages : 258
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Book Description
Author: Mary McLaughlin
Publisher: Mel Bay Publications
ISBN: 0786617071
Category : Music
Languages : en
Pages : 48
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Book Description
Gaelic songs are beautiful to listen to and to sing, but until now it has been extremely difficult for anyone without knowledge of the Irish language (Gaelic) to sing the songs of that tradition. A must for anyone who has always longed to sing the old songs of Ireland, this book and CD decodes the Irish language for those who aspire to sing these songs without them having to undertake an Irish language course. The fourteen songs are presented in an accessible fashion. On the CD, the author speaks each phrase slowly, leaving a pause for the student to imitate the pronunciation. The author then sings each song in a simple, plain style, conducive to learning. The book has the sheet music, guitar chords, phonetics, Irish lyrics, and a translation and background to each song. There is an introduction which gives information on traditional singing in Irish as well as a guide to the phonetic system used. The songs are graded linguistically and musically so that the student can build up skills as she or he progresses through the book.
Author: Thomas MacDonagh
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 280
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Book Description
Author: Manchán Magan
Publisher: Bonnier Books UK
ISBN: 1804184047
Category : History
Languages : en
Pages : 214
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Book Description
Rediscover the lost words of an ancient land in this new and updated edition of an international bestseller. Most people associate Britain and Ireland with the English language, a vast, sprawling linguistic tree with roots in Latin, French, and German, and branches spanning the world, from Australia and India to North America. But the inhabitants of these islands originally spoke another tongue. Look closely enough and English contains traces of the Celtic soil from which it sprung, found in words like bog, loch, cairn and crag. Today, this heritage can be found nowhere more powerfully than in modern-day Gaelic. In Thirty-Two Words for Field Manchán Magan explores the enchantment, sublime beauty and sheer oddness of a 3000-year-old lexicon. Imbuing the natural world with meaning and magic, it evokes a time-honoured way of life, from its 32 separate words for a field, to terms like loisideach (a place with a lot of kneading troughs), bróis (whiskey for a horseman at a wedding), and iarmhaireacht (the loneliness you feel when you are the only person awake at cockcrow). Told through stories collected from Magan's own life and travels, Thirty-Two Words for Field is an enthralling celebration of Irish words, and a testament to the indelible relationship between landscape, culture and language.
Author: Irish Literary Society
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Author: Alfred Perceval Graves
Publisher: Freeport, N.Y : Books for Libraries Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Author: Deborah Fillerup Weagel
Publisher: Peter Lang
ISBN: 9781433108365
Category : European fiction
Languages : en
Pages : 184
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Book Description
Introduction -- Musical contrast in Albert Camus' L'étranger -- Musical counterpoint in Albert Camus' L'étranger -- Musical qualities in Samuel Beckett's En attendant Godot -- Silence in John Cage and Samuel Beckett : 4' 33" and En attendant Godot -- John Cage's collaboration of words and music in the song books -- The edited performance : Glenn Gould's solitude trilogy -- Musical and verbal counterpoint in two short films about Glenn Gould.
