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Author: Grant Hayter-Menzies
Publisher: Douglas & McIntyre
ISBN: 1771622156
Category : Biography & Autobiography
Languages : en
Pages : 195
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Book Description
Although Emily Carr is now considered a Canadian legend, the most enduring image is that of her pushing a beat-up old pram into downtown Victoria, loaded with dogs, cats, birds—and a monkey. Woo, a Javanese macaque whom Carr adopted in 1923, has become inextricably linked with Carr in the popular imagination. But more than that, in her short lifetime Woo became equally connected to Carr’s life and art. Born to a strictly religious family, Carr was never able to reconcile her wild and passionate nature with the stifling mores of the well-to-do Victorian society in which she was raised. Over the years, she increasingly turned to the company of animals to find the love and trust missing from her human relationships. Across the world in an Indonesian jungle lagoon, Woo (like Carr) was parted from her mother at a young age. The tiny ape with a “greeny-brown” pelt and penetrating golden eyes was then shipped across the world. When Carr spotted Woo in a pet store, she recognized a kindred spirit and took her home. Woo was many things to Carr—a surrogate daughter, a reflection of herself, a piece of the wild inside her downtown Victoria boarding house. Welcoming the mischievous Woo into her life, Carr also welcomed a freedom that allowed a full blooming of artistic expression and gave Canada and the world great art unlike any other before or since. However, despite Carr’s clear love for Woo, her chaotic life did not always allow Carr to properly care for her. Tragically, after Carr was hospitalized due to heart failure, she arranged for Woo to be sent to the Stanley Park Zoo. Bereft of Carr, Woo died alone in her cage only a year later. Hayter-Menzies approaches his subject from a contemporary perspective on bringing wild animals into captivity while remaining empathetic to the unique relationship between artist and monkey.
Author: Grant Hayter-Menzies
Publisher: Douglas & McIntyre
ISBN: 1771622156
Category : Biography & Autobiography
Languages : en
Pages : 195
Get Book Here
Book Description
Although Emily Carr is now considered a Canadian legend, the most enduring image is that of her pushing a beat-up old pram into downtown Victoria, loaded with dogs, cats, birds—and a monkey. Woo, a Javanese macaque whom Carr adopted in 1923, has become inextricably linked with Carr in the popular imagination. But more than that, in her short lifetime Woo became equally connected to Carr’s life and art. Born to a strictly religious family, Carr was never able to reconcile her wild and passionate nature with the stifling mores of the well-to-do Victorian society in which she was raised. Over the years, she increasingly turned to the company of animals to find the love and trust missing from her human relationships. Across the world in an Indonesian jungle lagoon, Woo (like Carr) was parted from her mother at a young age. The tiny ape with a “greeny-brown” pelt and penetrating golden eyes was then shipped across the world. When Carr spotted Woo in a pet store, she recognized a kindred spirit and took her home. Woo was many things to Carr—a surrogate daughter, a reflection of herself, a piece of the wild inside her downtown Victoria boarding house. Welcoming the mischievous Woo into her life, Carr also welcomed a freedom that allowed a full blooming of artistic expression and gave Canada and the world great art unlike any other before or since. However, despite Carr’s clear love for Woo, her chaotic life did not always allow Carr to properly care for her. Tragically, after Carr was hospitalized due to heart failure, she arranged for Woo to be sent to the Stanley Park Zoo. Bereft of Carr, Woo died alone in her cage only a year later. Hayter-Menzies approaches his subject from a contemporary perspective on bringing wild animals into captivity while remaining empathetic to the unique relationship between artist and monkey.
Author: Monica Kulling
Publisher: Pajama Press Inc.
ISBN: 1927485401
Category : Juvenile Nonfiction
Languages : en
Pages : 34
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Book Description
Emily Carr is one strange bird. She makes paintings nobody wants, keeps a houseful of animals, and often disappears into the woods in a tiny house on wheels. But even those used to Emily's eccentricities are surprised when she comes home from a trip to buy birdseed with a small, lonely monkey. In Emily's rambunctious household, Woo the monkey is not lonely for long. She snatches at the parrot's feathers, chases the dogs and cats - and completely wins Emily's big heart. But when Woo's mischief turns dangerous, Emily fears she may lose the little friend who brings her so much joy. Will the strength of Emily's love, and Woo's own strength, be enough to save her? In When Emily Carr Met Woo, BC illustrator Dean Griffiths's watercolours capture the mood of the 1920's with historical details of Victoria and its surroundings. Monica Kulling, using prose as simple and expressive as Emily's own brush strokes, retells the true story of one of Canada's most beloved artists - and of her most beloved pet. The book includes historical photos throughout and concludes with a biography of Emily Carr.
Author: Carol Pearson
Publisher: TouchWood Editions
ISBN: 1771511745
Category : Biography & Autobiography
Languages : en
Pages : 168
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Book Description
An intimate and heartwarming collection of memories that puts one of Canada's most beloved and iconic artists into a whole new light. In 1916, Emily Carr wasn't famous. She was poor, and she taught art classes to children. One of her students was seven-year-old Carol Pearson. Pearson spent hours every day with Carr: they painted together at the water's edge, and she helped care for the dogs, birds, monkey and other animals that Carr kept as pets. They grew very close, and at the age of 14, Carol moved in with Carr. Emily nicknamed Carol "Baboo," and Carol called her "Mom." The two were "mother-and-daughter" for twenty-five years, up until Carr passed away. This touching tribute to Carr illustrates a gentleness and sensitivity not seen in other biographies. Originally published in 1954, this very unique biography reveals Carr's personality more fully than any other.
Author: Constance Horne
Publisher: Lantzville, B.C. : Oolichan Books
ISBN: 9780889821491
Category : Woo (Monkey)
Languages : en
Pages : 0
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Book Description
Artist Emily Carr traded a puppy for a 2 year old Javanese monkey. Woo the monkey quickly makes herself at home and they share many adventures until Emily is too old and sick to care for Woo anymore. Woo is sent to Stanley Park Zoo, but will the other monkeys attack or accept her as a friend?
Author: Jo Ellen Bogart
Publisher: Tundra Books
ISBN: 0887766404
Category : Juvenile Nonfiction
Languages : en
Pages : 46
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Book Description
Shortlisted for the 2005-2006 Red Cedar Book Award, Nonfiction Selected as Honour Book by the Children's Literature Roundtable Information Book of the Year The brilliant artist Emily Carr lived at the edge. When she was born, in 1871, Victoria, British Columbia was a small, insular place. She was at the edge of a society that expected well-bred young ladies to marry. For years, she was at the edge of the world of artists she longed to join. Emily Carr’s life was not an easy one. She struggled against a family that did not approve of her art and against poor health. She found her pleasures in her many pets – a Javanese monkey named Woo, parrots, and many beloved dogs. Later, she would meet the artists of the Group of Seven and among them find her soul mates. When illness put a stop to her painting, she found expression and comfort in her writing. Her book Klee Wyck received Canada’s highest literary honor – the Governor General’s Award. Emily Carr: At the Edge of the World is an introduction to this remarkable artist and her paintings.
Author: Grant Hayter-Menzies
Publisher: McFarland
ISBN: 0786453087
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
Broadway actress Billie Burke was one of the most sought after young stage beauties of her time, stealing the hearts of Enrico Caruso, Mark Twain, and, most importantly, famed Broadway producer Florenz Ziegfeld, who became her husband. Following Ziegfeld's death, the threats of financial ruin and encroaching age forced Burke to recreate herself as a Hollywood character actress. This biography benefits from the cooperation of the daughter and grandchildren of Burke and Ziegfeld, as well as from anecdotes provided by actors who performed with Burke on the stage and screen. In addition to studying the character and significance of Burke's greatest screen role as Glinda the Good Witch of the North, this richly illustrated book also provides a complete history of Burke's stage, screen, and radio work.
Author: Grant Hayter-Menzies
Publisher: McFarland
ISBN: 078642995X
Category : Performing Arts
Languages : en
Pages : 267
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Book Description
Charlotte Greenwood never intended to become a comedienne, but she was unfashionably tall at 5' 10" and her early aspirations to become a great dramatic actress eventually led her to the field of comedy. Greenwood, whose early life had taught her nothing if not how to be optimistic, stifled her disappointment and used her considerable skill to become one of the greatest comedic actresses of the early twentieth century. Based on Greenwood's unpublished memoirs, this biography presents a personal, detailed look at her colorful life. Beginning with her early years in Philadelphia, Boston and Norfolk, it relates her struggles with ill health, her social difficulties caused by her then unusual height and her realization of her ambition to become an actress. The main focus of the work is her career, which spanned more than 50 years and ranged from vaudeville to the dramatic stage and, finally, to films (during the World War II years she starred in Twentieth Century Fox musicals with Cesar Romero, Betty Grable, Edward Everett Horton, Jack Haley, Don Ameche, and Carmen Miranda). Her roles in a variety of works including The Passing Show of 1912, So Long Letty (both stage and film), and I Remember Mama are also discussed. Special emphasis is placed on her career-defining (and best-known) role as Aunt Eller Murphy in the 1955 film adaptation of Oklahoma! Charlotte Greenwood's performance history, a list of her known recordings, and a filmography for her husband Martin Broones are also included, along with a collection of rare photographs and memorabilia.
Author: V. Knox
Publisher:
ISBN: 9780987741516
Category : Fiction
Languages : en
Pages : 296
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Book Description
When Emily Carr was a teenager several untoward events caused her to reject the romantic loves of her life, but one suitor in particular, pursued her to the end of her days.Much conjecture surrounds Emily's obscure references to lost love, paternal betrayal, and her emotional maladies diagnosed as hysteria, that she implanted in her books as well as her letters and diaries.Sixty-seven years after Emily's death, an historic mystery man continues to hover over her memoirs ... like a ghost.
Author: Emily Carr
Publisher: D & M Publishers
ISBN: 1926706072
Category : Fiction
Languages : en
Pages : 210
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Book Description
Emily Carr was primarily a painter, but she first gained recognition as an author for her seven books about her journeys to remote Native communities and stories about life as an artist, as a small child in Victoria at the turn of the last century—and as a reluctant landlady. Before winning recognition for her painting and writing, Carr built a small apartment building with four suites (she lived in one of them) that she hoped would earn her a living. But things turned out worse than expected, and in her forties, the gifted artist found herself shoveling coal and cleaning up after people for 23 years. The House of All Sorts is a collection of 41 stories of those hard-working days and the parade of tenants- young couples, widows, sad bachelors and rent evaders— all the tears and travails of being a landlady confronted with the startling foibles of humanity. Carr is at her most acerbic and rueful, but filled with energy and inextinguishable hope. Carr’s writing is vital and direct, aware and poignant, and as well regarded today as when The House of All Sorts was first published in 1944 to critical and popular acclaim. The book has been in print ever since.
Author: Grant Hayter-Menzies
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773589090
Category : Biography & Autobiography
Languages : en
Pages : 232
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Book Description
Kansas-born Pauline Benton (1898-1974) was encouraged by her father, one of America's earliest feminist male educators, to reach for the stars. Instead, she reached for shadows. In 1920s Beijing, she discovered shadow theatre (piyingxi), a performance art where translucent painted puppets are manipulated by highly trained masters to cast coloured shadows against an illuminated screen. Finding that this thousand-year-old forerunner of motion pictures was declining in China, Benton believed she could save the tradition by taking it to America. Mastering the male-dominated art form in China, Benton enchanted audiences eager for the exotic in Depression-era America. Her touring company, Red Gate Shadow Theatre, was lauded by theatre and art critics and even performed at Franklin Roosevelt's White House. Grant Hayter-Menzies traces Benton's performance history and her efforts to preserve shadow theatre as a global cultural treasure by drawing on her unpublished writings, the recollections of her colleagues, the testimonies of shadow masters who survived China's Cultural Revolution, as well as young innovators who have carried on Benton's pioneering work.
