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Author: Marie Buscatto
Publisher: Routledge
ISBN: 1000475972
Category : Music
Languages : en
Pages : 171
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Book Description
Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways in which women thrive as professionals despite such conditions. The author shines a light on the paradox for women in jazz: to express oneself in a "feminine" way is to be denigrated for it, yet to behave in a "masculine" manner is to be devalued for a lack of femininity. This masculine world ensures it is more difficult for women to be recognized as jazz musicians than it is for men – even when musicians, critics and audiences are ideologically opposed to discrimination. Female singers are confined by the feminine stereotypes of their profession, while female instrumentalists must comport themselves into traditionally masculine roles. The author explores the academic and professional socializations of these musicians, the musical choice they make and how they are perceived by jazz professionals as a result. First published in French by CNRS Editions in 2007 (and later reissued in paperback in 2018, with the author’s postscript that "nothing much has changed"), Women in Jazz: Musicality, Femininity, Marginalization expands the conversation beyond the French border, identifying female jazz musicians as a discriminated minority all around the world.
Author: Marie Buscatto
Publisher: Routledge
ISBN: 1000475972
Category : Music
Languages : en
Pages : 171
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Book Description
Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways in which women thrive as professionals despite such conditions. The author shines a light on the paradox for women in jazz: to express oneself in a "feminine" way is to be denigrated for it, yet to behave in a "masculine" manner is to be devalued for a lack of femininity. This masculine world ensures it is more difficult for women to be recognized as jazz musicians than it is for men – even when musicians, critics and audiences are ideologically opposed to discrimination. Female singers are confined by the feminine stereotypes of their profession, while female instrumentalists must comport themselves into traditionally masculine roles. The author explores the academic and professional socializations of these musicians, the musical choice they make and how they are perceived by jazz professionals as a result. First published in French by CNRS Editions in 2007 (and later reissued in paperback in 2018, with the author’s postscript that "nothing much has changed"), Women in Jazz: Musicality, Femininity, Marginalization expands the conversation beyond the French border, identifying female jazz musicians as a discriminated minority all around the world.
Author: Sally Placksin
Publisher: Penguin Adult HC/TR
ISBN:
Category : Fiction
Languages : en
Pages : 380
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Book Description
Here, for the first time, is the rich and diverse history of women jazz musicians, from rural tent shows and local dance halls to urban theaters and the vaudeville stage, from the steamboats of St. Louis to wartime army bases, from big bands and small combos to the yearly Women's Jazz Festival in Kansas City and New York's Salute to Women in Jazz. Based on three years of extensive research and nearly seventy-five personal interviews, American Women in Jazz presents profiles of over sixty women, set in the context of the musical and social history of the times, many of whom have never before had a chance to tell their story or to speak as honestly, completely, and with such feeling as they do now.
Author: Sammy Stein
Publisher: 8th House Publishing
ISBN: 9781926716558
Category : Biography & Autobiography
Languages : en
Pages : 268
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Book Description
This book is about women in jazz. It charts their journeys, celebrates their presence, hears their voices, wonders at their prowess and revels in their being. We hear from female agents, arrangers, composers, musicians, PR people, radio hosts, record label managers, singers, writers and more. These are their stories; their views of jazz and how they see the future. The established performers share their years of experience whilst those newer to jazz reflect on observations and changes they have seen. Containing interviews and first-hand accounts, this book is witness to the generosity, profundity and positivity with which women have responded and the energy they have put into their lives in overcoming challenges.
Author: Kristin A. McGee
Publisher: Wesleyan University Press
ISBN: 0819569674
Category : Music
Languages : en
Pages : 338
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Book Description
Women have been involved with jazz since its inception, but all too often their achievements were not as well known as those of their male counterparts. Some Liked It Hot looks at all-girl bands and jazz women from the 1920s through the 1950s and how they fit into the nascent mass culture, particularly film and television, to uncover some of the historical motivations for excluding women from the now firmly established jazz canon. This well-illustrated book chronicles who appeared where and when in over 80 performances, captured in both popular Hollywood productions and in relatively unknown films and television shows. As McGee shows, these performances reflected complex racial attitudes emerging in American culture during the first half of the twentieth century. Her analysis illuminates the heavily mediated representational strategies that jazz women adopted, highlighting the role that race played in constituting public performances of various styles of jazz from "swing" to "hot" and "sweet." The International Sweethearts of Rhythm, Hazel Scott, the Ingenues, Peggy Lee, and Paul Whiteman are just a few of the performers covered in the book, which also includes a detailed filmography.
Author: Jan Leder
Publisher: Greenwood
ISBN:
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
This discography is successful in its attempt to `present a complete picture of women instrumentalists' recording activity from 1913 to 1968.' Jan Leder also shows the significant contributions made by women in jazz and their involvement playing jazz since its beginnings. The book contains two parts: Discography of Women in Jazz and Collective Section. The first section arranges names alphabetically by name of player with works arranged chronologically for each player. The second section is a chronological listing of recordings with two or more players. It gives date, place, name of orchestra, director, performers, recording titles, and company. Index of performers. An excellent resource on the subject. Reference Book Review This discography presents as complete a picture as possible of the recording activity of women jazz instrumentalists between 1913 and 1968. It is divided into two sections. The first section is alphabetical by the last name of the player and chronological within each player's section; the second is a chronologically arranged collective section containing information on recordings with two or more women players. An index of all women players with references to the pages where information on their recordings may be found completes the volume.
Author: Karen Chilton
Publisher: University of Michigan Press
ISBN: 0472122835
Category : Biography & Autobiography
Languages : en
Pages : 313
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Book Description
"Hazel Scott was an important figure in the later part of the Black renaissance onward. Even in an era where there was limited mainstream recognition of Black Stars, Hazel Scott's talent stood out and she is still fondly remembered by a large segment of the community. I am pleased to see her legend honored." ---Melvin Van Peebles, filmmaker and director "This book is really, really important. It comprises a lot of history---of culture, race, gender, and America. In many ways, Hazel's story is the story of the twentieth century." ---Murray Horwitz, NPR commentator and coauthor of Ain't Misbehavin' "Karen Chilton has deftly woven three narrative threads---Adam Clayton Powell, Jr., Harlem, and Hazel Scott---into a marvelous tapestry of black life, particularly from the Depression to the Civil Rights era. Of course, Hazel Scott's magnificent career is the brightest thread, and Chilton handles it with the same finesse and brilliance as her subject brought to the piano." ---Herb Boyd, author of Baldwin's Harlem: A Biography of James Baldwin "A wonderful book about an extraordinary woman: Hazel Scott was a glamorous, gifted musician and fierce freedom fighter. Thank you Karen Chilton for reintroducing her. May she never be forgotten." ---Farah Griffin, Institute for Research in African-American Studies, Columbia University In this fascinating biography, Karen Chilton traces the brilliant arc of the gifted and audacious pianist Hazel Scott, from international stardom to ultimate obscurity. A child prodigy, born in Trinidad and raised in Harlem in the 1920s, Scott's musical talent was cultivated by her musician mother, Alma Long Scott as well as several great jazz luminaries of the period, namely, Art Tatum, Fats Waller, Billie Holiday and Lester Young. Career success was swift for the young pianist---she auditioned at the prestigious Juilliard School when she was only eight years old, hosted her own radio show, and shared the bill at Roseland Ballroom with the Count Basie Orchestra at fifteen. After several stand-out performances on Broadway, it was the opening of New York's first integrated nightclub, Café Society, that made Hazel Scott a star. Still a teenager, the "Darling of Café Society" wowed audiences with her swing renditions of classical masterpieces by Chopin, Bach, and Rachmaninoff. By the time Hollywood came calling, Scott had achieved such stature that she could successfully challenge the studios' deplorable treatment of black actors. She would later become one of the first black women to host her own television show. During the 1940s and 50s, her sexy and vivacious presence captivated fans worldwide, while her marriage to the controversial black Congressman from Harlem, Adam Clayton Powell, Jr., kept her constantly in the headlines. In a career spanning over four decades, Hazel Scott became known not only for her accomplishments on stage and screen, but for her outspoken advocacy of civil rights and her refusal to play before segregated audiences. Her relentless crusade on behalf of African Americans, women, and artists made her the target of the House Un-American Activities Committee (HUAC) during the McCarthy Era, eventually forcing her to join the black expatriate community in Paris. By age twenty-five, Hazel Scott was an international star. Before reaching thirty-five, however, she considered herself a failure. Plagued by insecurity and depression, she twice tried to take her own life. Though she was once one of the most sought-after talents in show business, Scott would return to America, after years of living abroad, to a music world that no longer valued what she had to offer. In this first biography of an important but overlooked African American pianist, singer, actor and activist, Hazel Scott's contributions are finally recognized. Karen Chilton is a New York-based writer and actor, and the coauthor of I Wish You Love, the memoir of legendary jazz vocalist Gloria Lynne.
Author: Elaine M. Hayes
Publisher: HarperCollins
ISBN: 0062364707
Category : Biography & Autobiography
Languages : en
Pages : 237
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Book Description
Publishers Weekly Best Book of 2017 Washington Post Best Book of 2017 Amazon Editors' Top 100 Pick of the Year Amazon Best Humor and Entertainment Pick of the Year Booklist Top Ten Arts Book Queen of Bebop brilliantly chronicles the life of jazz singer Sarah Vaughan, one of the most influential and innovative musicians of the twentieth century and a pioneer of women’s and civil rights Sarah Vaughan, a pivotal figure in the formation of bebop, influenced a broad array of singers who followed in her wake, yet the breadth and depth of her impact—not just as an artist, but also as an African-American woman—remain overlooked. Drawing from a wealth of sources as well as on exclusive interviews with Vaughan’s friends and former colleagues, Queen of Bebop unravels the many myths and misunderstandings that have surrounded Vaughan while offering insights into this notoriously private woman, her creative process, and, ultimately, her genius. Hayes deftly traces the influence that Vaughan’s singing had on the perception and appreciation of vocalists—not to mention women—in jazz. She reveals how, in the late 1940s and early 1950s, Vaughan helped desegregate American airwaves, opening doors for future African-American artists seeking mainstream success, while also setting the stage for the civil rights activism of the 1960s and 1970s. She follows Vaughan from her hometown of Newark, New Jersey, and her first performances at the Apollo, to the Waldorf Astoria and on to the world stage, breathing life into a thrilling time in American music nearly lost to us today. Equal parts biography, criticism, and good old-fashioned American success story, Queen of Bebop is the definitive biography of a hugely influential artist. This absorbing and sensitive treatment of a singular personality updates and corrects the historical record on Vaughan and elevates her status as a jazz great.
Author: Chris Becker
Publisher:
ISBN: 9780692543603
Category :
Languages : en
Pages : 328
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Book Description
Since the arrival of the 21st century, jazz has evolved into a truly cross-generational, multicultural musical art form that is assimilating an unprecedented array of musical styles and techniques. At the same time, the male-dominated paradigm that has defined the historical narrative of jazz is no more. Women are shaking up the music industry while the general public is becoming much more aware of the contributions female musicians have made to jazz. "Freedom of Expression: Interviews With Women in Jazz," a collection of interviews with 37 female musicians, musicians of all ages, nationalities, and races, and representing nearly every style of jazz one can imagine, provides evidence of this profound evolution. The interviewees, including Terri Lyne Carrington, Dee Dee Bridgewater, Eliane Elias, Carmen Lundy, Anat Cohen, Diane Schuur, and Sherrie Maricle, speak about their earliest experiences playing music, the years of practice required to become a professional musician, and what jazz means in the new millennium. These interviews will inform and inspire both casual and seasoned fans of this music, as well as young musicians taking their first steps in the journey to master their craft. "At long last, an in-depth recognition of the female contributions to jazz. As Dr. Billy Taylor said about the lack of awareness of female musicians: 'If it isn't written down, it didn't happen.' Now everyone will know that it did happen and continues to happen. What a great gift to the history of women and music." - Judy Chaikin, director of "The Girls in the Band." The interviewees: Mindi Abair - Saxophones Cheryl Bentyne - Voice Jane Ira Bloom - Soprano Saxophone Samantha Boshnack - Trumpet Dee Dee Bridgewater - Voice Terri Lyne Carrington - Drums Sharel Cassity - Saxophones Anat Cohen - Clarinet, Saxophones Jean Cook - Violin Connie Crothers - Piano Eliane Elias - Piano, Voice Ayelet Rose Gottlieb - Voice Lenae Harris- Cello Val Jeanty - Electronics, Percussion Jan Leder - Flute Jennifer Leitham - Double Bass Carmen Lundy - Voice Sherrie Maricle - Drums Jane Monheit - Voice Jacqui Naylor - Voice Aurora Nealand - Saxophones, Clarinet Iris Ornig - Double Bass Alisha Pattillo - Tenor Saxophone Roberta Piket - Piano Cheryl Pyle - Flute Nicole Rampersaud - Trumpet Sofia Rei - Voice Patrizia Scascitelli - Piano Diane Schuur - Voice Ellen Seeling - Trumpet Helen Sung - Piano Jacqui Sutton - Voice Mazz Swift - Violin, Voice Nioka Workman - Cello Pamela York - Piano Brandee Younger - Harp Malika Zarra - Voice
Author: Linda Dahl
Publisher: Hal Leonard Corporation
ISBN: 9780879101282
Category : Music
Languages : en
Pages : 388
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Book Description
Traces the impact of women on the development of jazz and profiles the careers of influential female jazz musicians and singers
Author: Nichole T. Rustin
Publisher: Duke University Press
ISBN: 0822389223
Category : Music
Languages : en
Pages : 474
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Book Description
In jazz circles, players and listeners with “big ears” hear and engage complexity in the moment, as it unfolds. Taking gender as part of the intricate, unpredictable action in jazz culture, this interdisciplinary collection explores the terrain opened up by listening, with big ears, for gender in jazz. Essays range from a reflection on the female boogie-woogie pianists who played at Café Society in New York during the 1930s and 1940s to interpretations of how the jazzman is represented in Dorothy Baker’s novel Young Man with a Horn (1938) and Michael Curtiz’s film adaptation (1950). Taken together, the essays enrich the field of jazz studies by showing how gender dynamics have shaped the production, reception, and criticism of jazz culture. Scholars of music, ethnomusicology, American studies, literature, anthropology, and cultural studies approach the question of gender in jazz from multiple perspectives. One contributor scrutinizes the tendency of jazz historiography to treat singing as subordinate to the predominantly male domain of instrumental music, while another reflects on her doubly inappropriate position as a female trumpet player and a white jazz musician and scholar. Other essays explore the composer George Russell’s Lydian Chromatic Concept as a critique of mid-twentieth-century discourses of embodiment, madness, and black masculinity; performances of “female hysteria” by Les Diaboliques, a feminist improvising trio; and the BBC radio broadcasts of Ivy Benson and Her Ladies’ Dance Orchestra during the Second World War. By incorporating gender analysis into jazz studies, Big Ears transforms ideas of who counts as a subject of study and even of what counts as jazz. Contributors: Christina Baade, Jayna Brown, Farah Jasmine Griffin, Monica Hairston, Kristin McGee, Tracy McMullen, Ingrid Monson, Lara Pellegrinelli, Eric Porter, Nichole T. Rustin, Ursel Schlicht, Julie Dawn Smith, Jeffrey Taylor, Sherrie Tucker, João H. Costa Vargas
