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Author: Jayne E. Marek
Publisher: University Press of Kentucky
ISBN: 9780813108544
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
" For many years young writers experimenting with forms and aesthetics in the early decades of this century, small journals known collectively as "little" magazines were the key to recognition. Joyce, Stein, Eliot, Pound, Hemingway, and scores of other iconoclastic writers now considered central to modernism received little encouragement from the established publishers. It was the avant-garde magazines, many of them headed by women, that fostered new talent and found a readership for it. Jayne Marek examines the work of seven women editors -- Harriet Monroe, Alice Corbin Henderson, Margaret Anderson, Jane Heap, H.D., Bryher (Winifred Ellerman), and Marianne Moore -- whose varied activities, often behind the scenes and in collaboration with other women, contributed substantially to the development of modernist literature. Through such publications as Poetry, The Little Review, The Dial, and Close Up, these women had a profound influence that has been largely overlooked by literary historians. Marek devotes a chapter as well to the interactions of these editors with Ezra Pound, who depended upon but also derided their literary tastes and accomplishments. Pound's opinions have had lasting influence in shaping critical responses to women editors of the early twentieth century. In the current reevaluation of modernism, this important book, long overdue, offers an indispensable introduction to the formative influence of women editors, both individually and in their collaborative efforts. Jayne Marek is associate professor of English at Franklin College.
Author: Jayne E. Marek
Publisher: University Press of Kentucky
ISBN: 9780813108544
Category : Literary Criticism
Languages : en
Pages : 276
Get Book Here
Book Description
" For many years young writers experimenting with forms and aesthetics in the early decades of this century, small journals known collectively as "little" magazines were the key to recognition. Joyce, Stein, Eliot, Pound, Hemingway, and scores of other iconoclastic writers now considered central to modernism received little encouragement from the established publishers. It was the avant-garde magazines, many of them headed by women, that fostered new talent and found a readership for it. Jayne Marek examines the work of seven women editors -- Harriet Monroe, Alice Corbin Henderson, Margaret Anderson, Jane Heap, H.D., Bryher (Winifred Ellerman), and Marianne Moore -- whose varied activities, often behind the scenes and in collaboration with other women, contributed substantially to the development of modernist literature. Through such publications as Poetry, The Little Review, The Dial, and Close Up, these women had a profound influence that has been largely overlooked by literary historians. Marek devotes a chapter as well to the interactions of these editors with Ezra Pound, who depended upon but also derided their literary tastes and accomplishments. Pound's opinions have had lasting influence in shaping critical responses to women editors of the early twentieth century. In the current reevaluation of modernism, this important book, long overdue, offers an indispensable introduction to the formative influence of women editors, both individually and in their collaborative efforts. Jayne Marek is associate professor of English at Franklin College.
Author: Jayne Marek
Publisher: University Press of Kentucky
ISBN: 0813184363
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
For many years young writers experimenting with forms and aesthetics in the early decades of this century, small journals known collectively as "little" magazines were the key to recognition. Joyce, Stein, Eliot, Pound, Hemingway, and scores of other iconoclastic writers now considered central to modernism received little encouragement from the established publishers. It was the avant-garde magazines, many of them headed by women, that fostered new talent and found a readership for it. Jayne Marek examines the work of seven women editors—Harriet Monroe, Alice Corbin Henderson, Margaret Anderson, Jane Heap, H.D., Bryher (Winifred Ellerman), and Marianne Moore—whose varied activities, often behind the scenes and in collaboration with other women, contributed substantially to the development of modernist literature. Through such publications as Poetry, The Little Review, The Dial, and Close Up, these women had a profound influence that has been largely overlooked by literary historians. Marek devotes a chapter as well to the interactions of these editors with Ezra Pound, who depended upon but also derided their literary tastes and accomplishments. Pound's opinions have had lasting influence in shaping critical responses to women editors of the early twentieth century. In the current reevaluation of modernism, this important book, long overdue, offers an indispensable introduction to the formative influence of women editors, both individually and in their collaborative efforts.
Author: George Bornstein
Publisher: Cambridge University Press
ISBN: 9780521661546
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
Bornstein looks at modernism in its original sites of production.
Author: Dean Irvine
Publisher: University of Toronto Press
ISBN: 1442691654
Category : Literary Criticism
Languages : en
Pages : 369
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Book Description
The period between 1916 and 1956 was a unique interval in the history of Canadian publishing. During this period not only were a significant number of non-commercial literary, arts, and cultural magazines established, but it also happened that an unprecedented number of those involved in the creation and subsequent editing of this new type of magazine - the little magazine - were women. Based on extensive new archival and literary historical research, Editing Modernity examines these Canadian women writers and editors and their role in the production and dissemination of modernist and leftist little magazines. At once a history of literary women and of the emergent formations and conditions of cultural modernity in Canada, Irvine's study relates women's editorial work and poetry to a series of crises and transitions in modernist and leftist magazine communities, to the public hearings and published findings of the Massey Commission of 1949-51, and to the later development of feminist literary magazines and editorial collectives during the 1970s and 1980s. Writers and editors examined in this study include Dorothy Livesay, Anne Marriott, Floris McLaren, P.K. Page, Miriam Waddington, Flora Macdonald Denison, Florence Custance, Catherine Harmon, Aileen Collins, and Margaret Fairley.
Author: Janine Utell
Publisher: Modern Language Association
ISBN: 1603294872
Category : Language Arts & Disciplines
Languages : en
Pages : 232
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Book Description
As authors and publishers, individuals and collectives, women significantly shaped the modernist movement. While figures such as Virginia Woolf and Gertrude Stein have received acclaim, authors from marginalized communities and those who wrote for mass, middlebrow audiences also created experimental and groundbreaking work. The essays in this volume explore formal aspects and thematic concerns of modernism while also challenging rigid notions of what constitutes literary value as well as the idea of a canon with fixed boundaries. The essays contextualize modernist women's writing in the material and political concerns of the early twentieth century and in life on the home front during wartime. They consider the original print contexts of the works and propose fresh digital approaches for courses ranging from high school through graduate school. Suggested assignments provide opportunities for students to write creatively and critically, recover forgotten literary works, and engage with their communities.
Author: Adrienne Munich
Publisher: Rutgers University Press
ISBN: 9780813533568
Category : Biography & Autobiography
Languages : en
Pages : 244
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Book Description
A collection of essays that explore the influence, work, and legacy of Pulitzer Prize-winning American poet Amy Lowell.
Author: Maren Tova Linett
Publisher: Cambridge University Press
ISBN: 1139825437
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
Women played a central role in literary modernism, theorizing, debating, writing, and publishing the critical and imaginative work that resulted in a new literary culture during the early twentieth century. This volume provides a thorough overview of the main genres, the important issues, and the key figures in women's writing during the years 1890–1945. The essays treat the work of Woolf, Stein, Cather, H. D. Barnes, Hurston, and many others in detail; they also explore women's salons, little magazines, activism, photography, film criticism, and dance. Written especially for this Companion, these lively essays introduce students and scholars to the vibrant field of women's modernism.
Author: Kristina Marie Darling
Publisher: Rowman & Littlefield
ISBN: 179363307X
Category : Literary Criticism
Languages : en
Pages : 133
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Book Description
Stylistic Innovation, Conscious Experience, and the Self in Modernist Women's Poetry examines representations of philosophical discourses in Modernist women's writing. Philosophers argued in the early twentieth century for an understanding of the self as both corporeal and relational, shaped and reshaped by interactions within a community. The once clear distinction between self and other was increasingly called into question. This breakdown of boundaries between self and world often manifested in the style of early twentieth-century literary works. Modernist poetry, like stream of consciousness fiction, used metaphor, sound, and a revision of received grammatical structures to blur the boundaries between the individual and collective. This book explores the ways that feminist writers like Mina Loy, H.D., Gertrude Stein, and Marianne Moore used style and technique to respond to these philosophical debates, reclaiming agency over a predominantly male philosophical discourse. While many critics have addressed the thematic content of these writers' work, few scholars have taken up this question while focusing on the style of the writing. This book shows how these feminist poets used seemingly small stylistic choices in poetry to make necessary contributions to contemporary philosophical discourses, ultimately rendering these philosophical conversations more inclusive.
Author: Bonnie Kime Scott
Publisher: University of Illinois Press
ISBN: 0252074181
Category : American literature
Languages : en
Pages : 896
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Book Description
Grouped into 21 thematic sections, this collection provides theoretical introductions to the primary texts provided by the scholars who have taken the lead in pushing both modernism and gender in different directions. It provides an understanding of the complex intersections of gender with an array of social identifications.
Author: Victoria Bazin
Publisher: Edinburgh University Press
ISBN: 1474417310
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
As editor of the "Dial," Moore wielded considerable cultural authority in the world of arts and letters, yet cultural histories of modernist magazines have largely overlooked her editorial influence. This book makes visible Moore's contribution to the production of modernism even as it complicates the concept of editorial agency. It explores the public face of the modernist editor, the image of highbrow distinction circulated by the "Dial" and embodied by the figure of "Miss Moore." It also examines Moore's editorial practice as a form of modernist "contractility" drawing on her own poetics to understand more fully the motives underpinning her revisions. it returns to the well-known case of Moore's radical cuts to Hart Crane's poem "The WIne Menagerie" as well as instances of collaborative struggle with William Carlos Williams, Gertrude Stein, Paul Rosenfeld, and D.H. Lawrence. In doing so, the book conceptualizes editorial labor as a form of creative and critical social practice
