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Author: J. Johnston
Publisher: Springer
ISBN: 1137452900
Category : History
Languages : en
Pages : 376
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Book Description
Filling a critical void, this book examines French women dramatists of the nineteenth-century who staged works prior to the lifting of censorship laws in 1864. Though none staged overtly feminist drama, Sophie de Bawr, Sophie Gay, Virginie Ancelot, and Delphine Girardin questioned patriarchal dominance and reconstructed ideals of womanhood.
Author: J. Johnston
Publisher: Springer
ISBN: 1137452900
Category : History
Languages : en
Pages : 376
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Book Description
Filling a critical void, this book examines French women dramatists of the nineteenth-century who staged works prior to the lifting of censorship laws in 1864. Though none staged overtly feminist drama, Sophie de Bawr, Sophie Gay, Virginie Ancelot, and Delphine Girardin questioned patriarchal dominance and reconstructed ideals of womanhood.
Author: Cecilia Beach
Publisher: Greenwood
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 280
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Book Description
Until recently, French women playwrights had received almost no critical attention and their works were for the most part completely unknown, but this volume is evidence of the important contribution they have made to world literature. It presents an extensive list of the dramatic works of more than 400 French women playwrights from the 16th through 19th centuries and includes brief biographical information, as well as publication, performance, and availability information for nearly 3,000 plays. The volume includes authors who are relatively unknown, as well as more canonical names such as Marguerite de Navarre and George Sand. The book is divided into four chapters, each devoted to a particular century with authors listed alphabetically. Each entry includes basic biographical information about the author, such as pseudonyms, place and date of birth and death, professions or activities for which the author is known, and other genres in which the author wrote. Plays are listed chronologically under the author's name.
Author: Hugh Noel Williams
Publisher:
ISBN:
Category : Actresses
Languages : en
Pages : 410
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Book Description
Author: Lauren Gunderson
Publisher: Dramatists Play Service, Inc.
ISBN: 0822237687
Category : Drama
Languages : en
Pages : 76
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Book Description
Four beautiful, badass women lose their heads in this irreverent, girl-powered comedy set during the French Revolution’s Reign of Terror. Playwright Olympe de Gouges, assassin Charlotte Corday, former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, and try to beat back the extremist insanity in 1793 Paris. This grand and dream-tweaked comedy is about violence and legacy, art and activism, feminism and terrorism, compatriots and chosen sisters, and how we actually go about changing the world. It's a true story. Or total fiction. Or a play about a play. Or a raucous resurrection…that ends in a song and a scaffold.
Author: Theresa Varney Kennedy
Publisher: Routledge
ISBN: 1317153367
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Women’s Deliberation: The Heroine in Early Modern French Women’s Theater (1650–1750) argues that women playwrights question traditional views on women through their heroines. Denied the powers of cleverness, the authority of deliberation, and the right to speak, heroines were often excluded from central roles in plays by leading male playwrights from this period. Women playwrights, on the other hand, embraced the ideas necessary to expand the boundaries of female heroism. Heroines in plays from the mid-seventeenth through the mid-eighteenth centuries reflect a shift in mentalities toward rationality and female agency. I argue that the "deliberative heroine," emerging at the dawn of the eighteenth century, is the most fully developed, exuding all the characteristics of the modern-day heroine. Although she embodies many of the qualities of her heroine counterparts, she also responds to them. Only the deliberative heroine, based on Enlightenment ideals—such as women’s ability to rationalize and the complex interplay between reason and sentiment—truly liberates female characters from a history of traditional roles. Whereas other heroines act in accordance with social construct or on impulse, the "deliberative heroine" realizes the ideals of the seventeenth-century salons that petitioned for women to have "greater control over their own bodies" (DeJean 21). She is active, and her determination to follow through with her own line of reasoning—that involves both mind and heart—enables her to determine the outcome of events. In the end, this new generation of heroines ushered in an era where women playwrights could make their own contribution to dramatic works at the dawn of the Age of Enlightenment.
Author: Anna Farkas
Publisher: Routledge
ISBN: 1315405121
Category : Drama
Languages : en
Pages : 136
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Book Description
The influence of the women’s movement has long been a scholarly priority in the study of British women’s drama of the late nineteenth and early twentieth centuries, but previous scholarship has largely clustered around two events: the New Woman in the 1890s and the suffrage campaign in the years before the First World War. Women’s Playwriting and the Women’s Movement, 1890–1918 is the first designated study of British women’s drama from a period of exceptional productivity and innovation for female playwrights. Both the British theatre and women’s position within British society underwent fundamental changes in this period, and this book shows how female dramatists carefully negotiated their position in the heated debates about women’s rights that occurred at this time, while staking out a place for themselves in an evolving theatrical landscape. Farkas also identifies the women’s movement as a key influence on the development of female-authored drama between 1890 and 1918, but argues that scholarly prioritizing of the "radicalism" of work associated with the New Woman and the suffrage campaign has had a distorting effect in the past. Ideal for scholars of British and Victorian theatre, Women’s Playwriting and the Women’s Movement, 1890–1918 offers a new perspective which emphasizes the complexity of women playwrights’ engagement with first-wave feminism and links it to the diversification of the British theatre in this period.
Author: Cecilia Beach
Publisher: Greenwood
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 544
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Book Description
This checklist is witness to the vast and varied production of 20th-century French women playwrights. Like Beach's preceding volume, French Women Playwrights Before the Twentieth Century: A Checklist (Greenwood, 1994), this reference book presents an extensive list of dramatic works. Beach provides biographical information about the authors when known, as well as name variations (pseudonyms, maiden name, other marriages, etc.) The plays are listed chronologically under each author's name, followed by a variety of information about each work: genre, the place and date of publication and performances, and the location of over 2000 texts in published or manuscript form in French holding libraries. The checklist also includes a title index and a bibliography. This book provides a useful research tool not only for scholars interested in drama and/or women's literature, but also for theatre professionals.
Author: C. Beach
Publisher: Springer
ISBN: 1403978743
Category : Social Science
Languages : en
Pages : 197
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Book Description
In Staging Politics and Gender , Cecilia Beach examines the political and feminist plays of French playwrights who have largely been overlooked until now. Beach highlights the importance of theatrical endeavors which women perceived as a powerful way to promote political opinions. The author analyzes the work of Louise Michel, Nelly Roussel, Marie Leneru, Vera Starkoff, and Madeline Pelletier and discusses anarchist theatre and forms of social protest theatre at the turn of the century.
Author: Brander Matthews
Publisher:
ISBN:
Category : Dramatists, French
Languages : en
Pages : 346
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Book Description
Author: Norman Bryson
Publisher: Getty Publications
ISBN: 1606067710
Category : Art
Languages : en
Pages : 354
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Book Description
Political and cultural history and the arts combine in this engaging account of 1790s France. In 1799, when the French artist Jacques-Louis David (1748–1825) exhibited his Intervention of the Sabines, a history painting featuring the ancient heroine Hersilia, he added portraits of two contemporary women on either side of her—Henriette de Verninac, daughter of Charles-François Delacroix, minister of foreign affairs, and Juliette Récamier, a well-known and admired socialite. Drawing on many disciplines, Norman Bryson explains how such a combination of paintings could reveal the underlying nature of the Directoire, the period between the vicious and near-dictatorial Reign of Terror (1793–94) and the coup in 1799 that brought Napoleon to power. Hersilia’s Sisters illuminates ways that cultural life and civil society were rebuilt during these years through an extraordinary efflorescence of women pioneers in every cultural domain—literature, the stage, opera, moral philosophy, political theory, painting, popular journalism, and fashion. Through a close examination of David’s work between The Intervention of the Sabines (begun in 1796) and Bonaparte Crossing the Alps (begun in 1800), Bryson explores how the flowering of women’s culture under the Directoire became a decisive influence on David’s art. With more than 150 illustrations, this book provides new and brilliant insight into this period that will captivate readers.
