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Author: Fatima Sadiqi
Publisher: Rowman & Littlefield
ISBN: 1666917729
Category : Social Science
Languages : en
Pages : 171
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Book Description
Often associated with the ‘rural’, the ‘exotic’ or the ‘folkloric’, Amazigh women’s ancestral art of weaving has not received much attention in Amazigh Studies. Drawing on primary sources, manuscripts, and printed texts, in libraries and archives, this book sheds new light on Amazigh women’s weaving practices, arguing that it was the ancestral rug designs that inspired the Amazigh alphabet Tifinagh. In doing so, the author reveals the active role women played in the process of codifying the Amazigh language. This book is of interest to scholars in Amazigh studies, women’s history, anthropology, and linguistics.
Author: Fatima Sadiqi
Publisher: Rowman & Littlefield
ISBN: 1666917729
Category : Social Science
Languages : en
Pages : 171
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Book Description
Often associated with the ‘rural’, the ‘exotic’ or the ‘folkloric’, Amazigh women’s ancestral art of weaving has not received much attention in Amazigh Studies. Drawing on primary sources, manuscripts, and printed texts, in libraries and archives, this book sheds new light on Amazigh women’s weaving practices, arguing that it was the ancestral rug designs that inspired the Amazigh alphabet Tifinagh. In doing so, the author reveals the active role women played in the process of codifying the Amazigh language. This book is of interest to scholars in Amazigh studies, women’s history, anthropology, and linguistics.
Author: Farid Laroussi
Publisher: Lexington Books
ISBN: 1666939668
Category : Literary Criticism
Languages : en
Pages : 167
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Book Description
Francophone Literature After the Postcolonial Age argues that Francophone literature extends beyond the postcolonial critical landmarks that helped define the field since the late 1980s. Today Francophone literature maps out different paths that highlight its emancipation from both the Francophonie’s cultural ascendency and postcolonial theory’s scholarly hegemony. Farid Laroussi’s argument is that three main forces have reshaped the French postcolonial in the twenty-first century: digital globalization, intertextuality, and ecocriticism. With digital globalization, Francophone literature finds new voices, unfettered from former aesthetic, print and distribution diktats. Home and the exilic paradigm are redefined in the postcolonial subject’s own terms. Intertextuality reconnects with poetic dialogism, sans the mimicry burden. The intertextuality challenge showcases a new writers’ community, across time and cultures. The old anxiety around one’s own poetic voice now provides valid responses to literary reconfigurations. The book’s study cases operate around three specific pairings: Segalen/Glissant, Kafka/Maghreb literature, and Morrison/Miano. Lastly, ecocriticism, along the decolonial discourse, comes to discuss the place of the postcolonial home as well as the responsibility category. The author contends that the attention to the land cannot be separated from imaginaries, collective and individual. Francophone writers stand at the crossroads of activism and poetics moving further away from French metropolitan preoccupations.
Author: Emma Chebinou
Publisher: Rowman & Littlefield
ISBN: 1666915149
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
Representation of the Banlieusard in Literature, Cinema, and Performances: Francephobia explores the complex identity of the banlieusard within French society through literature, film and pop culture, such as rap music and stand-up comedy. The banlieue, known in English as the “inner city,” is home to underrepresented and marginalized descendants of North- and West- African immigrants as well as some white European immigrants or white French individuals. Established in tall housing estates located on the wider outskirts of Paris, the banlieue is a space constructed through the systemic disenfranchisement of working-class people across genders, ethnicities, and race and through associations with crime, unemployment, poverty, etc. In face of these challenges, the banlieusard(e) attempts to claim their Frenchness but finds oneself trapped by society’s negative perception. Similarly, they are also physically trapped in their space of high-rise buildings and in a social/economic sphere with preconceived beliefs making it difficult to integrate and contribute to French society. This book aims to emphasize resistance and the agency of the banlieusard(e) rather than pointing out their marginalization by society’s preconceptions. Therefore, the spatial arrangement of the projects where they live redefines, deconstructs, reconstructs and reverses the center/periphery dichotomy, in which the center becomes the banlieue and as a result, its outcast status is diminished. Through a varied selection of novels, films, rap and stand-up comedy, Emma Chebinou exposes the necessity in examining negative stigmas created by the institutional discourse and by space and gives a broader interpretation of the banlieue.
Author: Doris H. Gray
Publisher: Cambridge University Press
ISBN: 110841950X
Category : History
Languages : en
Pages : 417
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Book Description
A wide-ranging analysis of grass-roots activism, migration, legal, political and religious changes as basis for social transformation.
Author: Cynthia Becker
Publisher: University of Texas Press
ISBN: 0292712952
Category : History
Languages : en
Pages : 241
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Book Description
In southeastern Morocco, around the oasis of Tafilalet, the Ait Khabbash people weave brightly colored carpets, embroider indigo head coverings, paint their faces with saffron, and wear ornate jewelry. Their extraordinarily detailed arts are rich in cultural symbolism; they are always breathtakingly beautiful—and they are typically made by women. Like other Amazigh (Berber) groups (but in contrast to the Arab societies of North Africa), the Ait Khabbash have entrusted their artistic responsibilities to women. Cynthia Becker spent years in Morocco living among these women and, through family connections and female fellowship, achieved unprecedented access to the artistic rituals of the Ait Khabbash. The result is more than a stunning examination of the arts themselves, it is also an illumination of women's roles in Islamic North Africa and the many ways in which women negotiate complex social and religious issues. One of the reasons Amazigh women are artists is that the arts are expressions of ethnic identity, and it follows that the guardians of Amazigh identity ought to be those who literally ensure its continuation from generation to generation, the Amazigh women. Not surprisingly, the arts are visual expressions of womanhood, and fertility symbols are prevalent. Controlling the visual symbols of Amazigh identity has given these women power and prestige. Their clothing, tattoos, and jewelry are public identity statements; such public artistic expressions contrast with the stereotype that women in the Islamic world are secluded and veiled. But their role as public identity symbols can also be restrictive, and history (French colonialism, the subsequent rise of an Arab-dominated government in Morocco, and the recent emergence of a transnational Berber movement) has forced Ait Khabbash women to adapt their arts as their people adapt to the contemporary world. By framing Amazigh arts with historical and cultural context, Cynthia Becker allows the reader to see the full measure of these fascinating artworks.
Author: Katherine E. Hoffman
Publisher: John Wiley & Sons
ISBN: 0470693339
Category : Social Science
Languages : en
Pages : 280
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Book Description
We Share Walls: Language, Land, and Gender in Berber Morocco explores how political economic shifts over the last century have reshaped the language practices and ideologies of women (and men) in the plains and mountains of rural Morocco. Offers a unique and richly textured ethnography of language maintenance and shift as well as language and place-making among an overlooked Muslim group Examines how Moroccan Berbers use language to integrate into the Arab-speaking world and retain their own distinct identity Illuminates the intriguing semiotic and gender issues embedded in the culture Part of the Blackwell Studies in Discourse and Culture Series
Author: Bongani Kona
Publisher: Jonathan Ball Publishers
ISBN: 177619067X
Category : Biography & Autobiography
Languages : en
Pages : 266
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Book Description
'I would get out of the car at every shopping centre and want to ask the stranger walking by with their trolley: "Why are you still shopping? Someone I love has died."' – Dela Gwala Death is a fact of life, but the experience of grief is unique to each of us. This timely collection brings together a range of voices to offer refl ections on death and dying, from individual losses to large scale catastrophes. Karin Schimke revisits her troubled relationship with her late father, a Second World War survivor 'whose brain had been broken by violence'. Madeleine Fullard, the head of South Africa's Missing Persons Task Team, draws us into the search for activists who were 'disappeared' or went missing in political circumstances between 1960 and 1994. Caine Prize winner Lidudumalingani remembers his childhood in a small village in the Eastern Cape, and how his mother always listened to death notices read over the radio as a way of bearing witness to the grief of strangers. The other contributors in this poignant and thought-provoking anthology turn their minds to subjects as varied as the ritual of washing the body of the deceased before burial, the ethics of killing small animals, and the extinction of humankind. In a time of relentless grief, Our Ghosts Were Once People reminds us that one of the small consolations of literature is that all sorrows can be borne. Sindiswa Busuku • Lucienne Bestall • Khadija Patel • Shrikant Peters • Sudirman Adi Makmur • Paula Ihozo Akugizibwe • Rofhiwa Maneta • Madeleine Fullard • Musawenkosi Khanyile • Simone Haysom • Thato Monare • Angifi Dladla • Nick Mulgrew • Tariq Hoosen • Catherine Boulle • Tatamkhulu Afrika • Dela Gwala •Anna Hartford • Gabeba Baderoon • Barry Christianson • Vonani Bila • Khanya Mtshali • Robert Berold
Author: Helen Oyeyemi
Publisher: Penguin
ISBN: 0593192389
Category : Fiction
Languages : en
Pages : 229
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Book Description
“Enchanting . . . the most surprising, confounding, and oddly insightful couple’s trip in recent literary history.” —Entertainment Weekly The prize-winning, bestselling author of Gingerbread; Boy, Snow, Bird; and What Is Not Yours Is Not Yours returns with a vivid and inventive new novel about a couple forever changed by an unusual train voyage. When Otto and Xavier Shin declare their love, an aunt gifts them a trip on a sleeper train to mark their new commitment—and to get them out of her house. Setting off with their pet mongoose, Otto and Xavier arrive at their sleepy local train station, but quickly deduce that The Lucky Day is no ordinary locomotive. Their trip on this former tea-smuggling train has been curated beyond their wildest imaginations, complete with mysterious and welcoming touches, like ingredients for their favorite breakfast. They seem to be the only people on board, until Otto discovers a secretive woman who issues a surprising message. As further clues and questions pile up, and the trip upends everything they thought they knew, Otto and Xavier begin to see connections to their own pasts, connections that now bind them together. A spellbinding tale from a star author, Peaces is about what it means to be seen by another person—whether it’s your lover or a stranger on a train—and what happens when things you thought were firmly in the past turn out to be right beside you.
Author: Ahmed Boukous
Publisher:
ISBN:
Category : Berber languages
Languages : en
Pages : 304
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Book Description
Author: Fatima Sadiqi
Publisher: BRILL
ISBN: 9004128530
Category : Social Science
Languages : en
Pages : 355
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Book Description
This text is an original investigation in the complex relationship between women, gender, and language in a Muslim, multilingual, and multicultural setting. Moroccan women's use of monolingualism (oral literature) and multilingualism (code-switching) reflects their agency and gender-role subversion in a heavily patriarchal society.
